- Okay, so I'll just
start with like a classic girl next door look. (camera clicking) Sexy schoolteacher. (camera clicking) Thanks. It's just super hot under these lights. That's got like a little
zing to it, doesn't it? Okay (dark music) What are you doing to me? (tense music) (dark music) (soft music) - Hi. I'm Laura. - Hi. I'm Jamie. - [Laura] So how long
have you been in town? - I just got in yesterday. - Oh, okay. So you're fresh meat. - That's me. - And you have a really
interesting accent
. What is that? Australian? - British. - Oh. Did I offend you? I'm so sorry. Was that an insult? - No, no, it's okay. - Okay. - The insult is we use
Australia as a prison and now they're all supermodels and we can't afford to live there. - I am so sorry to hear that. You know, Brits and Aussies are really hot in casting right now. I lost six rolls to Brits. - Really? - You're an actress? Me too. That's why I came here. - You know, my family keeps telling me to go back to school
and do something
real, or be a doctor or raise
a family or something, but they don't know
what it's like out here. - London's not that much easier. - So what have you done? - I've done some theater, a few bits on the telly. - A few bits on the telly. Oh, you're so cute. I'm like you already. So we've got high vaulted ceilings. We have plants. Wide screen television to watch all your bits on the telly. Got some artwork from a garage sale and a couple of chairs to lounge on if we want to have people over. And anot
her house rules, if you drink my wine, you have to replace it
or you drink it with me, and just try not to fuck me over. - That's it? - Yeah. - Honestly, I don't even
care about the place. I just want to hang out with you. You're absolutely fabulous. - Thanks. Well, in that case, welcome home roommate. And not leads time to celebrate, so I need to open some wine. - It's not even noon. (upbeat music) (laughs) - So what are British men like in bed? - I don't have anything
to compare them to. - You
're a sex racist. You don't have sex with any man who's not British. - Oh my God. - I think you should come with me to my acting class tomorrow. My teacher Virginia is amazing and you would love her. And she loves people who were
new in town, kind of like you. - Here's to liberal adventures through shagging. - Cheers.
- Cheers. Lots of shagging. (upbeat music) - I'm classically trained. - You don't come here to train, silly. You come here to network. Like somebody might be casting short film. Th
ey may be doing a music video, or even casting a nonunion feature. - So what's nonunion again? - I'll have to explain that to you later. - Hi Laura.
- Hey. - Who's the newbie? - Hi, I'm Jamie Donovan. - Oh my God. That is such a movie star name. - Cheers. - Cheers. What are you, British? - Yeah, I am. And you are? - This is Harmony. - Bonjour. - That's French, you idiot. - I don't know why I said that. (laughs) - This is Melody. - I went to Julliard. - I went to the Royal Academy. - Oh. Well the
n, come on Harmony. Let's go practice our Alexander technique. - They're actually really nice
when you get to know them. - [Jamie] Sure they are. - Settle down (mumbles). Welcome to the Virginia
Tufts School of Acting. Let's line up this Rogue's gallery. (gentle music) I see some new faces. Good. The industry craves new flesh. Are you auditing my class? - I'm not sure what auditing is. - Tell us about yourself. - Hi, I'm Jamie Donovan
and I'm from England. - Lose the accent. - I move in with thi
s beautiful girl and now she's my roommate. And she says, this is the place to be. - Okay. Stop showing off. See that British stage training. No pausing, no getting into character. The words just flow. She believes it. We believe it. Good. You can stay. I've got my eye on you. - Cheers. I mean (speaking in foreign language). - Improv, avoiding the negative. Melody and Laura, let's start with you. - So I was thinking, tonight, let's go down
to Santa Monica pier. Let's go get a couple of drinks an
d then maybe we can just like walk along the ocean or something. - Yeah, fun. - Great, yeah. - I've got an audition
for a film tomorrow. - That's awesome, Jamie. Get a girl. - Yeah, it's a union film. - Oh. I have to, I have to call my agent. See what's going on with all that. So actually I'll do that now. So here's the trash. When you're, when you're back, we'll we'll go to Santa Monica, okay? - Okay.
