(somber orchestral music) - Hey, you know what? No disrespect, but... - Shut the fuck up. - No man, it's cool, I've got this. Look, Olivier, no disrespect, but I don't think we need
anymore help, you know? I think we're really close. - You would. - He's right, you know. The more people who get involved, the harder it's gonna be
to clean this shit up. - Yeah, yeah, no disrespect... - Everything you say
and do is disrespectful, you fuckin' ingrate. I asked you to find
where they put the kids. Did
you find them? No. That was disrespectful. I asked you to find Artemis and Cash, did you find either one of them? No! That was complete and utter disrespect, and now you got the audacity to stand here in front of me in my face, breathing. If you or were more disrespectful, I'd had to find your momma, knock on her door, and shoot the bitch in the face. It's obvious you two need help, and I don't give a damn if
you think it's disrespectful. - Yo, this is some bullshit. - Alright. - We're close. -
He who had learned to fly
must first learn to stand, and walk, and run, and climb, and dance, one cannot fly into flying. The way I see it, you
should be thankin' me, since you two can barely crawl. - What? - You have to crawl before you walk. - Yeah, thanks Zorro. Who the fuck is this? Who the fuck is this? - He asked about you
the same thing, homie. - Fellas, fellas, fellas, fellas, fellas. This music, we can all dance to, aye? (flamenco music) - Hey, nice moves, man. (speaking foreign languag
e)
(laughing) - This could be Soul Train, and you can be Don Cornelius, I don't give a flying fuck. - There's a five million dollar bonus on the head of Artemis. 15 million if you get 'em both. Now, come on. Don't that make you want
to twerk a lil' bit? Don't it? - Wow. - We're in the import-export business, gentlemen. It's a billion dollar business. When someone shuts down one of our ports, it costs my employers millions. I promised them these
motherfuckers would pay, and pay they will, with
th
eir fucking lives. Among the thousands of kids they stole, one of 'ems very dear to me, it's a boy. If you find him, there's a bonus for you. Nothing is to happen
to the boy, understood? Understood? - Yeah.
- Yeah. - Now get the fuck outta here and get 'em. Today's your lucky day,
somebody's gonna die, you get to decide who. - Hey Olivier, this
man, he's a profession... Oh! (gasping)
(groaning) - If you you ain't got
the balls, tell me now. - Yo, my nuts, ah. - I don't give a fuck about your nut
s. (groaning) Nothing? Good, now go. Go! And don't come back 'til the job is done. Get! (dark, ominous music) - Max? Don't come in yet, it ain't clear. (rising angelic music) - He's prayin'.
(laughing) Who you prayin' for? - You. - Call Sasha. (keys jingle) - So now what? - Cash is inside. Got some folks with him too. - [Woman] Artemis? - Unfortunately not. - Are you sure? - Yeah, I'm positive. Pissing me off a little bit. But you know this is real easy, I can run up in there, snatch Cash's ass
up of there
and bring him outta here. However you want it, pieces, whole, don't matter to me. Anything to see you
smile, just say the word. - And where's the fun in that? (laughing) Yes, so we're very relaxed. I want them both, Cash and Artemis. I have 50 million reasons
why I want them alive. Now go away, I'll call you if I need you. - All right, I'm gone. But if you need me, I'm a call away. - Jack? Are we gonna strike tonight? They're never gonna see us coming. (groceries crunching) - Think w
e got enough? (phone ringing) Will you let me talk to
him before you hang up? - Cash. They're in my house, man. He's on to us. Check the perimeter, make sure it's good. If he found me, it won't be
too long til he finds you. - He? - Olivier. It's got his name written all over it. - All right, look, we'll bed down tonight, we'll roll out in the morning. How's Max? - He good, tucked away. How about the girls? - Sarah's a little down, I
think she misses her mom. - We'll get her home soon enough. Rei
gn? - Bothersome and impatient, but good. (laughing) She wants to talk to you. - I can't right now. Just find someplace safe first. Then we'll talk. - Hey, that ring we broke? Was connected to 10,000 kids, 60 arrests, biggest in history. - Word on the boy? - Not yet. - Good. Just lay low for a little bit, all right? I'll get in touch as soon as I can. Things outta blow over real soon. - Well I doubt that. - Why? - There's a bounty on our heads. I can tell by the silence that, uh, we're not gonna
have a
reunion anytime soon, are we? - Probably best. - What do you want me to tell Reign? - You the genius. You'll figure something out. - Eyes up. - Eyes up. (phone beeping) (intense percussive music) - Decker, I'm confused. - About what? - Well, it's the trafficking
you wanna stop, right? So why Olivier? - People take other people
and sell them as slaves because there's large demand for it. It makes a lot of money
for a lot of those people. And the harder we try to find
those people and stop
them, they keep thriving. So whether it's the
laundered billions of dollars that they hide or the
missing witnesses that they assassinate, it's the
Oliviers that give them life. - And Miss Espinoza, she's
an international financier. How is she leading us to Olivier? - Well in case you haven't
gathered, trafficking is illegal. So the people that do it need
to hide their money somewhere, and she, Sasha Espinoza, is the best in the business at it. - Okay, well how much longer here, because as far
as I'm concerned
this is a waste of time. I mean, there's gotta be
a way we can figure out something else at this point. - Ellie, trust me, what you
know and what I can find out are two completely different things. - [Ellie] Okay, you know what? This is ridiculous, I don't...
