(upbeat music) ♪ Hey, hey ♪ ♪ Hey, hey ♪ ♪ Hey, hey ♪ ♪ Hey, hey ♪ ♪ Hey, hey ♪ - Oh, no, no, no, no, no, no, no, no, no. You go on, you go play
with the other kids. Go on. (laughs) - My, goodness, it's
so beautiful out here. I love what you're
doing for the community. - Thank you so much, I'm
glad you could make it. - No, thank you.
- Thank you. - I absolutely love this Pumpkin Patch. It's such a great way to
bring awareness in community. - Thank you so much, oh,
look, the little baby. You have
your dad's eyes. (chuckles) - We are so grateful for you,
we love what you've done here. Well, thank you so much. (metal clunks) - Hey, Rueben. - Hey.
- You made it. - Charlie, how you doing, buddy? - All right, good to see you. I got here a little early. - Good to see you, how are the kids? - Ugh, they're growing, man.
- All right. - How are your grandkids? - Very good, I haven't seen
them but I saw pictures. They're doing great.
- Okay. - You met Sonya yet, yeah? - No, no, no. Sh-she's over t
here, let's go say, "Hi." How was the ride? (both laughing)
- I don't know. They come out of the oven
and they'll be dark brown. - Oh, look, they've made it. - Oh, okay.
(background chatter) - Hey, Ms. Sonya, how are you? Good to see you. - Sonya, how you doing?
- You too. - Good to meet you.
- Hey, Jill. (background chatter)
(somber music) - [Jill] Funny how
people's lives intertwine. Coincidence?
(background chatter) I don't know. I figure it's all part of His plan. (background chatter)
(sombe
r music) (Kay scoffs) (footsteps clacking)
(Jill sighs) - Oh, here, I'll take that. - Oh, well, thank you. - Of course. Uh, really nice what you're
doing for the community here. - Yeah, it's our first year. Who would've thought
pumpkins, of all things, would be a good fundraiser? (chuckles) - Well, I think it's more than that. The victims-
- Yeah. - The community, what you're doing, it's making a difference.
- Yeah. You know, um, I'm really appreciative that you have volunteered, you know, is yo
ur name, it's Kay, right? - Yes, I'm Kay. - (sighs) How in the
world did you first meet all these guys? - (deeply inhales) Well,
I'm a flight attendant. I was in a flight home
from Grand Rapids... - [Pilot] Ladies and
gentlemen, very shortly, we'll be ready to departure. Make sure your mobile phones and all electronic devices
should be switched off. Make sure your seatbelt is fastened, and then make yourself
comfortable, thank you. (electronic game beeps) (somber music) (background chatter) (ele
ctronic game beeps continues) (background chatter continues) - [Pilot] This flight will
be going out 40 minutes. (music drowns out pilot) (somber music) (background chatter) - [Heather] Have you
ever looked for something and couldn't find it like
your keys or your glasses? You look and look everywhere
and still nothing. Then, when you're not looking,
there it is in plain sight. It was right in front
of you the whole time. That was me, for I too was
blind and couldn't see. And this is my story. (
somber music) (aircraft whooshes) (wheels screaming) - That's crazy.
- Yeah. - The birds and all the bees. - Yeah. (giggles) - But do you have (indistinct)
or whatever you know. - No, there's so many, I mean, oh, my God. - Okay, you guys, you
really look good yourselves. (background chatter) - (gasps) She did that. - She did what?
- She did this. The girl in 5B that I
was telling you about. She did the H and the T. (finger tapping) - Mm. - Security. - Can I help you? - I had a girl on my flight
today, and she did this. She did the H and the T. She was really young, blonde
girl, with an older man. She must've been getting traffic. - What flight? - 348, Seat B, 5B, and C. - 5B, ma'am?
- Um, yeah. - Let's (indistinct) - Okay.
