American Western | Action Revenge | Full Movie

(gentle music) (cinema reel clicking) (gentle music) (somber music) (somber music) (anxious music) (tense music) (gold jingling) (tense music) - Hurry up. You about done? - Yeah. - Come on. (tense music) Let's get to the horses. (upbeat music) ♪ Daddy sailing to the wind ♪ - Whoa, boy, I won again (laughs). - You ain't fixin' the hands on me, are you? - Oh, come on, Nico, don't be such a sore loser now. - All right, all right. - Let's have another drink. - Go ahead. - Excuse me. Miss Rita, how a

bout giving us a bottle of your finest whiskey. - Sure. - I think she likes you. (tender music) Much obliged, Miss Rita. - Howdy, Rita. How you doing today? - Working hard, like I always do. - I suppose so. - I'm guessing you boys are heading to Mexico tomorrow. - Yeah, gotta get outta Monterey. - Well then, safe travels to you. Nico. - Rita. - I need to step outside real quick. I need some fresh air. - Ah, don't worry, she'll be coming back. Oh, hello. What is your name, Miss Thing? - Mary. But

for the right price, you can call me whatever you like. - Oh, I likes the sound of that. How about you and I get better acquainted? - That depends. Are you a real cowboy? - I say we go upstairs and I'll show you, little darlin'. - Sounds good, Cowboy, come on. - Oh yeah. - Hey, boy. Don't you forget first thing tomorrow morning we gotta go to Mexico. - Oh, don't you worry, my friend, I'll be ready. You have a good night, you hear. - All right, buddy. Take it easy on him now. - [Lance] Oh, Mary.

(upbeat music) (gentle music) - You visiting your Pa? - Sure am. He always loved you. God knows why. - He was a good man, your Pa. (gentle music) You mind if I stay out here with you? - Do what you want. Like you always do. - What's that supposed to mean? - It means you're always coming and going. Can't stay in one place for too long, can ya? - Ah, you know why I gotta do that. - Yeah, I know. Follow the stars. Ain't got no time for no settling down or anything like that. - Well, it's not that

I don't want to. I can't, that's all. - I know. I reckon that's just how it goes. - Who knows? Maybe simple life would've done me some good. Could have got a wife, raised some kids, had a family. - (chuckles) Come on now, Nico, we both know that ain't you. You ain't no family man. - It depends who it is I'm coming home to, honey. - Well, said you'd never break my heart. But every time you leave, my heart gets broken. Oughta get used to it by now. - Well, I never wanted to break your heart. I pro

mise you about that. - I know. I reckon it's just how things go. - Yep, it's how it goes. - So you gonna miss me when you're in Mexico? - Of course I am. - Am I gonna see you again anytime soon? - Yeah, I'll be back one day. Don't know exactly when but I'll come back. - Well, what am I supposed to do until that? - Go on living your life. It's all any of us can do. - I really hate you sometimes. - I know you do. (tender music) (gentle music) (horse neighing) (anxious music) (tense music) - Nico.

(Nico groaning) Nico, wake up. - What's wrong? - The Marshals are here. - Nico Reins. Lance Holden. This is Captain Harrison of the United States Marshals. You're both wanted for robbery and murder. You have five minutes to come out and surrender or we'll begin firing. (tense music) - Where? - Outside the saloon. They're asking for you and Lance to surrender. - They came early this time. Must be Captain Harrison. (upbeat music) - I repeat. You have five minutes to come out and surrender or we'll

begin firing. - What are you gonna do? - The only thing I can do. - You crazy son of a bitch. (upbeat music) - Hey. - Looks like they caught onto us. - Yeah, I guess they did. - You think we could take them? - Not if they got dynamite? - Dynamite? Nico, you can't let them blow up my saloon. - Well, honey, I'm gonna try to avoid that, okay? - How? - Right now all you gotta do is get behind that bar and hide. - Please tell me you have a plan. - Gonna give 'em my answer. - What's your answer? - La

