How Adventure Time Season 10 Could Have Been GREAT

foreign Adventure Time is an animated series that aired  from 2010 to 2018. In the world of western animation, it's often considered a pioneer of the  "overarching plot"-focused narrative that's almost become the default of present day cartoons.  It has a fascinating and creative setting, endearing humor that has almost aged into the  surreal, lovable and multifaceted characters, and a unique and engaging storytelling method that  follows its protagonist and the world around him through the enti

rety of his adolescence. I  experienced the entirety of the show shortly after the finale aired (exactly four years ago  now) and one of my friends begged me to watch it with them. Looking back, I'm very glad I did. I've  always been an avid cartoon fan, but since then, to me Adventure Time has been something special;  possible to recreate. But as much as I'd love to, I'm not here to talk about why Adventure Time  is so great. I want to talk about season 10. To be perfectly clear, I actually don

't hate  the final season, not by a long shot. In particular I quite enjoy the plot point of  PB's relatives coming back to haunt her as a final hurrah to her character arc, in typical  Adventure Time random plot development fashion. However, the season suffers primarily from  serious pacing issues—which are not helped by the season's ridiculously short episode  count. Pacing issues then beget underdeveloped characters—villain and hero alike—and a feeling  of disinterest in the story's progressi

on, especially because this season's conflict has  by far the largest scale in the show's run. As an example what do we know about Gumbaldia?  We know Gumbald rules it, but how does it operate differently from the Candy Kingdom? Why is  it—or is it not—a threat or inconvenience to anyone besides Princess Bubblegum? Do we  know its structure and government like how we know the Candy Kingdom's apartment district  and the inner workings of its police force? Do we know how Gumball treats his subject

s?  What do they think about the conflict, and in what way are they different from the Candy  Kingdom citizens, considering Gumbald's opinion of his niece's ruling methods? Expecting to be  given the answers to every single one of these questions—even in one regularly sized season—is  a little absurd, but when introducing an entirely new faction to your narrative, I think it's  alarming to not know even a single one. Obviously this is a result of an absolutely  pitiful episode count. This might

not seem like a huge issue at first, because many  Adventure Time plots are contained within just a couple episodes. So why would Season 10 be  any different? Except... it is a little different. I think many of these previous major plot  events are given greater leeway because they are much smaller in narrative scale. Like, Finn  learning his biological father is still alive is a huge deal—but it's also one that's confined  primarily to Finn and his future behavior. The addition of three new ant

agonistic forces  (who bring to the table an entirely new faction) involves the reaction and involvement of an entire  region that is just not possible to properly explore without more runtime. In fact, many of  these worldbuilding related unknowns don't even require direct confrontation—they're organically  woven into existing episodes. Like, how did we find out that the Candy Kingdom had a broken down  night district? Finn and the Gang visited during their search for Tree Trunks' apples. Adven

ture  Time's bit-by-bit method of worldbuilding is probably its single greatest attribute in my  opinion, which is why it's so disappointing to see it neutered in the midst of such a drastic  development in the world's setting. Aside from satisfying worldbuilding and overall investment in  the plot, another victim of Season 10's horrendous pacing is the three main villains that barely even  get to exist, before they're reconciled with and shut down in the finale. Unlike the King of Ooo,  who obv

iously exists as primarily comic relief and a temporary roadblock to the status quo, Gumbald  is clearly meant to be seen as a legitimate threat and foil in the road of Bonnie's character. In  the finale, the show tries to frame Gumbald and Bonnie as equals. If you try to look at each  of their actions objectively, that's more or less true. However, I always felt that the fact  was never quite *believable* to the audience. Gumbald is never seen in the show as having any  real passions aside from

ruining Bubblegum's life. He and her other estranged family members  are consistently painted as an antagonistic force with barely any attributes helping  dehumanize them—and so the insistence that Gumbald and Bubblegum are equally as awful  has time and time again fallen flat for me, even within the harrowing dream  sequence juxtaposing their experiences. Finn even has the realization that Gumbald is  awful in the episode leading up to the finale, so his sudden shift to being gung-ho peaceful 

mode again in the very next episode is a little bit of a strange decision to me. Because the  audience knows absolutely nothing about Uncle Gumbald except the many occasions he tries to  screw over Bonnie—a character the audience has been allowed to extensively see both the good and  bad parts of—it becomes very difficult to connect with an empathetic stance of his character,  no matter how much logic can support it. This criticism regarding underdevelopment applies  to his entire faction, of c