- Let's go. (footsteps clomping) (somber music) (music drowns out intercom announcement) (Gordon scoffs) (background noise drowns
out intercom announcement) (somber music) - What's up, man? - At least, you know what you're doing. Bring me that redhead over there. (so
mber music) - Abby. (somber music) This is Abby. She's gonna be your tour guide. She knows every hot spot. You're in good hands. - Great, grab my luggage,
we can be on our way. I don't wanna do this. - Just get your luggage and go. She's your cousin, she's
here to show you around. (music drowns out intercom announcement) (somber music) (footsteps clomping) - I don't see them. - The most traffickers don't
carry luggage, they're quick. - What about parking garages or trains? - We got that covered
too. - (scoffs) I knew something was wrong. - You can't blame yourself. - She was so young and
she look so innocent. We have to get the Police on this. - I mean, the information has
been sent to them already. But you guys can go by
there and fill out a report. I'm going to take a look at the video and get a composite of it too. - That it? Can you believe this guy? - They'll find her. They're gonna get a good picture of them and they will find her. Okay, are you gonna go
home, or let's go out? -
No, no, I, there's
something I need to get done, but I'm off for a week. I'll, I'll call you.
- Sure, okay. (footsteps clomping) (luggage plunging) (background chatter) (somber piano music) - You ready? (chuckles)
- Yeah. (background chatter) (upbeat music) - We should have waited for a bigger car. - It's, uh, great you
guys provide car seats. - Oh, well, you kind of have to. I mean, this is the largest vacation spot for kids in the world. (upbeat music) - Yankees? - You got it. How about you, y
ou got a team? - Not really. - Oh. - So where you from? - You know, here and there. - How was the flight? - Fine, just fine. (upbeat music) - So, uh, what do you do for a living? - You know, whatever it needs
to do to make the bills. - Well, I know that. - Daddy, can we go to the
pool when we get to the hotel? - You bet, sweetie. Y-you kids, get off these devices and look at all these theme park. - These kids with these technologies. I'm telling you, it's taken over every. - (scoffs) Yeah, and,
uh, you
can find anything and anyone. - And they can find you too. We're being tracked, you know, I tell my grandkids all the time. I say, "Technology works
both ways, good and bad." You know what I mean? You know what I mean? (scoffs) All right, this is it, vacation time. (upbeat music) - No, of course, I'll take
care of it as soon as possible. Right, thanks. (phone clicks) (sighs) Okay, um, we
have all the information from the airport, but I really
appreciate you coming down. Um, can you think
of anything
that maybe you did, uh, didn't tell us anything in specific? Um, the tattoos they had,
or maybe something they said that seemed outta the ordinary? - No, like I said, he made it seem like they weren't even traveling together. - A very common tactic for traffickers. Makes this harder for us to,
to connect them to each other. - Yeah, how do you think she was taken? - Taken, mean, like,
like the movie "Taken"? Yeah, um, most of the time
it doesn't happen that way. Um, these girls are
g
roomed, manipulated, uh, given clothes, gifts, sex,
drugs, whatever it happens to be. And before they know it,
they're being solicited on the dark web. - Wait, the dark web? - Yep, photos, videos, things that they don't want out there. So, they start to cooperate. It's a, it's a vicious circle. - Will you keep me up to date? - Of course, thank you. Thank you so much for coming down. We appreciate you. (background chatter) (computer keyboard clacking) (background chatter) - Excuse me, do I need
t
o check out or anything? What do I need to do? (background chatter) - [Jill] At the police station? - I was heading out and
then I saw the sign again. And then... (sighs) - It's simple but very powerful. I just wish I would've seen it sooner. You know, it, it takes time. And you know, local Law
Enforcement is so important in this battle, I am
so glad that you went. - What was that cute
detective's name again? - Um, Detective Tanner. - Yes, well, I just wish
he would've done more. He would've tak
en me more serious. - (sighs) You do need to realize
that those cops have a lot on their hands. They are overbooked. There are warehouses of girls. There's, there's just a lot going on. People don't realize how busy they are. They're doing the best that they can. - I met Abby. The thought of her being in a warehouse with all those girls, all the
contacts they had to make. Jill, it makes me sick. (brooding music) (Kay) I heard it was
floors and floors of girls. (door creeks)
All ages. - Three.