nce, hand me a raffle. - Are you crazy? You can't just shoot your way out of this. - I said get behind the bar. I can't have nothing bad happening to you. Come on, go hide. Come on now. (tense music) Stay down. - Oh, gentlemen, your time is up. So what's it gonna be? - Well, suppose we'd better talk to him. - I hate to do this on an empty stomach. Haven't had breakfast yet. - Tell you what, buddy, we got out this one alive, I'll buy you breakfast. - You got yourself a deal. - Morning, Captain Ha

rrison. How are y'all boys doing today? - Oh, we're doing mighty fine, thanks. Things'll be a lot better if you boys will just surrender and come out nice and easy. (tense music) - Yeah, I understand. However, we're unable to accommodate you at the moment. - How come? - We ain't had no breakfast yet. - Oh, sorry, gentlemen, but that ain't my problem. - I figured so. Still can't blame me for trying. - All right, Reins, this is your final warning. You boys better come out peacefully or we gonna ma

ke you come out. - Damn it. What are we gonna do? - We do what we do best. (guns booming) - Take them. (upbeat music) (guns booming) ♪ You're in danger, I'm a threat ♪ (guns booming) ♪ You know I ain't lettin' up, my foot is on your neck ♪ (guns booming) ♪ Really y'all don't know this ♪ ♪ You're in danger, I'm a threat, I'm a threat ♪ (guns booming) ♪ You know I ain't lettin' up, my foot is on your neck ♪ ♪ Take my word for it, that's a promise and a threat ♪ ♪ I never really wanna flex my gifts

♪ ♪ But I think it's my time, let me check my wristwatch ♪ (guns booming) (guns booming) ♪ We with it, we goin', we flowin' again ♪ ♪ I might just go buy a Benz ♪ ♪ I might just blow my advance ♪ (guns booming) ♪ I'm gonna break every ceilin' ♪ - Keep at it, boys, they're gonna run outta ammo soon. (guns booming) - We ain't gonna be able to hold 'em off much longer. - What you wanna do? (guns booming) - We gotta make a run for the horses. ♪ 'Cause I'm next, I'm a threat ♪ (guns booming) - I'm g

onna go in with the gold, then you hold off the Marshals, and I'll meet you out front with the horses. And we'll take off to Mexico together. - All right. ♪ Take my word for it, that's a promise and a threat ♪ ♪ Really y'all don't know this ♪ ♪ You're in danger, I'm a threat ♪ (guns booming) ♪ Really y'all don't know this ♪ ♪ You know I ain't lettin' up, my foot is on your neck ♪ (guns booming) ♪ Take my word for it, that's a promise and a threat ♪ ♪ I've been feelin' spectacular ♪ ♪ Flow so sic

k, it's hazardous ♪ (guns booming) ♪ And I don't care about critics 'cause they talk too much ♪ ♪ And I gotta keep grindin', findin' myself ♪ ♪ I ain't gon' stop 'til I know I had enough ♪ (guns booming) ♪ I'm poppin' these bottles just like I'm a genie ♪ ♪ I'm glad that you made me, it's all in my DNA ♪ (guns booming) ♪ I don't do this for my health ♪ ♪ Every threat is a champion ♪ (guns booming) ♪ I don't need your money, you can pay me in respect ♪ (guns booming) - You better get going, boy.

Don't forget the gold. - I'll meet you out forever. Good luck, buddy. ♪ 'Cause I'm next, I'm a threat ♪ ♪ Really y'all don't know this ♪ ♪ You're in danger, I'm a threat ♪ (guns booming) ♪ Gamble wit' your life 'cause you know that it's a bet ♪ ♪ You know I ain't lettin' up, my foot is on your neck ♪ ♪ Take my word for it, that's a promise and a threat ♪ (guns booming) (horse hooves thumping) (horse neighing) - [Adams] Ah, Captain, he's getting away. - Let him go. We want Reins. ♪ Take my word f