- Okay. - Ah ha, found it. (tense music) Hello. (tense music) (screaming) - What the fuck? - I
'm sorry. - I forgot this. I'm starting to plan
out my birthday party. - When's that? - Next week. You'll be a big shining star by then. - So will you. - Yeah, I think my star's burnout. My agent won't even return my calls. - I'm sure they're just busy. - [Laura] Yeah, just busy. (slow suspenseful music) (upbeat music) - Hi.
- Hi. Come on in. - [Laura] Wow. - Ta da. Happy Birthday. I have a crown just for the birthday girl. - I get a crown. - It's beautiful. - Thank you. Thank you for doing this
. Thank you so much. - It's so fun to plan. And tons of people are going
to come any minute now. - [Laura] Great. (upbeat music) (phone screaming) - Oh, Melody's here. I'll go get her. - I'll help you. Be back. - Hi. - Hi. - Come on in. - Oh my god. Am I early? - No, you're right on time. - Great. - You look so good. - Thank you. So do both of you. Yeah. - Thank you. - I like your little necklace thing. It's cute. - Oh yeah. Birthday shot glasses. - Oh, cute. - I have more, if you want one. - Fa
ntastic. - So are you booking anything? - No, not yet. I've gone to lots of auditions though. - Oh, really? - [Jamie] Yeah. - How many of you gone on? - Like a couple. - [Melody] Oh, a couple today. - This week. - That's it? - [Jamie] Yeah. - Oh. You know what? Maybe it's your headshots. - Oh yeah. I keep hearing that. - And I happen to know a
great photographer, Lars West. He takes amazing pictures. - I didn't realize Lars
was still doing headshots. - Did he do you? - I'm going to go check
on t
he birthday girl. That's for you. - I love that color on you. - [Melody] Oh, I know. Thank you. (soft rousing music) - Hello? Lars? Hi. - Make yourself at home. Would you like some wine? (mumbles) - No, I'm fine, thanks. Melody Banks recommended you. - Oh, Melody. - [Jamie] She's quite a character. - Yeah, I've got her portfolio
around here somewhere. Come here, come into the light. Let's see you. (chuckling) Very nice. Yeah. We're going to have fun. So what outfits did you bring? - Just what I'
m wearing. - Okay. Well, I've got some clothes
for you to change into. - What a great view. - I like to surround myself
with beautiful things. - Well, the sooner we get
started, the sooner we can finish. - Indeed we can. This doesn't work for me if I can't get a reaction from you. You should really have some wine. It's from Napa. - [Jamie] Not when I'm working, thanks. - Oh, well this isn't work. This is fun. Right? You're having fun. - [Jamie] So I wanted something that would work for drama and
comedy because I can do both. - Of course you can. - Isn't that a bit close? - I'll be right back. (slow suspenseful music) You like what you see? There are no rules here. It's fine. - Please get out of my way. - I know lots of casting
directors and agents. They trust me. You should too. - [Jamie] You're in my way. - I'm trying to help you. The only person in your way right now in this moment is you. (suspenseful music) - You're right. I think I'll take that drink right now. (suspenseful music)
(phone ringing) - Are you a star yet? - It's taking longer than I thought. - Are you eating? I don't want you starving
yourself on one of these LA diets. I keep seeing here on the telly. - Well you have to stay thin, otherwise you only get cast
as the comedy sidekick. That's just not me. - Can't you just get an agent? - Thanks. I hadn't thought of that. - Oh sod off. You know I don't know how
any of this bollocks works. - She gotta be dating some
aftershave model called Brad or Chad or Twat. -
Your brother's not in a good mood. His girlfriend just
left him for a hipster. How many weeks were you going
out with this one for anyway? - You two should come over and visit. I miss you. - I'd rather go to Afghanistan. - It's the place of dreams. - You all right? You sound a bit often, JimJam. - It's hard. - Hey. Hey, I'll send you some proper tea. Okay, that will sort you out. - That sounds lovely. Love you both. - Hurry up and get famous. - Now piss off you soft cow. (soft music) - Goodnight
, Jamie. - Virginia? - Yeah? - [Jamie] Can I talked
to you for a minute? - Of course. Do you need a ride? - [Jamie] Yeah. - Let's go. (soft music) So what is it? Boys? Girls? - I came here to work hard and focus, do it right. Every time, something. - You need a thick skin or this
place is going to crush you. - It's like a constant mirage. It's trying to destroy me. Makes me feel so worthless. It's like I wanted to
get new headshots done and I couldn't even get that right. - Don't listen to those
voices saying those terrible things. LA has a way of finding
your secret weak spot, tearing it open, and then watching you bleed. - I'm sorry. (sad music) - You're going to call Mason Goober. He is an amazing photographer. Tell him that I sent you. He's going to know exactly
what to do with your face. (giggling) Pretty, pretty. - Hey, Jamie.