ourse, but Gumbald is perhaps the greatest offense, second only to the  Green Knight. But we'll get to that soon enough. It's honestly a shame how underutilized they  were, because from what little we saw of them, they had very real potential both as a hilariously  dysfunctional family dynamic, and as a genuinely compelling depiction of toxic familial  relationships (particularly in regard to the Green Knight). I could think of lots of ways that  these villains and the threat that comes with the

m could be integrated more firmly in the narrative  of Season 10, but I suppose we'll have to save that for another section—because for right now, I  have a very personal bone to pick. So here goes. So. First of all, I have a confession to make. This little essay of mine isn't only about  Season 10 of Adventure Time—to be exact, one particular facet of the final season  that bugs me probably the most is absolutely impossible to talk about without bringing up  issues that begin with this characte

r's first introduction in Season 8. Obviously I mean to  reference our very own volatile plant boy, Fern. As a bit of a disclaimer, I'm admitting now  to more than a little bias on my part because I do love Fern, a lot—both as a character to  analyze, and to simply enjoy on a personal level. I also have a particular way I believe he is  best interpreted and a specific vision of how his character could have been improved on. I  am very passionate about that belief, but by no means am I going to p

retend it's the only way  he can—or has been—read by others. I try to be as objective as possible when it's necessary, but  there are also a few times I just want to offer my own personal thoughts because... it's just  fun to discuss! Okay, now we can get into it. To start us off, I'll outline the main beats of  Fern's character arc and then I'll give my brief opinion of it as a whole. Fern is composed of the  combined spirits of the Grass Sword and the Finn Sword when they physically collided,

and later  manifested into a humanoid form. The Grass Sword has a spirit that seems to be at least somewhat  predispositioned to violence or other types of risky behavior—a trait that Fern shares—but seems  ultimately harmless. An interesting tidbit I read about in the officially licensed Enchiridian  book was that the Grass Sword also forms a long-lasting attachment to the person who wields  it, which explains why it continuously seeks out Finn in the episode it debuted in, and continues  to he

lp him as part of his arm in future episodes. The Finn Sword, on the flip side, is  literally another Finn as he manifests in the face of a time paradox in "Is  That You?". It's unclear whether this Finn continues to gain the same memories  as our Finn after turning into a sword, but Fern later seems to suggest that some of  his memories as Finn are fuzzy to begin with. After discovering and allying with the Grass  Sword, Finn loses his arm, and then regains it—an event during which he also gain

s his thorn,  which may manifest as a sword, a grass arm, and so on as it sees fit. It continues to help  when needed, though it seems to do this of its own will, rather than Finn's. This aligns  with the sword's trait of lifelong bondage, as stated in the Enchiridian. Eventually, the  Grass Sword breaks the Finn Sword in a struggle, and the demon inside the Grass Sword restrains  the consciousness of Finn that lives inside the Finn Sword. The being that results  then escapes when given the oppo

rtunity, and takes on the memories of Finn,  becoming who we know as Fern. After a brief and confusing confrontation, he  retreats to what he remembers as his house. Finn and Jake later reasoned that Fern should be  treated the same as Finn is, since he manifested from the Finn Sword. However, after an eventful  trip to confront the Grass Sword's creator, the Grassy Wizard, Fern comes to the conclusion  that they must be different people entirely. Fern then names himself, and begins living in th

e  tree house with Finn and Jake. However, when Finn takes a trip to the human colony, he asks for  him to be a substitute for him while he's unable to protect Ooo.Uunfortunately, during that time,  Patience St. Pim warps the continent elementally. Fern later reveals that his failure to stop  her is a major source of insecurity for him. During his interactions with Finn  trying to protect Sweet P from the Lich, Fern observes that imitating Finn leads him  to success—except, of course, for the ti

mes when he falls short of the original. He  formulates a plan to eliminate Finn in order to become "the only Finn", but It ultimately  backfires, and Finn ends up killing him instead. Uncle Gumball finds Fern's remains and modifies  him to become the Green Knight—with a strong body and an even stronger vendetta against Finn. After  a brief confrontation at Finn's birthday party, they meet again in the group's shared nightmare  during the Gum War. After a hostile exchange, Fern is reminded that