-
Hurry up, let's go. (brooding music)
(victims moaning) - 16-year-olds, black, white, Hispanic. Evil knows no boundaries. (garage door whirs and slams) - All right, ladies, just like you, these cell phones are our property. We will be monitoring them,
so don't try anything stupid. You need to enter your info name, age, height, weight, et cetera. After you're done, sign in. (tense music) - [Kay] And the fear they must have felt. The fear that their bodies
are no longer theirs. (door clicks) - Hey.
(door clicks) I gotta make a run, what do we got? - I got three ready to go for you. - All right. (door clicks) (footsteps shuffling) You, you, and you, let's go. (tense music) (footsteps shuffling) (door clicks) Penza, blindfolds. - You all know the drill. (somber music) - Let me help you with that, sweetheart. (somber music) (door clicks) (computer keyboard clacking) (somber music) (computer mouse clicking) (door clicks open and close) - I just got off the
phone with the agency. They're so ex
cited you're here. You know, I wouldn't hurt you. You know, I would never hurt you. - Yes. - And you can leave, did I lock that door? - No. - So leave, if you wanna leave, you leave. Leave. (somber music) You see, when I came to
this door, I knocked. I knocked because this is your space. I got you this room,
I bought you this food but I respect your space. This is yours, honey. Now, open up the bag and eat. (somber music)
(paper rustling) Open it! (somber music) You remember our plan? You trust
me? Now, you said you were gonna be nice and we both know what that means, right? Good girl. I'm gonna be back in about 30 minutes. Go ahead and get dressed. Okay? Okay?
(Heather gasps) Now, stand up. Stand up! (somber music) (camera shutters) You're gonna be a great model, Heather. (somber music) (door clicks open and close) (somber music) (Heather cries) (background chatter) (door slams) - Hey, where's Ruben? - Ruben will be in later tonight, sir. - Okay, um, can you look up
the Fisher family,
please? They left their glasses in my car. - Fisher?
- Fisher. - Sir, I don't have a Fisher registered. - I, I just dropped him off. Can you double-check?
- Sure. No, sir, no Fisher listed here. - Come on ladies, you're
up, come on, come on. - Hurry, hurry up, let's go,
let's go, let's go, let's go. Come, come, come, come, come,
come, let's go, let's go. (tense music) (door knocking) - Come in. (door clicks) (tense music) (door clicks) 30 bucks. - That's all I got, I swear. What do you want me
to do about it? It's not my fault. (Perry hand slaps) - Don't you ever talk back to me. You're such a pretty girl. I know you can do better. (door clicks) - Hey, girls, come in. Let me get your passports first. You can go in and have a seat. I promise that we'll
take care of you, okay? It's gonna be okay. You can have a seat right over there. (tense music)
(door clicks) Tell them they're ready. (door clicks) (tense music) (door clicks) (tense music) (door clicks) - So, what do we got? - We're do
ing pretty good. Mattie has a lead. - You wanna confirm it? - Okay, give me the number. - 456-809-0998. - Hardy Michigan, what's
the name he's given you? - Roger Jones. - Roger Jones, that's right. How much? - 600. - Hotel? - The Dandelion on Eastern Avenue. - Okay, give me a minute. So, he looks legit. Looks like he used that
number and a classified ad to sell a car last year. - Yeah. - It was a Mercedes. Sold it for 47 grand. - I'll take it. - Wow, looks like he's a doctor. Probably in town fo
r
one of our conventions. - More than likely. - Ah, he has a dark
web profile, excellent. Check that out. - Checks out. - Okay, take AJ with you. Robin, Taylor, go with them. Have them work the bar. - Okay, girls, let's make some money. (footsteps shuffling) - (groans) Take care of her, Victoria. Abby, go. (footsteps clomping) - I got something for you. (footsteps clomping) - So, wait, how did that happen? (door clicks) - Some guys are on vacation,
he gets bored with his family. (scoffs) Calls a
number,
maybe for a massage, maybe for someone to have
a drink with, that's it. The traffickers, they have your name. They have your number,
all through the dark web. (brooding music) - I'm scared.