- Hey. - Virginia says wonderful
things about you. - [Jamie] Oh, thank you. - Yeah. Come on inside. All right. Welcome. - Bloody hell. Didn't know you coul
d live like this just from taking pictures. - Well, you work with the right people. - Amazing. - So Virginia tells me
you need some new shots so we can help make you a star. - Sounds so cringe-worthy
when you put it like that. - Well, it is what we'll be doing. - Oh my god! - Yeah, you see that waterfall? My wife put it in. Wanna check out the studio? All right. - I was hoping we could do
a couple of different looks. I brought some outfits. - Oh yeah, don't worry. We'll get you just don't take y
our eyes off the camera. - Okay. (tense music) And we can already smell stardom. Great. (tense music) And let's get those pearly
whites right over here. - These lights are hot. - [Mason] You'll get used
to it in just a few moments. You won't feel them at all. (tense music) - I'm just gonna use the chair. - Sure. Just put it in the middle. There. Little forward. That's exactly where I need you. (tense music) (speaking in foreign language) Of the Genero Sebastes lives in the Northeast Pacific Ocea
n, rockfish poison. They're the most incredible chameleons. You don't see them until
they've already stung you. Prickly little fins cause paralysis and cardiac arrest. Only thing for it is heat. I dive down every few months to find them, harvest their wonderful toxin. California coast has lots of two things. Countless actors and lots of rockfish. (tense music) - Okay. - Whenever you're ready, find your moment and begin. - Now I know this movie is about a year old, couple of years old. But this i
s from one of
my favorite actresses. - Just, let us discover it through you. - They look at me like a thing, like a trinket or an antique market marketplace, something to possess, to envy, something out of reach. I can see it in their eyes. I can hear it in their voices. - They can't get past
what they see outside. - [Man] Yeah. How old are you? - 28. - You're supposed to be 26. - [Man] You said you wanted
to see older actress. - Yeah, come on. 28? - [Man] Hair and makeup, lighting. - You think
audiences wanna see the world's biggest action star make out with a 28 year old? - [Man] I thought she was pretty good. - She's got a few walk-on roles, a (mumbles) resume. Come on. I need quality here, people. - [Man] You're right. She's wasting everyone's time. (soft music) - She's supposed to be brunette, five eight, green eyes, tits, sex. I've got none of that. - I can go again and be sexier. - Jesus Christ. - [Man] Really? We're not animals. - [Man] Thank you,
Veronica, we'll call you. - My
name's Virginia. - [Man] Great, good luck with that. I wanted a pretty girl. - [Man] Can you send the next one in? - I killed it at my audition today, and that director just doesn't
know what real talent is. I don't know what they're looking for. - [Blake] You don't have
the look they're going for. - So pilot season's coming up. You have to have something for me. - [Blake] We submitted you all over town. For the last few years, we've given it a good try. But the feedback is not good. - Not good
, not good? What do you mean not good? - [Blake] They don't want you. - I am good. I'm fucking awesome. - [Blake] And there's the age factor. - What? What age factor? What, what fucking age factor? - [Blake] You're 30. - I look 28. - [Blake] They're going younger. We have to focus on the
people who are booking and the ones who could book, the ones with the look. - Are you dropping me? Are you fucking dropping me? - [Blake] This is business, Virginia. I'm sorry. - Please don't do this, Blake. My
friend has a great plastic surgeon. - [Blake] We tried. - Just, just, just give
me one more pilot season. - [Blake] I already gave
you four pilot seasons. I gotta go, I got a call. Good luck. (soft music) (orchestral music) - You are so beautiful. (orchestral music) (birds chirping) Everything we don't
know about one another, let's get it all out on the table. - I had an affair with a girl in college and I still talk to her sometimes. - I'm not an orphan. - My name's not Virginia Taft. - When I
was 12, I killed a dog to see what would happen. - I would never hurt an animal. That's cruel. - That's what my mother would say. Just another excuse to punish me. She'd make me pull my