- Hey, they're close. You gotta trust me. - Okay, you know what? This is ridiculous. I don't even know why we're
sitting here and wasting our time with it. - Call Robbie, tell her it's a go. Meet me at that address. - Olivi
er? - We do this right, not just the big dog. All of 'em. - Jack. Come over here. (eerie music) (beeping) - Max. Max. It's Cash. He's in trouble, I got to go. I'm not going to be long. Okay? - Can I come? Please? - I'll let you come. Can't ask no questions. You got to do as you're told. Need you to stay out of my way. Do you understand? - Let's roll. Sasha Esperanzo - Wow. Okay, look. I'm going in. I want you to wait in the car. I won't be long. Five minutes, set your watch. Five minutes. If I'm
not out in five minutes, there's a circuit box
outside of the house, next to the pool. I want you to pull it. Do you understand me? I know. - But, why can't I just go inside... - What did we say at the house? - No questions. - No questions. You cannot go with me, that's final. Okay? - But, what am I supposed to do? Just sit here? It's dark. What if something happens? I'll be all alone. And cold. (chuckles) - Okay, man. Okay. You can come. But you can't come inside, okay? According to this layou
t,
she has a pool in the back. Stand so the light can shine on you so I can see you, you understand? Other than that, stay out of sight. If I'm not out in five minutes... - Pull the switch. Let's roll. (eerie music) (clicking heels) (speaking foreign language) - He didn't answer. - Just give it to me. Listen, Vecchio, I'm not
real good at babysitting, so get here fast and stop
by the bank on your way over to get my five million. Well, actually, my fifteen million. So you've got three hours, or I
'll turn Artemis and
his friends over to the FBI. I don't care who I get it from, someone is gonna pay for my trouble. - Oo, you sagging off Curry? Oo, you sag off, your swag's off. Oh, oh, Pippin went to steal, Oh, do it to Jordan,
it's an hoop, it's an hoop! We throwin' hoops out here. It's over, rage quit,
rage quit, it's over. Let me see what time it is. Oh, I still got time. Box is still there. Dad's still up there. One more game. - So, where were we? Oh I think I know where we were. You ca
me to my house, knocked on my door, trespassing on my property. Carrying this gun. (speaks foreign language) Yes, that's it, isn't it? You think that I'm stupid. (laughs) (slap cracks) (speaks foreign language) - I'm turned on. - What was that? I'm talking to you. - Hey, she's talking to you, dude. Answer her. - It's okay, Jake. I got this. - Know what the funny
thing is about bad people, especially women who
like to hide behind men in their skirts is bad things happen to them. I should know. Cu
z I'm a bad motherfucker myself. You gonna finda out. - Oh, you're a bad boy. I've always had a thing for bad boys. - Yeah? - Be careful, don't be too bad, though. Otherwise mama's gonna have
to spank your little butt. - I ain't had a spankin' in a long time. - Are you threatening me, Artemis? - It's Artemis. - Excuse me? - It's Artemis. And that's not a threat,
that's just a fact. (chuckling) - If you weren't worth five million, I would open your mouth and put that big gun of yours in it, and I
would blow your brains out. - Woohoo! Jordan, that's my boy right there. He clutch, he got ice in his veins. Woo, goin' for the dunk. Man, he so much cheese. Woo, man, he such a beast. Dad! - Speaking of putting people to sleep, night night. (ominous music) (gentle music) It's been fun, but I'm
done playin' with you. I will take this big gun
and blow your brains out. (horn music) Open your mouth and tell me where my friends are. (horn music) (crunching punch) - I won't ask you again. Where are
my friends? (metal door slams open) Shit! It's me. (kicks open door) - Are you okay? - Yeah. - Ah! Did you find him, the boy? Where is he? - He's close. (slaps hard) - [Man] Ready? - Yeah.