they share... fears? And  they come to an understanding. Finn learns about the Grass Demon's involvement in Fern's existence,  they slay it, and Fern dies, continuing to exist in a seed that will eventually become a large  willow tree. In my opinion, Fern has a very solid and compelling character arc when you look  at the primary points of it—especially looking at him in the lens of an anti-hero. He comes into  being, rejects an identity that he was given, experiences a failure because of that,

doubts  himself and tries to conform, meets a tragic end, returns with a misplaced vengeance, and then, just  after he reconciles, he's finally laid to rest. Overall, I believe two things ultimately  led to Fern's potential being squandered, despite this promising outline of character arc.  The first is a lack of screentime. Fern only has major appearances in six episodes despite being  arguably a pretty major character in all three of the latter seasons. While the episode count  of these season

s *is* significantly shorter, I still think the amount of screentime Fern was  allowed was disproportionate to his narrative weight as a character. For one, he's clearly a  character that the audience is supposed to care for, yet he rarely had any scenes (much less  episodes) outside of his arc that integrated his existence more organically into the world,  and characterized him in a more casual context. In other words, we barely had the time to get  to know him before he was getting hurled into

the next phase of his character arc. A great  opportunity for this would have been following either of the miniseries in Seasons 8 and 9,  since Fern was completely absent from both of them and (in the case of the Element miniseries)  was a catalyst for the events within. But that's probably a discussion for our Fix-it section.  On the other hand, in terms of screentime, Fern's arc could have also benefited from having  more pure emotional buildup at certain points. Whispers is a fantastic exam

ple of this. It's  really great at getting the audience to understand why Fern takes the turn he does in his arc (which  I'll also discuss a little later). However in several portions of his story, it's a little  difficult to empathize with what Fern is feeling, because—due in part to his brief screen time—we're  simply told what he feels, or the matter isn't really explored to begin with. I think the  worst offender of this is the Green Knight, who I think could have been a fascinating and  imp

osing villain if he was allowed to actually act like one for more than like, one or two scenes  in the show's final episodes. For example, in the finale, Fern seemed genuinely hurt and shocked  that Gumball would ditch him in the nightmare dimension. But... we never really witnessed any  indication that Fern and Gumbald had any sort of personal relationship outside of a business kind  of, "I'll help you fight the princess if you help me get revenge against the guy who gave me a  crippling inferi

ority complex and killed me". Though omitting it gave us that great reveal in  "Seventeen", we never really get to see how Fern rose to his mental state in that episode. Showing  the audience how Fern's desire for acceptance can be taken advantage of would have also been a great  opportunity to build Gumball up as a more menacing villain, if that's what they were going for.  But again I'm getting it to fix-it territory, which I'm trying to save for later... Anyway, as  I said, aside from those d

isappointments regarding missed potential, my gripes with Fern's actual  progression as a character are rather small. Something minor I could think of is a lack of  real follow-up on his supposed redemption in the finale before he died—like, he didn't have a  speech, or a fight scene or anything—but honestly he only ever personally wronged Finn anyway,  so it's not a huge deal. Moving on, my other issue I take with Fern is what I deem an unclear  direction in regard to his role as a character. F

irst and foremost, we can observe Fern as a  plot device. Now, this isn't a negative term—plot devices are absolutely necessary for literally any  story, and this is objectively how Fern is used, regardless of how you read him on a more narrative  level. A whole bunch of other characters and events are plot devices on some level, too.  The last three seasons of the show needed a new villain. Our protagonist Finn needs to have a  personal stake in the finale, and the conflict as a whole. These ki

nds of objective concepts provide  context as to why Fern's character progressed the way it did on a metatextual level. However,  because Fern is a well-developed and well-utilized plot device, there's a bit more to him than that.  Which brings me to how... It's honestly a little difficult to discern how the writers wanted  his character to be interpreted and perceived. To be more exact, it seems to me that there's  a bit of a blurred line about whether Fern was meant to be his own character, or

  simply a representation of something. As a result of this lack of clarity (or even  a lack of commitment), I think our overall impression of Fern's character suffers. Neither  of the interpretations presented to us get fully explored, leaving both parties unsatisfied. Fern  is established as his own character several times— —but he has also implied to be  a metaphor in relation to Finn. This is also reflected in the  manner Fern's character arc ends. The result is a more shallow, underdevelope

