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Music Theory for Beginners | I IV V Chord Progression | Ear Training | Singing Exercise 12/20

Download Your Free Music Theory Handbook: https://berkonl.in/40qs0jB Study Music Theory Online with Berklee: https://berkonl.in/3YimTjJ In this series of videos, Berklee Online course author and Harmony and Jazz Composition Department Chair George Russell, Jr. details how to develop your musicianship. Through several exercises and practical application, he touches upon topics such as the major and minor scale, major and minor triads, and the minor pentatonic scale. George also defines concepts such as ear training, harmony, tonal center, and intervals. You will use these subjects to develop the foundation needed to understand the various applications of music theory. In order to get the most out of the course, George recommends that you have an accessible piano or keyboard to fully engage and participate and gives tips on practice time. Watch All of the Videos in This Series: https://berkonl.in/2Ibssz6 About George W. Russell, Jr.: George W. Russell, Jr. is a performer, a composer, and an educator. His performances range from a solo piano, to a groove-oriented jazz trio, to a soulful, fresh-sounding larger ensemble that arouses the listener's intellect and, most importantly, touches their soul. George is the Chair of the Harmony Department at the Berklee College of Music. Prior to becoming Chair, he served as a professor of Harmony and Piano at Berklee. George has been awarded the Ted Pease Award for Excellence in Teaching, along with the Curriculum Development Award for the Writing Division. George has also been recognized with the highest award that Berklee gives to faculty, the Most Distinguished Faculty Award. About Berklee Online: Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee's acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today: 1-866-BERKLEE (US) 1-617-747-2146 (international callers) advisors@online.berklee.edu http://www.facebook.com/BerkleeOnline http://www.twitter.com/BerkleeOnline http://www.instagram.com/berkleeonline/ Music Theory | George Russell | George Russell, Jr. | Major Scale | Minor Scale | Triads | Chords | 7th Chords | Minor Pentatonic Scale | Intervals | Harmony | Tonal Center | Ear Training

Berklee Online

3 years ago

[PIANO PLAYING] So we've talked about the major triad and the minor triad. And if you remember, when we talked about the major triad, I constructed them starting on [PLAYING CHORD] the I chord-- in this case, C major; the IV chord-- [PLAYING CHORD] in this case, F major; the V chord-- [PLAYING CHORD] G Major; and then I went back to the I chord. [PLAYING CHORD]. The reason why I did that is because those three chords you hear all the time in songs. One chord, [PLAYING CHORD] which is also the to
nic; [PLAYING CHORD] IV chord, which is the subdominant; [PLAYING CHORD] V chord is the dominant chord. Now with the I chord, [PLAYING CHORD] the tonic, that's our home base. That's our tonal center. [PLAYING CHORD] The key of C, C major is our I chord-- the tonic. Number I. IV chord-- [PLAYING CHORD] subdominant. It's a step below the dominant chord. Now the dominant chord [PLAYING CHORD] is interesting, because it's the fall V chord. And it's the dominant chord. And the V chord has a tendency
to go back to I. [PLAYING CHORD] [PLAYING CHORD] And that's created by this, what they call the leading tone [PLAYING CHORD] going back to I. [PLAYING CHORD] So dominant [PLAYING CHORD] very often goes back to tonic. So those three chords-- the I chord [PLAYING CHORD] IV chord [PLAYING CHORD] V chord [PLAYING CHORD] I chord. [PLAYING PIANO]. C, [PLAYING PIANO] F, [PLAYING PIANO] G. [PLAYING PIANO] You've probably heard a dozen or so songs with those three chords in the last couple months. [PLAYI
NG CHORD] So what I'd like to do is I'd like to play through a few progressions with those three chords. And I want you to sing along, singing the root of the chord. OK. The first one starts with the I chord, then goes to the IV chord, V chord, back to the I chord. Starts over again. So we'll sing the tonic. [PLAYING CHORD] [SINGING RHYTHM] La, la, la, la. OK. Let's try it. 1, 2, 3, 4. [PLAYING CHORD AND SINGING RHYTHM] La, la, la, la. Do it again. [PLAYING PIANO] Yeah. Let's look at the second
progression. That again starts on the I chord. Then it goes to the V. Then the IV chord. Then the V. Then back to the I. Here we go. 1, 2, 3. [PLAYING PIANO] [SINGING RHYTHM] La, la, la, la, la. La, la, la, la, la. Let me hear you sing it. [PLAYING PIANO] Let's do the next one now. The next one starts with the IV chord. 1, 2, 3. [PLAYING PIANO] Sing the root. [SINGING RHYTHM] La, la, la, la. Now the last one there starts with the V chord. 1, 3, 3, 4. [PLAYING PIANO] Bass note. [SINGING RHYTHM]
La, la, la, la. The I chord the IV chord, the V chord. The tonic, subdominant, dominant. OK? Major triads. I chord, IV chord, V chord. All in the key of C.

Comments

@felipebatistamarcos

I am very grateful for making this learning available God bless One day, who knows, maybe I'll be able to learn firsthand.

@mayyinwong8396

Thank you so much for sharing sir . So nicely explained ❤.

@ravi230988

Thank you sir, such a beautiful explanation and expressing the feeling attached with these chords

@DoctorDupe

Great video!!!

@chaoticMadnessx

Why are you singing the la note? The Do isn't the root?