pants down and bend over. And when she'd spank me, she'd say bad, bad, dirty boy. I made myself enjoy it. - You never told me about her. - You never told me you
like to kill people. (soft music) - This was my costume
for Romeo and Juliet. They wrote about my Juliet in newspapers. They blogged about me. They said
I was electrifying. Now they want to put me in a paper bag and leave me in the dark like some beautiful piece of art. - [Mason] This is merely
a transformational stage. - They want me to teach my skills to someone younger and prettier so that they can have the
career I was supposed to have. They denied me my seat at the table. Now deny them their new flesh and I'll take it myself. I'm a strong, powerful artist. They're just sick, twisted abusers. Now drop your fucking pants. Bad, bad, dirty boy.
Bad, bad, dirty boy. Bad, bad, dirty boy. (soft music) - That was a bit rough. What do you know about rockfish? (soft tense music) - You have such good eye. (slow suspenseful music) Dost thou love me? I know thou wilt say ay. And I will take thy word yet, if thou swear'st, thou mayst prove false. And not impute this
yielding to light love, which the dark night hath so discovered. (girls applauding) (soft music) (mumbles) - Like a trinket, or an antique, market place, something to possess, to en
vy. Something out of reach. I can see it in their eyes. I can hear it in their voices. But they can't get past what
they see on the outside. (girls applauding) - Melody. I can't explain all the emotions that I'm just feeling right now. - Your class means so much to me. I'm booking now. - That's wonderful. We need to get you where you belong. I think some new headshots would help. - I can't really afford that right now. - I know somebody. I'll give you their number. - Oh my God, you are so amazin
g. Thank you. - Laura, I thought you were
booked out for the week. - Oh yeah. They wanted somebody blonder. But I have someone here to meet you. It's Tom and Emmy. Jamie's brother and sister. - Oh, I'm ready for my close up. Welcome to the Virginia
Taft school of acting. How is Jamie? I haven't seen her for a while. - We haven't heard from
her in three weeks. We wanted to see if you
might be able to tell us where she could have gone. - Oh, well, take a seat and audit my class and I'm going to go
check my email and see if she's messaged me. - That would be terrific. Thank you. We can come back later. - Can we just sit anyway? - Please. Claudette and Harmony, show us what you've got. (phone ringing) - Hello, my love. - We're fucked. We're so fucked. - Remember your Pilates. Breathe with me. - That British girl's family are here and they're asking questions. It's over. We're over. - What do they know? - They know that she came
here and she took my class. - Plenty of actors have taken your
class. We haven't killed all of them. - We're gonna go to jail. I don't know if I can live without you. I don't know what to do. I'm so pathetic. (sobbing) - Invite them for dinner. - I love you. - And I honor you with
every part of my being. Now go be brilliant. (tense music) - I've made a decision. I'm moving to LA. - But it's full of weirdos and maniacs. - And London isn't? You wanted to move here. - For her drama school. And I, how, how would
you know what I wanted. You fucked off to Thaila
nd and spent the time in a
whore house for two years. - It was an opium den, actually. - So why? Why LA? - The best I can do here is getting a soap opera, or maybe something in the West End. - That sounds pretty good. - I'm just another posh
sounding British actress. Out there, I'll be different, special, British. - Jamie. I didn't set up my own business so I could pay for you to go bugger off around the world trying
to be a movie star. I'm barely staying afloat as it is. - Well then raise your
prices. American tourists will
pay through the nose for some of this shit. My tea room is not full of shit. - What's that then? - Fuck off. Do you think 20 quids too much for this? They're not selling. - I can see why. You're going anyway, aren't you? - You did. (soft music) - Well, if LA is where
you think you need to be, and that's where you gonna