- Come on. - You're late. - I know. - One day you're not gonna make it, and I'm just gonna be
sitting there, waiting... You're a smart guy, so you know I'm never gonna
leave your side again. Ever. - Yeah, I figured that. (walkie-talkie squelches) - We got company. Get out of there now! (eerie music) - Hey, lit
tle ladies. You're all so pretty. You guys are out awfully late. I mean, the street lights are on. Do your parents know you're out here late? Are they around here? They gotta be watching? No? No? Let's try camping out here for a while. You, what's your name? - Daisy. - Oh, that's a pretty name. I just like that smell. How 'bout you little one? What's your name? - McKayla. - [Man] McKayla? You? (mumbles) - That's adorable. Okay, I get it. I understand. I know Mommy and Daddy taught
you not to tal
k to strangers and that's good but I'm not a stranger. I'm your neighbor. I live right around the corner. I live on the other block. I've actually seen you before. You haven't seen me before? You remember this face? No? Check this out. You hungry? All three y'all look pretty hungry. Look like you've been
out here for a while. What do you like to eat? I think I heard McDonald's. Is that right? Good. There's a McDonald's
right around the corner. We gotta hurry up. I'll take you guys to
McDonald's
and I'll bring you right back to your Mommy and Daddy like, and they'll never know that you left. How's that? Alright, come on, let's get in. Open that door. We gotta make it quick. McDonald's is closing in 10 minutes. Come on. (knocking) - We need to talk. Where's Frost? Hello? Where's Slick? - Hey girls. Do you guys know what
the word "traffic" means? No, I'm not talking about the 405. You see, the man's car you just got into, he's a world-renowned trafficker, drugs, girls, doesn't matter. So,
you need to be careful on
who's car you get into, okay, 'cause it might be your last time. So, let's go. Come on, let's go. Come on, little one. Alright, now go. Go. Hi, Tunes. - Nothin', huh. You don't know nothin'. I get it. It's admirable, loyalty. Beautiful thing. The problem you have is I'm gonna test that loyalty. - You're gonna love this. You see these two guns I
have pointed at your head have hollow points in them, which is gonna splatter
your pretty little head all over this car. But t
he good news is, only
one of them has a hollow point ready to go and the other
has an empty chamber. Let's see how this plays out. - So, the questions are Where is Frost? Slick, answer or Vex pulls the
trigger mother fucker. - He's back at the house waiting for me. - You see how easy that was? Why do you make me play games with you? All I want is the truth and because you told me the truth, I'm gonna let you pick. - Pick what? - Which one of these guns has the bullet. You have three seconds. One
, two, (gun clicks). Damn it. - Shit, that was close. Shit. That shit was close, huh. So, I assume while you're
out here chasing young girls, you neither kill or found Artemis. Any more girls in the car? Start the car and let's go get Slick. (car starts) - Olivier, get in. - Decker. Decker. Nice house. - You two, front. I'm going around the back.
- Okay. - Just walk in, cause
that worked so well for you the first time. - I didn't ask for you to come. - Last time you went solo,
you got yourself s
hot. - Okay, look. - You know what? - Let's save this menage
a trois for later. Now, let's work. - Decker, set your clock. Okay, check the perimeter,
you come in through the back, we will come in through the front. If we time it right,
they'll have no place to go. - Now. - Lock and load. Ride always gets bumpy when Decker drives. Back. Back up. That's right, back up. (dark ambient music) - If you decide to try me, I will shoot. - Keep you hands the way I can see them. Now back up. I said back th
e fuck up. - [Decker] Forget something? - Tell your girlfriend to
get the gun off my son. - [Ellie] What? - Everybody, just be cool. - [Robbie] Don't move. - Easy Robbie. Reign. - [Reign] Decker. 2300 SAT, 35 ACT, top of your class MIT. Eight years special ops, sniper division. - Is there a point to this, agent? - That you shouldn't be hangin' around with killers and traitors. That you should be smart enough
to know where that gets you. - What's that? - Shot or caught. - Ooh. Killers and traitor
s. I should be askin' you the same question. - There was a recent attempt on my life by a number of assassins, namely Olivier, and Artemis. But you wouldn't happen to
know anything about that, would ya? - I don't know nothin'. - You don't know nothin'. - [Man] Nope. - Nope. Well know this, I'm gonna track him down, and when I'm down with him