- Hey, hey, hey. It's gonna be okay, all right,
you're gonna be okay, okay? We've got some food coming- - How long will we be here? - You are so beautiful, all right? You're gonna have a great life. It's gonna be okay. - Well, hello, ladies, good evening. Welcome to America. This is the land of
the o
pportunity, right? This country welcomes
you, and I tell you what, one day, you will become
citizen just like me. - What the hell are we doing here? Where are we supposed to go? (tense music) - Let me tell you something. Don't you ever interrupt
me when I'm speaking! Welcome to America. Where are the others? Where are the others? - They're coming. - Well, they better be. And clean this place up. (tense music) (door clicks) (paper crackles) (door clicks) - Hello, boss, yeah, yeah, we're good. Oh,
they look good, oh, yeah. Yeah, we got whites, we got Hispanics. We got, uh, Asians. Yeah, well, the rest are coming. Sure, oh, we're ready. Good, we're good, all right. (brooding music) (scoffs) All set, let's go. (upbeat music) (background chatter) - Good to see you.
- Good to see you. - Hi.
- Good to see you. (upbeat music) - Vodka Gibson, please. - [Chad] Yes, sir. - Great election this year. - Oh, the, uh, yeah. (scoffs) Mm-hmm. Discussion selection team have
their work cut out for them. -
Mm, indeed.
- Here, sir. - Thank you. (light jazzy music) - Not another one. (sighs) - Now, you wanna go up and
give them a hug, all right? And don't stop playing
with your hair, okay? - Listen, we need to help her out. - I want you boys to go
on the other side of her. - Smile. - Hey.
- Gordon. - I hear you got something for me. - Hey, buddy.
- Hey, man. - What are you a cop or something? Back off. - Sorry. - What, what is this guy doing here? - He's just, he's a customer,
he's not a cop, reall
y. - Really?
- Yes, it's okay. Hey, can you just excuse us for just one, one second, please, hey, can we- - Yeah.
- Okay. (shoulder tapping) So, not happy that you double
the price we agreed upon, but she is-
- Woo-hoo, she's worth it. - Yeah, she's what I want. - Do we have a deal? - Yeah, yeah, let's do it. - All right. (light jazzy music) - Is this an open bar? - Hey, come, come with me now. Come on, let's go. - It's okay, you can trust him, go. - Follow me, come on. - Let's do it, where'd sh
e go? Where'd she go? - Heather. Heather. Heather. (footsteps clacking) - Come on. - Who are you? - Does it matter? - Am I under arrest? - Do I look like a cop? - Look, I can't go back. I can't go back home, I'd
rather go back in there. - No, you wouldn't, trust me. You have no idea what was
about to happen in there. - I'm gonna be a model. - Really, is that what they told you? - Yeah.
- Look, come with me. I know a place that's safe. Look, I'm not just another pretty face. I was trafficked, jus
t like you. - Trafficked?
- Come on, let's go. (computer keyboard clacking) - A world without shame. (scoffs) (computer mouse clicking) (Kay scoffs) (gentle music) (door knocking) - [Tim] I, I think they're
closed, can I help you? - Do you work here?
- Well, I- - I think I know you. You're the flight attendant
from the plane, right? - Are you 5B? Oh. (sighs) Oh, I'm so glad you're okay. - Is she safe? - (scoffs) She almost
wasn't, but she is now. - Oh, oh, I'm so glad I found you. - Uh, hey, we'
re gonna go for
ice cream, you wanna come? - Sure. - Hey, Ruben. - Charlie.