d  character as a whole. For the record, because these readings are sometimes contradictory  to each other, I do subscribe to and personally favor one of these readings more than the  other. However, I also think both of them had the potential to be equally compelling if they'd  received the exclusive focus that they deserved. The most common—and honestly most  realistic—reading I've seen of Fern as a metaphor, is that he's supposed to represent a younger,  more immature version of Finn that mus

t be faced and overcome as he grows out of adolescence toward  the end of the show. Fern is more violent and very emotionally charged—much like Finn used to be—and  it makes sense to think of Fern's end also as a poetic end to Finn's character arc in the show. If  you haven't guessed already, I prefer to think of Fern as his own person, but I actually really  enjoy drawing this parallel separate from the text. However, the point isn't really how well  this interpretation holds up, but rather how

implementing it literally in the show affects  the writing of Fern's character as a whole. As an aside, on a personal level, I disagree  with the message that in order to come to terms with who we used to be, we have to get rid  of that aspect and pretend it doesn't exist. I feel like this reading could have been more  sensible if Fern was vilified more, but he's really not. It's hard for me to agree with that  message when Fern was ultimately just grappling with the human emotions of self-hatr

ed and  insecurity. I believe the solution to those kinds of feelings isn't to demonize and forcibly purge  them—it's to accept them, grow stronger, and carry on. It's just too bad that the writers wanted  to have their cake with Fern and eat it too. I'm also not saying that trying to incorporate  secondary symbolism in your story is a bad thing, but to me it certainly seems like there was  a decision to disregard Fern's personhood in favor of this more abstract interpretation  of his purpose in

the story. Quite frankly, for many of the plot points critical to Fern's  character arc, the crux of the matter relies on the realization that Fern and Finn are distinctly  different—for better or for worse. Fern takes this realization pretty seriously at the end of "Do  No Harm", and he seems to maintain conviction in the belief until he's forced into a situation  that shakes that conviction. Prior to the finale, I think he's pretty clearly painted as a victim of  outside expectation and circu

mstance in terms of his inferiority complex—which is another reason  I think it's a little bit of a strange decision for him to turn into Finn and die at the end  of the show. So—let's discuss how Fern is an independent character, and how the show goes out  of its way to convey this fact to the audience. Not only do I think this way of approaching  Fern's character is more interesting, but I also believe that this was the original  direction his character was intended to proceed. Firstly, the Gr

ass Demon is an important part  of Fern, too. It's a gut reaction to think that the grass demon is this super evil villain  or something, but first of all—I honestly think that's a little bit beside the point. Fern  doesn't seem to share the same concrete memories or motivations as the Grass Demon, despite it  saying it would do the talking for them when he was created. After reconciling his memories from  when he was Finn, Fern appears to operate on an entirely clean slate. He does, however, se

em  to share some more subtle traits—including his murderous and snarky tendencies. On that note,  I now present to you: the Grass Arm Sass Reel. Secondly, in regard to the Grass Demon being  evil, given that Fern does not house the sameconsciousness as the Grass Demon, I don't  think that directly blaming it for Fern's distress is entirely appropriate. Fern isn't  emotionally unstable because the grass demon cursed him that way—he's emotionally unstable  because of the burden of his very existe

nce (which is another reason I think his fate clashes  with the show thematically. In that context, it kind of feels like a mercy kill). But  again, I digress. I'd like to point out again how Fern was fully convinced he was his  own person up until a very, very specific point: when Finn asked him to be his replacement for the  duration of the Islands and Element miniseries. —the implication being that Fern did not  intend to pursue being like Finn anymore. He didn't particularly want to be a her

o. But  because that responsibility was placed on him, and he *failed* at it, he began comparing  himself to Finn again—which, as we know, spiraled into an intense inferiority complex.  We first get a solid glimpse of this in the episode "Whispers", where the two of them  team up to help Sweet P and stop the Lich. Throughout the episode, Fern observes  Finn solving issues and seeing more success than his own methods, which also  continuously backfire throughout the episode. This creates somethin

g of a feedback loop:  Fern fails, he sees what Finn does (which notably doesn't fail), he imitates Finn's way  of doing things, and he succeeds—or, he fails to imitate it closely enough and fails again. You  can even spot some of the more subtle instances he very consciously mirrors Finn's mannerisms  in the background of some of the scenes. Fern's inferiority complex—which later blooms  into a desire to get rid of Finn entirely—is entirely facilitated by continuous conditioning  he receives th