make a success of yourself, I'll give you a lift to the airport. - If I say it's a terrible idea going out there on your
own and it's dangerous, and
not to mention expensive
and possibly heartbreaking if nothing happens, then okay I'm the hag who's
trying to crush your dreams. - Well then don't be. - But we'll miss you. - Bollocks, you won't even notice I'm gone. (soft music) (slow suspenseful music) - This is going to be a
complete waste of time. - This tea tastes like piss. - You the guys from England? - Yeah. - Let's walk. I was supposed to be off an hour ago. I had to get my ex to try and pick up my
daughter from soccer practice. That,
that's always a fun conversation. I'm detective Gibson. You're filing a missing persons report. - Our younger sister, Jamie, we haven't heard from in weeks. - Pain in the ass. All right, does she
stay in touch regularly? - She calls every Sunday like clockwork, sends emails, updates her social media. - Tell me about your sister. She's blonde, tall. She came out here a few
months ago to be an actress. - Yeah. - What does that mean? - Ms. Donovan, LA is a very nomadic town. People just breeze thro
ugh and these actors, they do things that you'd never do in any other industry. They get so desperate, they'll go to an audition
at some guy's house who they never met, don't know anything about, and they rarely tell
anybody where they're going and who they're going to meet. That's a buffet for predators. - Jamie's smart. She wouldn't put herself in danger. - Actresses give out headshots with their name, phone number, email, sometimes actual address. That's everything you
need to prey on someone
. 40,000 people go missing
every year from LA. And that's just the ones we know about. - You don't seem terribly concerned. If this is the attitude of the police, I don't wonder why these
people are never found. You're helping them disappear. - Emmy tends to be a bit dramatic. - I do not. And we are not leaving until we find her. - The fact of the matter is, she'll probably turn up in a few days from a yoga retreat, or from Vegas with someone
that she met on set. Here's my card. I need a recent
photo. You can email me. - She's missing. We're here. What can we do? - You're not law enforcement. You've got no power. You got no jurisdiction. You're tourists. - Oh. What and utter waste of time. - Tool. (dramatic music) - Well, I thought she'd
found another place to live, but her stuff is still here. - She didn't text or call? - No offense, I thought it was a British thing. - Oh, we're not offended. You are just stunning. How are you not a movie star yet? - I'm non-union, so. - What does tha
t mean? - Well, you can't get in
the door for big projects if you're not in the union. And she got an audition for a union movie her first time out. - Of course she did. - Yeah, I was really happy for her. - How long have you been here? - Three years. - I would have clawed my eyes out. - But they're such pretty eyes. - [Laura] What do you do in England? - He sits around the couch mainly and gets dumped a lot. - Not a lot. - Oh, just sometimes. (giggles) - I'd like to see her room. - Okay. It's t
here. (eerie music) We all miss her. I missed her in my acting class today. I don't know where she's been. - What is she doing in an acting class? We spent a fortune sending
her to drama school. - Well, listen, you don't go
to acting class for acting. You go to network with
people, meet with people. You know, you make some
connections to get things going. Like I have been there for three years. - Was there anyone suspicious
hanging around her? Someone, some fella that she knocked back who won't
stop calling her, or a crazy lass that
she might've pissed off. - Look, it's really hard to get people
to like you in this city. We're all, you know, hiding
behind different faces. - Is there anyone, anyone at all that you can think of that
might've been bothering her? - Oh, there's creeper who lives down the hall. - Who's creeper? - He's this weird guy that, he's a photographer and he takes pictures of
girls at his apartment a lot. And no one even knows if he's
a real photographer or not. He ju
st takes pictures of
them doing weird stuff. And he's like a hipster hipster. - Hipster? - Yeah. - Let's go see him. - Really?
- Yeah. - Okay. - Take us.