or it, that's a promise and a threat ♪ (guns booming) ♪ Eatin' real good, so a man's gon' floss ♪ ♪ You a frisbee, man, so that mean you get tossed ♪ ♪ Bought a new crib, studio in the back ♪ ♪ Numbers ran up, had to split it with the chaps ♪ - Where the hell is he going? - As far away from here as possible. - What do you mean? - I mean he ain't coming back. - But why did he leave you here? - Stay inside. (tense music) - Where the hell are you going? - All right, Harrison, I surrender. Come on i

n and get me. I ain't got no weapons on me. (tense music) - Tie him up. - What did Lance promise you? Half the gold, Captain. - Sir, I don't know what the hell you talking about. - [Rita] Nico, don't. - Rita, get outta here before they do something to you. - [Rita] I don't care, I love ya. - I said get the hell outta here. - All right now, that's enough of that. Now sit down. - Get your hands off her. - Let's go, Reins. - He's got a whole lot of walking ahead of him. (anxious music) - Come on. -

Darlin'. (anxious music) - Give me some water. (tense music) - Ain't gonna happen, boy. - I said, give me some water. - Keep your ass moving. (tense music) Come on, Reins. Don't die on me yet, we didn't even get to the prison. Wake that boy up. (foot thudding) - Come on, get up. We gots to keep movin'. (foot thudding) I said get up. (determined music) Ah, look at that. He's back from the dead. (both chuckling) - You wanna kill me, don't ya? - Sure, it looks like he wants to kill you, Captain. -

(laughs) You said before, well, here you go. Now's your chance. Come on. Come on, Nico, pick it up. Hit me. Shoot me right between the eyes. Huh, do it, go for it, huh. Here's your time, come on. Hell, smaller than I thought. All right, let's keep at it, boys. We wanna get there by sundown. (tense music) (anxious music) (anxious music) Well, here we are. The Devil's Castle. Ever heard of it, Reins? - Yeah, I've heard of it. - Good. Well get used to it, 'cause you're gonna die in this place. - C

aptain. - Tarley, how you doing? - Still kicking. - That's all we can do, right? - This here Reins? - That's right, in the flesh. Consider this your welcoming party. - Come on, man. (anxious music) - As soon as he's ready, I'm ready. (anxious music) Okay. (whip whooshing) (Captain laughing) He's a tough one, ain't he? - Don't worry, he'll break. (whip whooshing) (anxious music) (whip whooshing) (anxious music) Told you so. - Go ahead, take him down. (Tarley chuckling) - Bye-bye, Reins. (both lau

ghing) Yeah, listen here, you boys lock him up real good. - Don't you worry, he ain't gonna go nowhere. (both laughing) - Nice doing business with ya, Tarley. - Ooh, the pleasure is mine. - Let's go, Adams. (Tarley chuckling) (anxious music) - We still got some more water? - Have some? - Yeah, we got water. Who's that? - Take it easy, boys, it's just me. - Shit. Don't be sneaking up on us like that, goddammit. - What took you so long to get here? - Had to wait until the road was clear. Didn't wa

nt anyone to see us together. - Wise decision. - Here as promised. - Oh, you're a man of your word, Holden. I sure do appreciate that. - Is he locked up? - Oh, you bet your ass he is. You ain't never gonna have to worry about seeing Nico Reins ever again. - I never said I was worried. - Be that as it may, that boy ain't going nowhere (laughs). - Yeah, looks like our business is done here. I'll be on my way. - Where you headed? - [Lance] Mexico. - Well, don't stay there too long. - And why is tha

t? - [Captain] Because I need to get back here in town. - What about the law? Isn't there a reward out for me? - Boy, I am the law around here (laughs). (Adams laughing) - Yeah, I guess you are. - That's right. So you still interested in doing business with me? - Oh I'm interested (laughs). - That's a good boy now. I got some big plans for you, Holden. - [Lance] What kind of big plans? - [Captain] Wait and see. (all laughing) Come on, all right, you guys, calm down. What the hell is going on her

e? - That Mexican stole my bread and when I went to get it back, Reins attacked me. - That ain't what happened and you know it. This man was sitting here minding his own business and Clausen came and stole his bread from him. - You speak English, boy? - Yes I do. - Well, what went on here? - He stole my bread. - That's a damn lie. Who are you gonna believe? Me, Reins, or some Mexican? - Huh? Barnes, take Reins and the Mexican here to the whipping post. - You son of a bitch. - Come on, come on. -