- How you doing today? (speakers talking over each other) - Listen, there's something
going on at this hotel. - Like what?
- I'm telling you, I feel it in my bones, Ruben. - No.
- I'm talking about- - No.
- All these Asian girls. - What about them?
- I'm telling you. - No.
- Hey, Mr. Fisher. What's happening? You left your sunglasses in my car. - I-I've been looking for these, thanks. - Yeah, I, they said you
weren't eve
n checked in in this hotel. - My wife's maiden name. - Oh, hey, since you've been here, have you seen anything off, unusual? - Off, no. - Yeah, like-
- Charlie. - Asian girls.
- Asian girl- - No, Charlie.
- I'm telling you, Rueben. - Please, don't. - Charlie, we just discussed this- - I'm telling you, what they do with the human traffic
is they find a hotel, they blend in, and then they
collect their inventory. - What do you mean their inventory? - (scoffs) I'm telling
you, Ruben, I'm telling, l
ike, what's this?
- It's nothing. - I'm telling you, what is it? - Charlie, hey, Charlie.
- Hey, lady, are you being held against your will? (speakers talking over each other) I'm so sorry.
- So sorry. - I'm so sorry, I
mistaken you for somebody. Please, enjoy your vacation, I apologize. - Come on.
- I'm sorry. - Let me buy you a drink. - That guy was going all off. - So you just drove there? - Yeah, I wanted to know more. - So, you wanted to learn more like, about how they're
kidnapped and coer
ced, manipulated, drugged, beaten to death? - I'm in it, we're going on. - (scoffs) Do you believe in Heaven? - Yes. - Do you believe in hell? Well, this is hell. Hey, why don't you wanna go back home? Why are you here? Why'd you wanna go with him? Why, what, why are you here? - Because I was raped. I was raped by my stepdad. (somber music) - I'm sorry. - I met this guy, it was
at the Mall, you know, like a modeling thing. And he said he was this big agent and that he had all these connections.
So I believed him, you know? And after that, I let him
take a few photos of me. (scoffs) A lot of photos. He told me that it was just
what all models needed to do, and that it was essential. And (sighs) A couple days ago, he asked
me to come to Florida. And I did want to go but
(scoffs) it just, I don't know. (scoffs) I told him I couldn't. He got really, really mad. (sighs) He threatened me,
told me I owed him money and all of it. (sighs) And then he said that
if I didn't work for him, he'd sen
d all the pictures
back to my family back home for everybody to see. I, I was so mortified. I just can't go back home, okay? I, I can't go back home. - So, where do you go, honey? - I don't know. - Look. (clears throat) (sighs) I was 18, I had a
mentor, college professor. He was gay, I was, I wasn't sure yet. But he saw in me that, and he
led me down a, a wrong path. But, you know, I thought
it was fun at first, and (sighs) then it got out of control. And between the drugs
and the booze, it was,
it was almost too late. And then I found them. - Who? - (sighs) They saved me. - What's your name? - Heather. - Heather, do you wanna
go to a safe place? - Yes, I do. - Okay, you come with me. (somber music) Thank you so much. - Yeah. - So, do you work for them? - No. Something like that. You know, most people
don't know what's going on. It's kind of tricky, but
like, it's everywhere. Parks and hotels, and
(sighs) you got an hour? (upbeat jazz music) - I don't know, maybe
I'm just getting paran
oid in my old age. I totally overreacted out there. It's not me. But when you read about these statistics about human trafficking and
this State is number three in the nation, you gotta look out for it. - And you should. - But where is it? I know it's in this hotel. I know it.