and your friend Artemis, I'm gonna come for you. (ominous music) - I'll be waitin'. Are we done here? - And the hits keep on comin'. - I'm really getting
im
patient with all this shit. - [Woman] Frost isn't answering. - Why did you betray me? - Betray you? Why you didn't warn me about Frost? Did you kill him? Did you? - Let's just say he's probably
not gonna answer the phone. - [Woman] Would you like
to leave him a message? - Why are these two
plagues still breathing? If I find out you've crossed me, I'm gonna drive a gasoline
truck down your throat and light that bitch
with your mother's dick. - Sad. It's sad, isn't it? You know, I told him
that if
it was up to me, I'd take both of you out back
and put bullets in your head. But, for some reason,
which I can't explain, he seems to think that
we still need you guys. So, here we are again, boys. - What do you want from me, huh? Haven't I done everything
that you've asked me to do? - [Other Kidnapped Man] Stop begging. They're gonna do what they're gonna do. Your quivering ain't
gonna fucking stop it. - Kunta Kinte. Y'all heard of him? Anybody? Kunta Kinte. He was a slave. Worked for a white
business man. Kunta was good for business
but Kunta had a problem. He was out of control. He liked to run away. So, in order to teach him a lesson, - Oh, shit. - In order to keep him in control, they changed his name to Toby. And then they cut off his feet. I mean, it makes perfect sense, you know. You can't run away if you
ain't got no feet, right? Oh, much hotter, much hotter. God, where was I? Oh yeah, yeah, so, no I'm
not gonna cut off your feet 'cause I need you to be able to walk and do wh
at I fucking pay you to do. But what to do? What do I do? The first thing they did to old Kunta when he disappointed them
was, anybody's guess? Hm? - [Man] Whoop him. - Whoop him. Yeah. So, who's gonna be the first
to take this ass whoopin'? Huh? I'm getting that somebody's ass. Eeny, meeny, miny, moe. - Slick. Stand up. Stand up. Pull down your pants. Pull down your pants. - [Man] Just pull down your fucking pants. - [Olivier] Bitch, hurry up. - Never help the latter. (laughs) (screams) - Next
time, the next time
I tell you to do something and you don't do it, I'm
a let her kill your ass. (whip) You understand me? Say! (laughs) (whips) This is a Kunta Kinte, mother fucker. - Did you check on the girl? - [Woman] Which one? - Sarah. - Ah, yes. She's checked out. She's a little traumatized, which is appropriate considering
what she's been through. And if everything's on schedule, she is on her way home. - Reign? - She's with us. Chained up like you asked. - Good. - Can I ask you a simple
question? Why are we here? Why aren't we taking them to headquarters? What's happening here? This is madness. - First off, we have nothing on Cash. We'll follow him, but we have to let him go, so there's no need to bring him in. Yes, he's working with Artemis. But for what reason? How? Why? I don't know yet. The boy holds a wealth of knowledge on Laz and all of his proceedings, so I took him to headquarters just in case anything went wrong here. But the boy's the key. And as long as we have him
, we're good. And lord knows they've had Laz on the radar for a long time. So. - Dante. (slow piano) - Dante, Laz, Lazarus, killer, smuggler. Whatever you want to call him, he's wanted. But the boy, the boy's the key. And as long as we have him, we're good. If Rain is as much of a victim as is anyone in this so. - Oh, you think so. - Robbie. Robbie. Robbie, he knows what he's doing, okay? These people have to be stopped. Especially, Olivier. And there's no getting to Olivier without Dante and Ar
temis. And as long as we have Reign, we have Artemis. - And the job is really quite simple. If we do it right, one of those players is gonna lead us to Olivier. Put down the Big Dog, and it all goes down. And I'm gonna do everything, everything in my power to make sure that we stop them. Gettin'. For good. So you with me? (quiet slow synthesizer) - Yeah. Don't worry about her. She'll come around. Anything else you need me to do? - Call Stone. Tell him to come alone. If he asks, tell him we're in
the cave. He'll know what to do. - [Woman] You got it. (mysterious slow synthesizer) (thumping) (grunting) - This ain't right. - That's one perspective. - This has gone too far. - You losing your nerve? - You losing you mind? Kidnapping? Illegal search and seizure? Assault and battery? What's next? - Let's to do everything we can to protect the innocent. Anything and everything. - Big Dog is still barking. That, my little ladies, is a problem. A problem that we can solve. - Where's Artemis? Whe
re's Reign?