See you later, boys. Have a good time. - No, please, steal the bread. - Nobody cares. - [Clausen] Thank you, Tarley. Much appreciated. - Oh, you just cut that out all right now. - I didn't steal the bread. (whip whooshing) - Tarley, come on, he's had enough. (whip whooshing) - You, shut up, I ain't done with him yet. - He can't take no more. You're gonna kill him. - You're next, so stop running your mouth. (whip whooshing) (gun booming) - All right, don't move. That's right. - Now, take it easy

. No need to do nothing crazy. - Cut him loose, go ahead. Nice and slow. Nice and slow. Hold on, boy, you gonna be all right. Where are the keys? Get up, boy. - In my pocket. - [Nico] Yeah, don't move, keep your hands where I can see 'em. Get up, boy, get his gun. - You take it easy now. No need to do nothing stupid or crazy, you know. - [Nico] Get the keys for me too. (anxious music) - Come on now, be sensible. Gotta be reasonable here. - Give them the cuffs. Get your head against it. Go ahead,

turn around. I think you're gonna like this. (whip whooshing) (Tarley yelling) - No. (anxious music) (Tarley yelling) Help. Stop it. (whip whooshing) (anxious music) Stop it, please, I can't stand it. Help me, somebody, help me. (Tarley sobbing) - I'll see ya in hell. (gun booming) - We must go to Mexico where my family is. - Ain't going no Mexico. I got business in Monterey. - Jefe, you saved my life. I cannot go back to Mexico until I repay my debt to you. - You come with me, you might die. -

Then I die repaying my debt to you. - All right then. What's your name? - Juan Sagato. - Nico Reins. Nice to meet you. (upbeat music) (wind bellowing) (wind bellowing) (wind whistling) Who are you? - Easy now. My name is Ferguson and this is my farm. Where you boys headed? - Monterey. - Monterey. My wife cooked up so supper. Would you care to join us? (upbeat music) - That's mighty kind of ya, but we need to be on our way. - Yeah, I kind of figured that. But you also gotta eat. - He's got a poi

nt. - All right then, thank you. - Pleasures all mines. - My name's Nico. This, here's Juan. - Please to meet you. It's fixing to get dark soon. You fellas have a place to stay? - No, but we'll figure something out. (upbeat music) - Well this is what we're gonna do. I have an extra room in the barn, you boys can stay there for the night. Get cleaned up, get some rest. I'll send you off first thing in the morning, couple of fresh horses. - You got yourself a deal. - It's a deal. What you say, we

get us some supper. (gentle music) You boys be safe. (speaking in foreign language) (speaking in foreign language) (gentle music) (upbeat music) (gentle music) - Fellas, can I get you something to drink? - I'll have a tequila, please. - And for you? - I'll take a whiskey. Make it a double. - Nico? - Howdy, Rita. - I guess that went pretty good for you, my friend. - I'll be right back. Mary, you still working here? - Nico, I thought you were dead. - Not yet, honey. Take care of my friend, will ya

? - Can I pour you a drink, Cowboy? - Absolutely. - What's your name? - Mary. - Very nice. (gentle music) Muchas gracias. - You all right? - I thought I was never gonna see you again. - Come on now, you know it's tough to keep me locked up for too long. - I always wondered if you were still alive. - Alive. Barely alive but alive. - How'd you escape? - Was that the right place, the right time with a lot of luck. - You were always lucky. - Spent the last five years in prison, don't know if I'd con

sider that lucky. - (chuckles) Well you survived, that all means something. - You always was optimistic, weren't you? - Oh, are you boys hungry? Would you like me to make you something to eat? - Thank you, that's mighty kind of you. - Of course, you boys must be starved. - Rita. What happened to Lance? - Why? - I wanna know where to find him. - It's best not to know. - Tell me where he is. - You got that look in your eye. I've seen it before. - What look? - That you're out for blood. - He double