at encourages his toxic mindset. This wasn't the grass demon being evil and telling  him to do evil things like trying to take over Finn's life—it's a natural conclusion that Fern  *himself* came to because of events in his life. Finn isn't aware, but by asking Fern  to fill in for him, he sets Fern up to compare himself to him—and when he tries to  guide him by suggesting he follow his lead, he sets Fern up to believe the only way  to be successful is to imitate Finn. This is what I mean when I

describe Fern's descent  into inferiority as a tragedy: no one was really at fault—everyone was only pursuing what they  thought was best—but misfortune fell Fern anyway. So I just talked about Fern for a really long  time. But, in a more general sense, for the last bit of the video, I think it would be fun to craft  a little Fix-It segment for Season 10 and some of the details surrounding it. A good chunk of this  is honestly based on my personal taste and ideas, so I would love to see how oth

er people would  tweak things if they had the opportunity. If you want to drop a comment, I'd love to throw  different ideas around with other fans. Anyway, one thing I think we can all agree on is  changing the total episode count for both seasons 9 and 10—and personally, I think returning to  the tried and true 26 episode season is the best option (maybe even a few more). Adventure  Time has always told its plot in short spurts, so I think allotting an extra 10 episodes or so  is reasonable—es

pecially if the majority of them focus on building the setting of the conflict,  like I discussed in the first part of this video. Season 10 episodes as they are now almost entirely  consist of tying up certain plot threads before the finale—which is fine, and great, but because  the season had very few episodes to begin with, it left the current plot even more bare when its  scale really deserves even more attention than a typical Adventure Time plot event. Along with  developing this plot more

, a larger episode count would also help with the overall pacing of the  season. Also following up on my criticism at the beginning of the video, I would love to see more  presence from all the main villains in Season 10. A great example we should have gotten more of  was Chicle's participation in "Hunson & Marcy", where he was a catalyst for a concrete  conflict, while there was growth happening with the characters we were already familiar  with. I think this is a fantastic way to make the less

complex villains like Chicle and Lolly  feel like a more natural part of the story without having to flesh them out a ton. It also gives  them a bit more of that fun personality, and provides an opportunity to explore the opposing  faction as a whole more deeply. Of course, I would also want Fern to have a more significant  role as a villain in this section of the plot, but I'll start with my ideas for fixing his  role in the story from the very beginning first. Of course, how you decide to fix

Fern's character  also depends on how you interpret his role as a character. As I mentioned before, I find the  reading of Fern as his own independent person more interesting, so I'm following that vision  in how I decide to continue with his character. Despite all my ranting about how Fern's  writing felt confused, I still think his number one biggest issue is as simple as a lack  of screentime. There are a few critical moments in his character's progression that feel  entirely skimmed over, a

nd he's absent for such a huge chunk of the show it's hard to even  say much about him outside his character arc. For the first point, I think an episode about  Fern's failure in Element (or at least some kind of prequel or follow-up to Element that followed  him) would have really sold his newly developing inferiority complex—and it also would have been  a great opportunity to see Fern exploring his new identity, yet still weighed down by the outside  expectation that he had to be a hero like F

inn. I also would have liked a bit more time with him  before that responsibility was thrust on him, so we could spend time to know him before  he was super tortured by inferiority. An episode working out his identity and aspirations  would have been nice, but nothing concrete would be decided so as not to take away from the  "gone-too-soon" tragedy later down the line. It also would have been nice to see  Fern interacting with other characters outside of Finn more. I think Fern's snarky  person

ality would make for some fun dynamics. Simply making him a recurring character in  this kind of passive part of his arc honestly would have done wonders for making the audience  sympathize with him more later down the line. I wouldn't change anything about how Fern's arc  was handled from "Whispers" to "Three Buckets"—I genuinely believe "Whispers" sufficiently conveyed  Fern's worsening inferiority complex despite its short run time. If I had to change anything, it  would probably be to have j

ust one more episode with Fern between those two episodes I mentioned  before—even if he just had a small role—just to feel like the time between the realization and  the execution wasn't so sudden. And because seeing Fern stewing with hatred that he's trying to hide  for an entire episode would be pretty funny. But Adventure Time's plot progression is always pretty  tight, so that's more of a personal wish of mine. More realistic would just be putting any old  filler episode between "Whispers"

and "Three Buckets". My biggest beef in terms of screentime  is the Green Knight, which I also think most people will agree with me on. Like I talked about  earlier, I would have loved more details regarding Fern's relationship with Gumbald, and I honestly  think a lot of this would come naturally once we started developing the setting of Gumbaldia  and the other Season 10 villains more. I also talked earlier about painting Gumball as a more  villainous and intelligent character through the angl