- We have all the players. So let's play. (clicks tongue) Ellie, where is Artemis? - In the trunk. - Can you get him please? - This is careless. You better hope this doesn't backfire and blowup in our face. - This is necessary. Now go get Reign to talk. She knows more than what she's telling us. But stay on your toes, remember she's CIA. (blood dripping) (shoes clattering) - Hey. Let's stop for a second. - [Ellie] What? - This has gone way beyond anything that I'm comfortable with. A
nd I'm sorry that I
dragged you into this. But if you want out, now is the time. You might not have another chance. (somber music) - Robbie, when I was a little girl, seven years old, a man came in through my window and put his hand on my mouth. He took me away. Three years I was kept from my parents. For three years I was forced
to do things that (scoffs) I can't even think about. A lot of people stood by and did nothing while I suffered. A lot. I can't. - Look at me. - If you stand for what's
right or you're part of what's wrong. - Okay. But who determines what's right? You? Decker? I am sorry about what
happened to you, I am. But that's not what this is about. These people haven't done
anything wrong that I can see. This is simply another one of
Decker's personal vendettas. - (clicks tongue) Sometimes
you gotta just say fuck it. Fuck it! And draw a line in the sand. (scoffs) Robbie, I'm a be honest. This isn't really about Decker. It's about Reign. (somber music) - In the immortal w
ords
of a great friend of mine, let's work. (suspenseful music) Shit, she's gone. - Okay, okay, check the perimeter. I'll clear the house. - Okay, go. (footsteps thudding) (dramatic music) - Oof. - Here I am in front of
one of the most dangerous men in the world. You wanna know what I'm asking myself? - What? - Why? What makes you so special? 'Cause if you ask me, you're just a refined street corner thug. - Where's my son? - CIA. You're a big strong tough guy. Why don't you go in there and get h
im? - I will. Reign? - With me. - Cash? - Under surveillance of course,
but my beef's not with him. And that is the last question
that I will answer from you. Do you understand? - Yeah. - Yeah. I don't like you Artemis,
but you already know that. I don't like one thing about you. And if I had it my way, I would wipe out you and all
of your kind from this planet. Oh oh oh, hold on, you
wanna listen to this part 'cause this is where it gets good. And when I wipe you out, I
would start with you too
. - Digger, digger that you? Hope you came to give your boy a rest. He's starting to hit like my grandmother. Man, Digger, you dumbass, you want to threaten a man with death, when he aint got shit to live for. - Recognize him? (heavy breathing) - Dante, dying. (laughter) - What's so funny? - Where is he? - He got him. - Just the two of you? - Reign too. - Reign. (laughs) - He got all three of
us in the same building. (laughs) Digger got balls, boy. - Why are you here man? - Are you blind? He's m
y fucking prisoner. - Like a prison could hold him. - Got no... Got no place to be. Besides, I'm Digger's prisoner. (laughs) - I'm in control here. Not you. Shut the fuck up. - No, you know I love him right. - That's my kid, Dante. - Then what the fuck are you doing here? - Still have ears in the wind. Can't find him. - I said shut the fuck up! What part of that do you not understand? - You, and Max, and Reign,
and your garbageman, and your mailman, and Digger, none of you motherfuckers are safe
. As long as that piece of shit
father of mine is still alive. - I said, this needs to stop, now. - If you love the boy so
much why don't you leave, and get out of here. And help me find him. - What the fuck about shut up do you not understand? - You sure you want me out of here? - We'll just deny it. - That's it! What I say goes and it doesn't
go until I say it goes. - For life. - Come on, get the fuck
up, get the fuck up. - Don't worry this won't take long. - You can come out now. (soft guitar
) - So that was fun. I have a lead on Frost. - I'm tired. - You know you can rest then? I can handle it. You know he's only gonna be where he's at for a short period of
time and we don't know if we're gonna have another chance. - About a month ago, two
men entered a business, a business that employs
us, disguised as clients. They walked out of that
business with a lot of money, paperwork, but most
importantly, a lot of children. One in particular. Those two men, Cash and Artemis. The child in qu
estion, my grandson. If you fail, and draw
attention to us by doing so, thereby making it almost impossible for me to find my grandson, the consequences you will
suffer will be grave. - I won't fail. (suspenseful music) (piano music) - [Recorded Voice] I don't