-crossed me. Got me tossed in prison for five years, remember? - You don't need to remind me what he did. I know. - Tell me where I can find him. - Come look for yourself. (upbeat music) (upbeat music) - Good morning, boys. - Howdy, Sherif. - Howdy, Deputy. - Some papers arrive here for you to sign. - All right, then we'll go on my desk and take care of it. - Sure thing, Sherif. - You boys keep an eye on things. (upbeat music) - So now you know what happened to him. - How? - This town's more cor

rupt than it's ever been. Lance stayed away for about six months and then Captain Harrison brought him back, pardoned him for his past crimes, and even made him Sheriff. Adams is now his deputy. They run everything here. - What happened to Harrison? - Lives off some land in Millers Creek about 10 miles outside of town. - Lance must have bought everyone off with the gold that we stole. - Wouldn't be surprised if he planned it from the start. - Yeah, I wouldn't put it past him. (speaking in foreig

n language) - It hasn't been easy all these years. That's for damn sure. - I'm gonna see to it that wasn't all for nothing. - Well, how are you fixing to do that? - That's my business. - Don't go pressing your luck. - Well, what do you want me to do then? - Stay here rest for the night, then head to Mexico first thing in the morning. You'll be safe there. - I am gonna go to Mexico after I settle up with them boys. - Nico, don't go pressing your luck. You've been given a second chance in life. Le

ave this place and don't ever come back. You'll finally find peace for the first time in your life. - Ain't gonna be no peace as long as they're still alive. You understand? Hey, (speaking in foreign language). I'm sorry. Come on, boy. - Your money. (anxious music) - Captain Harrison. I'm coming for you and Lance. N.R. N.R, what in the hell. - N.R. What do you suppose that means? - Don't know. I was hoping you kind of have some kind of idea. - N.R. could mean anything. (tense music) - Or anyone.

- What are you trying to say? - Well, the only N.R. we ever knew is locked up at the Devil's Castle. - If he's still there. - [Captain] If he's still alive. - He might have escaped. - It ain't possible. No one's ever escaped the Devil's Castle. - You don't know Reins like I did. I used to run in his crew, remember? - So what does that mean? - That means when that boy sets his mind on something, don't ever count him out. - I guess there's only one way to find out. - That's what I was thinking. I

reckon I take a little trip down to the prison and see for myself. - Sounds good, Sheriff. I'll keep an eye on town for you while you're gone. - And you might wanna head on down to the saloon later today. - What for, a drink? - No, not a drink, you dumb ass fool. Reins was mixed up with that girl over there. She might know something. - Well, why I gotta go? I'm supposed to be retired, remember? - Well suit yourself. But don't say I never warned you. - Fine. I'll go talk to her. - Now that's the

spirit, Captain. (tense music) - Good evening, Captain Harrison. What would you like someone to drink? - Hi, Miss Rita, that's mighty kind of you. I'll take a whiskey. (anxious music) - There you go. - Thank you. (upbeat music) You know I didn't just come here for a drink tonight. There's something I need to ask you. - What do you need to ask? - Nico Reins. Remember that boy? - Yeah, I remember him. - Y'all used to have a soft spot for him if my memory serves me right. - That was a long time ag

o, Captain Harrison. - Hey, have you heard from him lately? - No. Wasn't he sent up to that Devil's Castle? - He was, but there's a tiny rumor he may have escaped. - Escaped? Well, I haven't seen him in years. - You're not lying to me, are you? - No I'm not. - Listen up here, everyone. I'm closing this place down for the night. Official business. So it'd be kind of you to just all get up and leave. (upbeat music) - What the hell are you doing? Those are my paying customers. You do like to get pa

id, right? - You just back up there, you little baby, or I'll kill ya. - Damn it. (fist thudding) (Captain chuckling) - Oh, you got a mean old punch there, honey. Oh, I sure do like that. Come over here (laughs). (tense music) - [Rita] Get off it. - [Captain] Reins. You did escape. - Yeah, that's right. Came back to settle up with you boys. - Oh, now's as good a time as ever. - Just thinking the same exact thing. (tense music) (gun booming) - So much for me thinking he was faster than you. - You