- All right, okay, all right. (eerie music) That's him. - You. (eerie music) Don't move or I'll rip
your fucking eyes out and use your head as a cup holder. - Get the fuck off of me. - We're looking for Jamie. Petite, blonde. - British. - My roommate. - I haven't seen her in a month. Get the fuck off of me. - Laura tells me you like
taking pict
ures of girls. - I took pictures of everything. I'm in a photography class. - All right, Tom, that's enough. Tom, we can't just run around LA kicking the shit out of people. - Why not? We're tourists. (laughs) - I am making my own tea from now on. I've got her laptop. - She hates it when you crowd her. - Crowd her? When did she ever say that I crowd her? - She'd call me all the time in Thailand whenever you were being a nagging cow, which would be often. - Fuck off. - You've always coddled her.
She got a paper cut when she was a kid, and you call an ambulance. - You didn't take her to school every day, pack her lunch, pick her up. Be there for her when some
asshole broke a heart. After mom's funeral, you fucked off to Thailand because you couldn't deal with it. - I couldn't stand being
in the house anymore. It was just filled with
memories of dead people. And you buried yourself in it with her. Now, even though she's run
halfway around the world just to get away from all of that, you s
till won't leave her alone. - Her calender's on here. Acting class, spinning class. - Spinning class? You take a class for spinning. I stopped doing that in primary school. - It's a cycling class, idiot. - Then why don't they call
it cycling class, moron? - You're such a bloke. Lars West, photographer. She had a meeting with him, 1:00 PM. - Like even the cop said, there's probably nothing to worry about. What if he's right, Emmy? - If something has happened,
it's our fault, Tom. - How's that? -
Because we let her come out here. - Call that Lars fella, let's make an appointment. - I'm on it. (focused music) - I don't usually do
a couples photography, but your offer changed my mind. - I told you a bit of a lie. We don't need our pictures taken. - I'm confused. - [Emmy] Jamie Donovan, our sister, came to see you a few weeks ago. - Well, there are lots of girls who come see me and I don't remember their names. - Do you remember her now? - No, I've never seen her. - She had it in her calend
ar that she was coming to see you. She would've deleted it if she didn't go. - She's fussy like that. - [Lars] Huh? - So now I think you're a bullshitter. - Well, speaking of calendar, I actually have someone
coming in right now. So if you'll excuse me. - You booked us in for
a 90 minute session. I think we're good. She has been missing since a day after she saw you. Convince me you didn't have
anything to do with it. - Or what? - Or I break your fingers. - I'm calling the cops. - Oh, please. I'
m sure there are
plenty of things in here the police will be very interested in. - Okay. She came by. She like the vibe. She took off. - [Emmy] So you're lying. - Now I know you're a bullshitter. - I don't feel comfortable with this kind of an interrogation. - You are uncomfortable. - Get the fuck out of my house. And take your stupid
bitch whore with you too. (bones cracking)
(groaning) Please man? I didn't do anything. - What happened? - She got freaked out
and then she left, okay. She left. -
Why was she freaked out? - I came on to her, okay. She didn't like it. Okay. Please, man. Please let me go. Let me go. I need this hand to shoot. - You should find another line of work and stop treating women like objects. - There will be another blonde chick who gets off the plane and just takes her place today. These stupid bitches
need to know the place. - So do you. Tom. - No, no, no, I'll do anything. - Take a deep breath. (bones cracking) (dramatic music) You should get that looked at. -
[Virginia] Welcome to the
Virginia Taft school of acting. Have a seat and audit my class. And I'm going to go check my email and see if she's messaged me. - Thank you. We can come back later. - Can we just sit anywhere? - Please. Claudette and Harmony, show us what you've got. - By the trough, there is, my little body is a weary
of this great world. - It would be sweet Madam, if your miseries were
in the same abundance as your good fortune. And yet for ought I see, they are as sick as that who (
mumbles) with too much, they who starve with nothing. And so does no mean happiness to be seated in the mean. Superfluity come sooner by white hands, but competency lives longer. - Good sentences and well pronounced. - And scene. - Excellent. Everyone take a break and we'll begin scene deconstruction. I'm sorry, I haven't heard from her. - We didn't want to take
up any more of your time. - Please come and join me and
my husband for dinner tonight. - We don't want to intrude. - No, he's, he's an
amazing cook. And he always makes far
too much for us to eat. - We have a lot to do. - You two are alone in a strange land and we can help you brainstorm and maybe we can find
out what happened to her. - I have to get some air. See you outside. - Please, I want to help. - Oh my god, oh my god, oh my god. - [Girl] What happened? - I just booked a show. It's a real show on pay cable. - That's awesome. I'm so happy for you. - Thank you. - What show? - The Clency's. - What part? - The daughter, it's
a series regular. - I auditioned for that part. - Well, maybe I can talk to casting and I can get you guys on too. - Congratulations. - Thanks. - Hi, are you British? We can tell. - Did you like our acting? - You're very impressive, love. - He said love. - Cheers ladies. - Cheers.