care who I get it from. Somebody's gonna pay for my trouble. - It's taking everything in me not to blow your fucking brains out right now. No wives, no children, no
relationships of any kind. Remember? These are liabilities. Liabilities th
at will be used
against you by your enemies. Fucking women. Make the highs higher, and
the lows more frequent. I oughta blow your fucking brains out. I could kill you right
fuckin' now without a memory. Bitch I kill like I breathe. I will blow your fuckin'
brains out fore you bat an eye. Do you dare me bitch? You fucked up! Bitch. (footsteps) (ice clinking) - I knew you wouldn't let me die. - You don't know shit. You don't know a goddamn
thing, you shut the fuck up. Now get up bitch. (suspensefu
l music) - Hey, Tunes, check that out. - Fuckin' foo-kayzy. (clicking sounds) (slow synthesizer effects with heartbeat) - Hi, cowboy. - It's Slick. Kitchen. - Nice haircut. - Thank you. - Yeah. - Kitchen. Now. - Yeah, it's good to see you, too. You brought me here to talk. Let's talk. (dramatic synthesizer) Who are these clowns? - Who you calling a clown, homes? - [Associate] Tunes, handle
your boy before I do. - [Tunes] Slick. Calm your paranoid ass down. - Now that we've all
got to know one an
other, I just wanna be clear. If Olivier wasn't hunting everybody, I wouldn't even be here. - Slick, hear me out, all right? None of us in this room like each other all that much, all right? In fact, the only thing that we have in common is Olivier. And the truth of the matter is, if we go at this alone, we're as good as dead. But together, who knows? - (speaks in foreign language) We need to start hunting now! - I agree. But let's be smart about this, all right? If we put ourselves out in the o
pen, that's exactly what he wants. It's not safe. And it's not smart. So, we lie and we wait. We play dead like opossums. All right? - I'm done gettin' my ass kicked. This time, we start doin' the ass kickin'. - [Angry guy] We need to start hunting. - To the death. This time, he has to die. - So the million dollar question is, "How?" How we gonna do this? - The boy. - What the fuck? - The boy. - [Tunes] Who the fuck is the boy? - You're gonna love this. (slow dramatic synthesizer) Looks like you
got yourself in
a little bit of trouble here. You need a little help? (speaking in a foreign language) - I wish you'd stop doing that. - You need my help, and
this can all go away. You only have to. - Would you cut the shit, cut it. Now last you slipped up outta here when you started playing with these fools. He's going to leave. When he does, he's gonna get my son. And they're gonna disappear. And I won't be able to find him so I need you. You tell me what it is you want. And get me the hell o
ut of here. Now. - First off, don't you ever
put your hands on me again or I'll cut them off and I'll pickle them. (speaking in a foreign language) (dramatic music) (speaking in a foreign language) - Yes. - Sorry I didn't hear that.
- I said yes. - Bravo. So hopefully we can help each other out. Shortly after you left, Olivier came to my house
with another woman. They went through my
men like toilet paper. And now with that I don't care. But Sissy. My beautiful gorgeous innocent Sissy. She was j
ust a baby, she
was barely two years old. She was my little girl. What kind of person
kills a baby like that? They shot her in the head Artemis. They blew her fucking face off. - Sorry about that Sasha. I didn't know you had a daughter. - Sissy was my doberman. Oh my God you fucking American
can be so stupid sometimes. You think I bring a little girl here. (speaking in a foreign language) Artemis, those two will pay
and they will pay dearly. I just have a problem, I've
been looking for them fore
ver and can't find them. Now here's my question. Can you find them for me? If I get you out of here can you find Olivier and his
fucking girlfriend before me? - Yeah, I know how to find them. And I'll do you one better. I'll blow half his fucking face off. For Sissy of course. - Ah. - So help me. Get me up outta here. - You know that I love bad boys right? Well you Artemis are
one bad mother fucker. (light soft music) - Should I call Frost? Olivier. (phone ringing) (sighs) - Frost. - Ahh... he's
not here. Try the morgue. - Slick? Is your bitch ass answer
the fucking phone. - Yeah, yeah, I, you know, I figure, I figure you've been looking for us under every rock and cranny. (laughs) But you're not going to find us because we're not hiding anymore. You see, we're gonna find you and when we do we're going to end this game
that we've been playing. (laughs) - Damn. You done grew some balls, huh? You hermaphrodite bitch. Put Tunes on the phone. - Excuse me? - Put Tunes on the phone, bitch. -
He wants to talk to you. (laughs) - Yo, I didn't put him