all right? - I'm fine. But you boys need to get out here as soon as possible. Lance will be here anytime. - That's what I'm counting on. I'm with Nico 'till the end. - You're both fools. - Probably right about that. - Huh, we need to get rid of that body. - Don't worry, know exactly where to put it. (tense music) (door knocking) Who is it? - It's Rita. - Come on in. - How you doing? - Hanging in there. - I thought I'd come check in on you. - Appreciate it. - I always wondered if you were still

alive all this time. - Five long years living like an animal. - I can't imagine what you went through. - All them times in prison, saw a lot of people die. Always wonder if it's better to die than go out living the way we was living. - That goddamn Lance. He stole everything from us. - That's why I gotta end it with him tomorrow, honey. - What if he's the one who ends it with you first? - Then I die the way I lived with a gun in my hand. - I don't know who the bigger fool is. You or me still bei

ng in love with you. - You're still in love with me? - Even after all of these years. I thought about you every single day. (tender music) - Every day in prison, all I thought about was killing Lance. That's what kept me living. That's what kept me going all that time. - Why can't you and Juan just leave for Mexico tomorrow? You don't have to face Lance if you don't want to. - I live my life one way. Right or wrong. That's how I live it. - Well, I ain't gonna cry for you no more. I've been cryin

g for you for way too long. - I didn't mean to make you cry. - That's a lie. - I ain't never lied to you. - Liar. - Well, not a lie anyway. - Well that sounds more like the Nico I know. - I'm getting tired of talking. (tender music) (tender music) - Just step aside, boys. Now what the hell's going on around here? Nico Reins. You son of a bitch. When did this happen? - We's found him here this morning. - You couldn't keep your eye on this town just for one day now, could you? - Sheriff, how was I

supposed to know this was gonna happen? - Shut your mouth, you son of a bitch before I hang you myself. Come on, boys, we're heading off to the saloon. (upbeat music) - You think he's inside? - Trust me, he's inside. (anxious music) - Nico. Nico. I got no time to be messing around with ya. So listen up. I'm gonna give you five minutes to come out and if you don't come out of in them five minutes, we're gonna use our dynamite and we're gonna blow the whole place up. And I don't give a shit who's

in there either. - How's it looking? - Not too good. He say he got dynamite out there. He gonna blow this whole saloon out if Nico don't go out there. - He can't blow up my saloon. That's all I've got left. - They got dynamite. We can't fight no dynamite. - So what do we do? - Gotta do what I gotta do. (tense music) - What are you doing? - Don't want nothing bad happening to y'all. - You can't be serious. - As long as I go out there ain't gonna do nothing to y'all. - No, no, there's gotta be an

other way. - You've been a good friend. I relieve you of your debt. (speaking in foreign language) - At least this way, you'll be safe. - You better go. 'Cause I told you that I ain't crying for you no more. - Don't go wasting your tears on me, honey. - Son of a bitch. (tense music) - All right, I surrender. You want me to come in and get me. I'm unarmed. Come on, boys. My hands are right here. (anxious music) - Chain him up. Good morning, Nico. - How you doing, Lance? It's been a long time. - S

ure has. I'm the sheriff now. So what do you think about that? - Well that's good, Lance. It's real good. You ought to be proud of yourself. - Hmm. And you've been pretty busy lately, haven't ya? - Yeah, one might say that. - I can't wait to hang you myself tomorrow morning. - Whatever you think is best, Lance. - Hmm. Well, thank you for your accommodations. Now lock him up. - Come on, Reins. Move it. (anxious music) No, I ain't no left-handed gun, boy. I might just slip (chuckles). (Adams laugh