e of how he has more or less took advantage  of Fern's insecurities to further his own goals. It would have been so interesting to see how much  exactly Fern had been warped being under Gumball's command, because it's clear his feelings of  resentment toward Finn had only worsened and his inferiority complex had twisted into some pretty  heavy arrogance once he was modified by Gumbald. Showcasing Fern's loyalty to Gumbald, despite  how evil he was supposed to be, would also be a great way to mak

e Gumbald seem morally gray,  too, even if he turns out not to be. Furthermore, as a recurring villain, I think the Green  Knight himself would be a great plot device in order to learn more about Gumbaldia. Though  the Green Knight is pretty hostile towards Finn, we see in the episode "Gumbaldia" that there's  also a side of him that can be swayed towards sympathy—and Finn is certainly adamant  about not wanting the two of them to fight. If there was room for a temporary truce between  them, it

would open up opportunities for both Finn and the audience to learn more about both  Gumbald and Gumbaldia, either by directly visiting or hearing about it offhand. This kind  of dynamic also allows for Fern to be painted in a more sympathetic light prior to his redemption  in the finale, and I personally just kind of enjoy the trope of the villain letting the hero go free  because of a fleeting loss of resolve. It's fun, it's dramatic, and I think this kind of  villainy would be quite fitting f

or Fern. One direct change I would make to Fern's actual  character arc is how it ends in the finale. As much as I'd like to embrace a kind of  "accept your past self and don't feel ashamed of it" theme that I think Fern *living* would  exemplify, I do think the act of Fern dying is an important part of Finn's character arc:  facing the fact that he can't save everyone, and losing someone important to him. But I think  certain circumstances about it should have been different so that his progres

sion up until that  point didn't feel so pointless and disrespected. If you remember how much I talked earlier about  the theming of Fern's death, you might have an idea about how I would change those circumstances.  For one, the idea that the Grass Demon needs to be removed in order for Fern to be at peace doesn't  really add up thematically in a couple different ways, if you think of Fern as his own person,  as I discussed earlier. On a personal note, I also think it's kind of silly and shoeho

rned  in that the actions in a dream sequence actually have the power to change Fern's physicality in  the real world—but I'm willing to chalk that up to plot convenience and wave it off. Since the  Grass Demon being defeated is critical to the manner in which Fern dies, I think that itself  should remain. What's important is that it's not framed in a way that implies it's the morally  correct thing to do, like it was originally. For example, there could be an ultimatum that  requires it be kill

ed, they could be tricked into killing it, it could be a simple accident—any  number of ways. Maybe these particular examples wouldn't be as climactic as Finn deciding to  kill the Grass Demon by his own hands, but I think any of them would be more consistent with  how Fern had been framed in the show thus far. By the way, like I said: you're free to  interpret Fern's character differently, I just think that ending his arc in the manner the  show originally did disrespected his integrity as an i

ndependent person, which, in my opinion,  is inconsistent with how his character had progressed up until that point. I think there  definitely is a way to keep the original scene, but you'd have to change a bunch of  other stuff about how his character is framed earlier in the show, and, like I said,  I think the other way is much more interesting. ...Wow. To be completely honest, I think I  could probably go on for a good while longer, but I think I've sufficiently summed up most of  my thought

s regarding Adventure Time Season 10, and *especially* regarding Fern. This is the  first video essay I've seen all the way through, even though I rant all the time on Twitter about  media analysis... I don't even know if this video is going to reach anyone, since I originally  posted lyric videos to Enstars songs on this channel... but I've been way too passionate about  this topic, and I wanted a way to put all of my thoughts into words. It would be really cool  to make more videos discussing

Adventure Time, as well as other stuff I'm into, so if that's  something you're interested in, please please let me know. If enough people would want to see it,  then maybe my executive dysfunction will subside enough for me to finish more things like this. I  also have a Twitter, Tumblr, and Instagram that are linked in the description if you also feel  alone in how abnormally much you think about Fern Adventure Time. Maybe we can be friends!  Anyway, that's all for this video. Thank you so muc

h for watching, and if you enjoyed it, make  sure to like the video so hopefully more people can see it and I'll feel less like I'm talking  at a wall. My name is Mexi and goodbye for now!