up to this, I swear. - Listen up, Johnny Paddio, Paddio, yeah nigga, that's your real name. That's a name your
skank-ass mama gave you. Your stupid-ass friend just fucked up. He just put out your death certificate. Have you forgotten who I am? My main purpose in life
is to cut out the cancer that is you, out of
the world's blood line. Ah. And no lip now, huh? You choking on it, nigga? Choke on this, death is coming and I'm the
nigga drivi
ng the truck. - Cancerous mother fuckers
like me, check this out bro, I've spent the majority of
my life doing bad things to good innocent people. - That's true. - I can't wait, I cannot fucking wait, to do something bad to somebody like you. It would be my pleasure. And you know what? You know that belt? Yeah, yeah, the one around your waist, that you attempted to
beat me and Slick with, - He actually beat me with it, so. - Yeah. Yeah, you gonna be taking
that shit off soon, because I'm gonna b
e
doing some ass whooping. (laughter) - Mother fucker, who are you talking to? I created good and evil, bitch. I created your ass. I am god. Now choke on that dick. And while you're choking on my shit, swallow bitch! - [Man] What's he saying? - Ooh. - What'd he say? What'd he say? - Yo, he's pissed. - Why'd you have to piss him off? - What happened to play
dead like the possums? - Yeah, yeah, um, lie in wait? Play dead? - Fuck that, fuck that. - I'm sick of waiting and I'm done lying. Fuck a poo
r soul. (Speaks in foreign language) - Putas? You don't know what the fuck putas means? That means bitch. (coin rolls on table) - Just say the word and this
shit fucking ends right now. - Move the fuck back, check this out. You shut the fuck up. Check this out. Don't you ever look at me like that, ever again or say anything
like that to me ever again, I'll fucking blow your brains out. - We got bigger problems. See the bigger picture. - Give me some fries man, god damn. It's the bad dogs that
ge
t the fucking power. - I see the lunatics have
found the asylum, who's first? - All of them. Every fucking one of them. - We get the boy first. - If you like. - I like. You know, when this is
done, and we've got the boy, and I'm done taking out all that trash, we can go away for a while. Maybe a island in the keys. Just live like normal people for a change. (Piano music) Like regular people. Even if it is just for a little while. - If you like, if you do a
good job, if you take care of business,
if you kill
these motherfuckers like I want you to. - Come on, Reign, make my day. (footsteps) - Hey, Robbie, any luck? - [Woman's Voice] Well,
what the hell happened? What did you do? - What I had to do. - Is he dead? - What is going on here, Decker? We're supposed to be the good guys. - We are the good guys, don't be stupid. - How far are you gonna take this? - However far it needs to go. - [Woman] Well look, we have a problem. - [Robby] Nothing we can't handle right? - What? - Machi escaped.
But don't worry. There's no place for her to
go, the place is on lockdown. - You better hope you find
her before she finds you. - Do I look scared? The only person I'm afraid of is you. How far are you going to take this? Murder? - Enough! Enough of the shit! Okay, we all signed on for this because we care about the good, okay, and sometimes, sometimes, good people do bad things to bad people. - She's good. I know I'm right. - And if you're not, she'll
suffer the same fate as the rest of them,
am I understood? - And I'll dig the hole myself. Time to find the bitch
and get some answers. - Watch Robbie for me. - Okay. (spooky music) - Artemis! (piano music) - What next? (dramatic music) - Cash, I'm out. - I knew they couldn't hold you. Alright where you at,
I'm coming to get you. - No, no don't, I'm good. - You don't gotta worry,
this line is safe, secure. Give me your address. - Keep your eyes and ears on Reign. We ain't got a lot of time so
we gotta get this done fast. Look I need you
to do me a favor. Remember that satellite
GPS you put on the VF? Well we've hit the last 10 spots and we can't find him. Man he's a ghost. Can you help me out, any ideas? - Now I assume you checked
all the usual spots? - Of course. (dramatic music) - I know a place. Alright look, I'm gonna
send it over to you. Check this out. - Nice. (dramatic music) (car revving) (dramatic music) - Dammit. Fuck, what are we gonna do now? The CIA has him. You know they are gonna
have every agent on him. (dramat
ic music) We go in anyway. We take our chances. - Don't be careless, the boy's ours. All we have to do is be patient. At some point they're gonna
need to get him outta there. And when they do, we'll know. And then we will attack. But until then we wait. - Stop. This is it
- Are you sure? - Positive. - It's mighty quiet.