- Cheers. - Are gonna be in town long? - They won't be here very long. (dark music) - The lady of the house awaits. - Welcome. Let's have some salad. - Your sister stood right over there. She's one of the most
beautif
ul of all the girls we've ever had in here. (clock ticking) - We never saw her again after that. (clock ticking) - If the photography dries up, you should be a chef. - My mother taught me how to cook. It was the only time we
ever really connected. Well, Virginia, do you think the photography might dry up? - You're so good at it. And we've it down now. - Maybe this should be the end of it. - Did she, did she say anything about, about going anywhere? - She was going to the
top and you could tell.
- I think she was getting depressed. - You never said anything about that. - My experience has been British people find it hard to be emotionally open. - It's not hard. It's just bad manners. - Secrets are toxic in any relationship. - Sharing is bonding. - Let's play a game of truth. - Virginia. - I slept with your friend, Mark, when you were in Chicago
doing that perfume commercial. - Or we could just play a board game. - Maybe we should go. (clock ticking) - Was he Better? - No. Just different
. Now, you tell your brother something you've never told him before. Let go of all that conditioning. You're in a safe place now. Right, Tom? - I will if you will. - Mom and dad had money in an account that you didn't know about. It's how I paid for Jamie's school and the business. I knew you'd get mad if you found out and leave again. - I made a girl get an
abortion in Thailand. - Success. - I didn't want the responsibility, like raising Jamie. - All right, my turn. My mother is in an instituti
on in Pasadena and I still see her every week. - She died when you were 18. - She was institutionalized. - This is so fucked up. (clock chiming) - It looks like it's time for more wine. Tom? Want to help me? - Absolutely. - I'm sure it meant nothing. - Can you imagine the
guilt she's been carrying? Suffering for two years, and all to not hurt me. That is love. (clock ticking) - You have a beautiful house. - [Virginia] Thank you. - And? - The name of the girl on
the missing poster was Carly. - Oh
, you're kidding me. I think they're wacky. I didn't think they're dangerous. - Would you sleep in the
same room as these two and a chainsaw? - Oh, Tom. Right, okay. You go have a look around. See if you can find
anything a bit more solid. If you find something, I'll say I'm sick and we'll leave, and I'll call the cop. - What are you going to do? - What Jamie would do. Act. (ominous music) - Come in. This where your sister stood. It gets a little hot so here you go. - Thanks. - [Mason] Yeah. (om
inous music) I've never shot sisters before. - I feel a bit, uh. - Your body is powering down. In a couple of minutes, you won't be able to feel anything at all. That's rockfish poison. Only thing for it is heat, and if you don't get that in
the first couple of minutes, it's lights out. (ominous music) After what you get, mace or whatever feminine
protection you might have. (groaning) Here. (ominous music) For your after shot. (ominous music) (camera clicking) I'm sorry, this is
terribly unprofe
ssional. I need a new lens. Don't move. (ominous music) - You killed my sister. (ominous music) - Tea? (tense music) - Emmy. (tense music) (dramatic music) (soft music) (soft music)
(sawing) (soft music) - [Announcer] Thank you for waiting. Passengers who are seated (mumbles). May now board. (mumbles) As you (mumbles), please have your passports open (mumbles) along with your boarding (mumbles). (soft eerie music) - [Jamie] It's a place of dreams. (upbeat music)
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