ing) - [Lance] Adams, I need a minute with the prisoner. - You got it, Sheriff. (anxious music) - Hmm. Can't seem to die, can you? - Guess I'm a stubborn person. - You always were. - Always will be too. - Yeah. Until tomorrow. You're dead. - I ain't scared to die. - And why is that? - 'Cause when you and me meet up and hell, I get to torment you for an eternity. - So that's the way it's gonna be. - Why did you do it, Lance? - Do what? - Send me up the way you did. - I was tired of living in your

shadow all them years. - Thought you and me were supposed to be like friends or something. - Come on, Nico, there's no friends in our line of work. - Always did right by you, Lance. - You did. Never said you didn't. But I saw an opportunity for myself and I had to take it. - Even if it meant double-crossing your friend. That's low, Lance, even for you. - Well that doesn't seem to matter much now does it? Because the past is in the past. And by this time tomorrow morning, you're gonna be dead. -

Oh, you better hope I'm dead. - Oh. And I'll make sure to get plenty of attention to your little lady friend at the saloon. My personal attention. - Double-crossing bastard. - (chuckles) I can't wait to hang you myself tomorrow. (tense music) - [Adams] You got a visitor, Reins. - Rita. - I'll give y'all a minute, but you make it quick. - I asked if I could come visit you. - How you doing, honey? - Good as it can be expected under these circumstances. - Yeah, I know. - Nico, why did you surrende

r so easy back there in the saloon? - I didn't want nothing bad happening in your saloon. - You fool. You should've left when I told you. - You always were smarter than me, Rita. - That's for damn sure. - Listen, Rita, I wanted to say I'm sorry if I ever hurt you over the years. Caused you any pain. I never meant to. - But it doesn't really matter at this point, does it? (gentle music) - No, I guess not. - But I take your apology anyway. - Thank you. That's mighty kind of ya. - Miss, I'm sorry b

ut your time's up. - I guess I better be going. - Yeah, I guess so. - I'll always love you. - Love you too, honey. Wherever you go, I'll always be with ya. (gentle music) - What do you think, what do you think, you wanna go for it, boy, huh? You wanna go for it? I told you my left hand's a little slow, you might get me. You wanna go for it? I told you my left hand's a little slow, you might get me. (door knocking) You would've gotten me, see, it's pretty slow. (Adams chuckling) Can I help you, P

adre? - I'm here to read his Last Rites. - Hey, Reins, Padre's here. Wants to read you your Last Rites. - Don't want no Last Rites. - Come on now, Reins. There ain't nothing wrong with letting a holy man do that for ya. - Said I don't want none. - Maybe you should reconsider, my friend. - Yeah, yeah, all right, let him through, let him sit down. - That's the spirit, Reins. Don't hurt to be blessed before you pass on to the other side. (Adams gasping) (tense music) - And now I repaid my debt to y

ou. - Gracias, amigo. - Perhaps you might need this. - Yeah, I think it'll put some good use. - I have the horses ready. You must go to Mexico before the Sheriff gets there. - Ain't going to Mexico 'till Lance is dead first. - Are you sure this is what you want to do? - It all ends today one way or another. - I'm with you, my friend, to the end. - To the end. Come on. (uplifting music) Come on. (tense music) - Jesus Christ. Adams? Nico. (anxious music) (tense music) - Lance. - Nico. - Here we ar

e. - I guess this is how it was always gonna end for us. - Wouldn't want it no other way. - Well, let's get on with it then. (anxious music) - Yeah, it works for me. - Me too. (tense music) (tense music) (gun booming) - That was a good shot. - Guess I'm faster than you. - You always were. (gun booming) - I'm happy you're alive, my friend. - Thanks. Me too. - I have the horses around the corner. - Give me a second, will ya? Thanks, buddy. (gentle music) - I thought I was gonna lose you there for

a second. - Come on now, you know I'm hard to kill. - You were always lucky. - I guess so. - What now? Mexico? - Yeah. - Well, I'm gonna miss you. - I'm gonna miss you too, honey. I'll come back for you one day. I promise. - You better. (tender music) - I gotta go. - Goodbye, Nico Reins. (upbeat music) (upbeat music) (upbeat music) (upbeat music) (upbeat music)