- Yeah. - So what now, pick the locks, sneak in, find him and kill him? - I couldn't have said it
better myself, let's go. (dramatic music) - And I do it and I suffer? - To live
is to suffer. (dramatic music) To survive is to find some
meaning in the suffering. (dramatic music) - Okay I want you to get the downstairs. - But that meaning won't suffice when peace of mind still eludes you. Then you get a peace and you fuck them up. You make them suffer. - I'm going upstairs alright. You see anything you wait for me. Hey. - Yeah okay got it, I'll wait for you. - We got work to do. They leave in 10 minutes. (light soft music) I need a drink. You want one? - No. I'm, I'll be
down in a minute. (light soft music) - Fuck! (light soft music) (upbeat dramatic music) (knocking)
- Hello bitch. You remember me? (dramatic music) (punching) (dramatic music) - Sasha. (fighting and grunting) (gun shooting) (light soft music) (floorboards creaking) (up-beat and suspenseful guitar music) - Go ahead and breathe so I can fucking blow your insides out. Ellie? Ellie, I got her. (loud footsteps) (loud gunshot) - Run again and I'll put
the next one in your head. (cellular phone beeps)
- Hit select. - Okay. Reign? Who are you? There's no sign you've ever existed. No birth certificate. No death certificate, yet. Nothing. (dramatic choral music) You're anonymous. - You got something? - I'm not sure you're gonna like it. - Okay, so who is she? - That's just it, who is she? Nobody seems to know. Reign, Rey, Rainy, Rebecca, there's like 40 aliases here. - So, you got nothing. - That's not what I said. Know this, she's gotta
be pretty damn important. I had to break through
like 40 s
ecurity codes. (sighing) So, here it is. She's got the second highest
clearance I've ever seen. IQ off the charts. A excellent marksman. Her specialty, psychology, so do not let her get in your head. We both know how you can get sometimes. If you're gonna break her, which in itself is gonna be a task, I, you gotta keep your cool. - [Robbie] Gotta get her to talk. - Well, be safe. Okay, she's gotta be working
with somebody over here. And, they're sure as
hell not gonna be happy when they find out
about
what you're doing over there. - Yeah, well sometimes
you just gotta say fuck it and dig a line in the sand. All right, thanks Lex. I'll be in touch. She's CIA. And, with these special clearances, obviously well above our pay grade. CIA, huh? So are we. And, we're supposed to conduct ourselves with the highest standards
of integrity, morality, and honor according to
the spirit of the law. When you break that oath,
you're nothing but a rogue. And, what do we do with rogues, Ellie? - Extermi
nate them. - Watch yourselves ladies. Gettin' pretty close to the edge. - Fuck the edge, we're off the cliff. (eerie music) - Six, six, seven, six, zero, seven, one, one, one. You're CIA, call it in. - Okay listen... - Before you dig yourselves
so deep in this hole you can't get out. - I'm trying to help you, okay? I wanna believe you're on
the right side of things, but you are not helping your cause. - Where's the girl? - Home safe, where she belongs. The boy's gone too. Your days as Mommy have
come to an end. (chuckling) - You know, I'm losing my
patience with you Reign. Fuck it. Like you said, right? Sometimes you gotta dig
a hole in the ground. - Line in the sand. - Line in the sand, hole in the ground, same damn thing. If she's not talking, what good is she? I say we just take her
to the back and kill her. - You think we're playing with you? One of your crew tried
to kill Agent Decker. So, needless to say, all bets are off. Now this is your last
chance, start talking now or I'm go
nna let Robbie do her thing. - You want me to talk? I can talk. Where is Artemis? Where's Cash? - You need to start worrying
about yourself darlin'. Look around, does this look
like headquarters to you? No one is coming to your rescue, not Artemis, not Cash, no one. They all think you're being processed. We're off the grid. No one knows you're here but us. And, if you don't start talking, and I mean now, no one will ever know you were. - I have nothing to worry about. You, on the other hand, (si
ghing) you're the ones with the problem. (dark drumming music) You've dug yourselves so deep
and you better be willing to go all the way because he is. And, when he finds out that I'm here, (chuckling) nothing is gonna stop him. Nothing. - I just hope he brings flowers. Let's go.
(gun shooting) - Freeze god dammit. - I am not gonna give you the
luxury of counting to three. I'm just gonna pull the
trigger, put the gun down. - Alright put the fucking gun down Ellie. - Come on, now! Artemis. Artemi
s. - He can't hear you.
- Shut up! - Rey.
(gun shooting) (dramatic religious music) What have we done? (dramatic music) - I'll go in, have a cocktail, if I see him, I'll let you know. You come in, you kill him, we leave. That's a plan. (dramatic music) (phone beeping) Talk.
- Where you at? - I'm on the move, me and
Sasha got a few things we need to take care of. Movement on Max? - Nothing yet. - Nothing, so why you calling me? - I tracked your location, just sit tight, I'll be there in just a se
cond. - I told you we were good, we're good. Take care of this real quick, I'll get in touch with you
when I need you alright. - It's Reign, she's shot. (dramatic music) - What'd you say? (dramatic music) - It doesn't look good. (dramatic music) (choir music) (melancholy instrumental music)
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