- How do you know? - Because I was a New York City
Police Officer for 35 years, and me and my wife retired here, and we had the greatest life. And then she died of COVID last Spring. - Sorry. - I know they're here,
they're
like cockroaches. And, you know, they're in the conventions. But the thing that gets me is the tactics. The grooming. How do they get these girls to stay? - Is everything okay here? - Hey, you remember
Charlie, our Uber driver? Uh, he had my sunglasses. Charlie was just telling
me that he's a retired cop. - The kids are ready for bed. - Okay.
- I got this, I got this. Can I settle up with you please? - I will, uh, see you later. - All right, thanks a lot.
- Come on, kids. - Thank you. - Those t
eens right there. - No, no, the, okay, see that lady? - Mm-hmm.
- All right. See the two guys?
- Yeah. - Those are the marks. They answer an ad like on
Facebook, uh, Snapchat, TikTok, Instagram, Twitter, oh, you get Snapchat. Snapchat's the big one. - How, it's, it's all in the open? - (scoffs) Okay, so the
guys are on vacation. They think that they're
gonna have some fun. They answer the ad, the lady comes over, there's an exchange, and now
she has all their information. She's got credit cards,
their home address, telephone numbers, everything. Everything to blackmail
them with their families and ruin their entire lives. All because they got
excited and answered a text. - So, like the dark web? - Yeah. Yeah, like five years ago,
nobody knew about the dark web. Maybe 1% of people. But now, there's like
10 million hits a day it has a lot of demand,
and demand requires supply. - Right?
- Product, people. Girls and boys. (sighs) So have you lost all
your faith in humanity yet? - It's gett
ing there.
- Mm-hmm. (light clicks) - (sighs) This is your living room. (footsteps clomping) And this is your kitchen. (footsteps clomping) This is your restroom. (footsteps clomping) (door knocking) Sarah, Sarah. This is Heather. Heather, Sarah. (footsteps clomping) - You okay? I've been here two months now. I don't feel alone anymore here. And I know you won't feel alone here soon. (Heather sobs) Hey, it's gonna be okay. It's okay.
(Heather sobs) (somber music) - Hey. - Hey, Sonya. - Oh, what'
s going on? - (sighs) I really, really don't think I can do this anymore. Every time we pull one girl out, there's two more, three more. And now there, there's a
warehouse full of them. (scoffs) When is it gonna stop? - You do amazing? You know why, because God is with you. He's the one giving you the strength, giving us the strength to do this. We've been such a blessing
in these girls' lives. Even though you can't save all of them, you are making a difference
in the life of each one of the one
s that you're saving. God's strength is getting us through this. Do you mind if I pray with you? - I would. - Dear Lord, thank You so much for Your love and Your protection. Thank You for using us as
instruments to bless these girls. Lord, open the doors You
want us to walk through and close the ones You don't
want us to walk through. Give us wisdom to be able to
do the best for them, Lord. Thank You for giving us this opportunity. In Jesus' Name, we pray, Amen. - (sighs) Thank you. (somber musi
c) It's amazing how prayer works. For 10 years now, I've been
helping young girls find hope. Hope to find peace and
comfort from their past and hope to a better future. Every day, in America,
10 to 15 miners are sold into the sex trade. This is what keeps me going. (background chatter) (somber music) God has really blessed
the Lifeboat Project, and God has really blessed
each and every person that has come through our doors. - (laughs) No, it's okay,
I think it's so funny. - [Jill] You see, resc
uing these ladies is just the beginning. It's about friendship, love. (Heather screams) And restoring their innocence. - You're so mean, it's not my fault. (brooding music) (water splashes) - You'll feel better afterwards. It'll do you good. - Abby, take it. (brooding music) (Abby cries) (brooding music) - Abby! (brooding music) - What's this? What's this? Hey, wait (indistinct) - Go, go! (wheels screaming) - You okay, lady? Is someone chasing you? You okay? (brooding music) I'm gonna get you so
me help. - Hey, so what are,
what are we doing here? What is this place?
- Just, it's a daycare but they use it as a
homeless shelter at night. (brooding music) - Wait. Are they trafficking women here? - But, Kay, we're- - Hey, are you trafficking these women? (people screaming) (speakers talking over each other) (Kay screams) - Get of me! (speakers talking over each other) - Come on, Kay.
- Go on, go on! - Are you trying to get yourself killed? We gotta get you to a hospital. You might have a c
oncussion. (brooding music) - Seriously, I don't need
to be here, I'm fine. - No, we're gonna make sure, okay? - Hi.
- Hello. Welcome to Urgent Care and
Pediatrics, how can I help? - Yeah, I don't know, he
thinks I have a concussion. I guess I need to be seen. - Hey, did they give you that phone? - Hey, who are you? - (scoffs) Who are you? - I'm the guy who brought
her here to get checked out. - What's her name? What's your name? - I don't know, I'm just the Uber guy. - Where'd you get her? - I
found her that I drive. She was running away from, from some guys. She jumped in my car and she passed out. - Look, I've been through something like what she's been through. You need to turn the phone
off, they'll find you. - Just turn it off.
(door clicks) - There you are, we've
been worried sick, Abby. (Tim sighs) - Hi.
- Hello. - Her name is Abby Miller. - Okay.
- Let me get you her ID. - Yes, please. - (sighs) I'm just so happy we found her. - Okay.
- Okay. I have an idea. (speakers
talking
over each other) - Look, it's obvious. - Okay, you get her to the
back, and I'll meet you out in the back, right now.
- Okay. You're not going with him, don't worry. You're not going with him. (desk door slams) - Hi, um, Abby, your dad is here to, um- - Um, you haven't even
give her an X-ray yet. She broke her arm. - Okay, um, can I take a look? - Just. - Okay, um, why don't you come
on back, we'll take an X-ray. - Perfect, perfect, get an
X-ray, get it checked out. That's great. - Okay. - Numbe
r 37.
- Okay, that's us. (footsteps clomping) - Thank you. Come on in, Doctor will be right with you. - W-where's the restroom? - Oh, that's the first door to the left. - Thank you.
- You're welcome. - Hey, come on. Hey, come on, let's go now. Lose the phone, let's go now, come on. (footsteps clomping) (tense music) (door alarm beeps) - Hey, this way, this way. I got the car, come on. (tense music)
(footsteps clomping) (door clicks) - Perry, what's up? - You'll not believe this. (fist slams) - W
hat's going on? - I need two more. - 10 a piece? - Fine, I'll pick 'em
then, no problem at all. - No, I'll go pick 'em. You meet them out front, get out of here. (brooding music)
(door clicks) - Come on, get up. - Why, why are you taking us? - Just come on, let's go. - What are you doing?
- Let's go, come on. What are you doing? Where are you taking us? What do you want? - Put these on. (brooding music) (garage door whirs) (brooding music) - That money better be
on my desk tomorrow- - Uh-huh, uh
-huh. (brooding music) (garage door whirs and slams) - So, how is Heather doing? - So much better. So much better, you guys. You guys had a crazy night. - (chuckles) Yeah. - Crazy night, huh? (Abby chuckles) - Gabe.
- Yeah? - Can you come and get Chloe? Here comes the ice cream lady. - Let's go outside, okay? - Bye.
- Bye-bye, Chloe. So, Abby, where did you come from? - It was a warehouse. It was huge.
(somber music) Floors and floors of girls. And they never let us leave
without a blindfold and
a goon. And we had to make 20
contacts a day at least. And, and I, I just can't
do it anymore. (cries) - Abby, (indistinct) can
remember where this warehouse is? - Mm-mm. - How many girls? - Hundreds. - Hundreds. We have to do something. (somber music) - Hey, did they give you this tattoo? - Yeah. - What, like branding? - Yeah, basically. - Okay, Abby, you ride with me. You guys follow me to the Safe House. - Abby, you're safe now. (somber music) (footsteps clomping) - Uh, Charlie was right. An
swer, answer. - No, you don't understand. I live in a small town, please, you can't let these
pictures get out. (cries) - W-we'll do the best we can. We'll do the best we can. - Please, I'm such an idiot. - You're, you're not an idiot. We've dealt with this so many times, okay? - Yeah, what have you got? How many? Thanks. Hey, can I talk to you? Hey, Charlie, a man down at
the (indistinct) YPD says there's this hotel
called the Sunset Suites- - Yeah, yeah, I know-
- Okay. Well, I must have seen
about
three dozen Asian girls go through that place. I just gotta tip from the
doorman, they're ready to leave. You gotta do something.
(background chatter) - Right, I'll call it in. Let's roll.
- All right. (somber piano music) - Can I get your name? - Abby, Abby Miller. - Do you have any tattoos? (somber piano music) And how did you get like this? (somber piano music) - So, Abby, this is where
the opportunity start. (background chatter)
(somber piano music) - [Sidekick] Have you
ever been to F
lorida? - We all lived in a, in a big warehouse. It's by the airport, I think. I, I remember hearing planes. - You're in a good place now. (somber piano music) - Abby, tell them, all of
girls, 20 contacts a day? The abuse, the drugs, Abby, tell them. - (sobs) I... - I think we're gonna
stop here for now, okay? (somber piano music) (footsteps clomping) (door clicks) (somber music) (door creeks)
(chair screeching) - What's the deal with the tattoos? - Tattoos? (sighs) It's how they, it's
how they,
they identify us. The guys go on the dark web. (sighs) They can get anything
they want in this area with just using emojis. A man with fireworks, a cat, a wagon, a cheerleader, toddler. (cries) (brooding music) (door clicks) - Bathroom's clear. - Clear the left. - We missed them, dang it. (brooding music) Passport. (brooding music) Chinese. (passport tapping)
(brooding music) (computer keyboard clacking) (brooding music) (message bleeps) Enjoying your vacation? (chuckles) Listen, um, this is an
insecure
channel, so I'll be brief. I came across something
significant that may be huge. Continue on with your vacation plans, and I'll keep you posted. Oh, uh, one more thing. Charlie was right. (laptop beeps) (somber music) - Hey.
- Yah? - May I ask you a question? - Sure. - What is it that you
wanna get out of all this? - I wanna make a difference. Seeing that girl on my
flight and not knowing what she was telling me, finding out later what the sign meant,
going around with Tim, seeing how
they are
selling homeless women, how they're hiding in the
crowds around Orlando, how they're using our hotels... Jill, it's devastating. That I didn't know. And I just wanna help people know so that when they spot these things, they can make a difference. They can help rescue these women. (somber music) I just feel like I need
to tell this story. - and you can. (somber music) - I just wanna make a difference. (somber music) (Jill sighs) (somber music) (coffee pot clunks) - It is, it's actually
way
better than I expected. (background chatter)
(door clicks) - It's really good.
- Good. - Seriously, who drank the last coffee and didn't make anymore? (coffee pot slams) - Hey, girls, how was school? - It was good.
- Good. - Except, I realized that geometry is still my
least favorite subject. - I second that. - Well, just remember
that I can always help you with homework if you need it. - (chuckles) Okay. - Thank you. (somber music) - Oh, my gosh. They finally got him. (somber music) - Well,
it looks like we're
gonna need to make room for a lot of girls. What do you guys think if we
just get this place started? - Yeah. - I think that's a good idea. - Yeah. (somber music) - [Kay] Mark Twain once said, "There's nothing more deceptive
than an obvious fact." Central Florida is beautiful
with the amusement parks, lavish hotels, and convention centers. The area attracts millions. I love this area but the truth is a silent, enslaved population of human trafficking victims
are hiding amids
t all of that, (camera shutters)
I found out about it. I found the Lifeboat. (passport thuds) (phone buttons clicking) (Detective sighs) (phone rings) (receptionist speaking
in foreign language) - Detective from America? (somber music)
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