[music] Hello guys Long time no see today you will find an interesting video in which we will create a sci-fi atmosphere and voice sci-fi weapons from Atomic Hard there will be a lot of talk there will be a lot of interesting things but as always by tradition Let's see the result And then we'll see what was in the project let's go [applause] [music] [music] Well, let's fly into the look, look What's interesting going on inside us, let's start with the room tone and that's what an interesting tho
ught came to me when I began to voice it As you can see, I have it here the base substrate and It consists of only three tracks. First, this pink noise just creates such a general filling, then I made such a booming bottom and I wanted to add some kind of melody, that is, so that it was not some kind of stationary sound, but a changing melody that adds Here's how since it’s such an unearthly atmosphere, and now it seemed to me quite mystical, and that’s when I managed to add up these three track
s did a really good quality job and if I achieved a result with one track Is it normal or not so don’t care If you like it if it sounds good I think that the result is achieved it all depends on what goal you are pursuing so if we are voicing to shoot a stationary video, then first of all you need look at the artistic component if we are voicing the game, then here we still need to more reverently approach such a moment as the variability of this melody so that the player, being in this room fro
m these three sounds of ours that will be looped, is not tired so that they do not press And so that they all- somehow they changed so that they have some kind of weaving somewhere, the melody went away somewhere, or it generally faded out, in general, add variations to make it more interesting actually than I did next and got busy. I decided that we have all sorts of various devices here computers and so on and so we added the following track here. This is the same gray but here there is variab
ility, we have a LF-spoon hanging here. By the way, on the equalizer it creates the effect of such working computers. Well, then Just to add a little life to our picture, we add here fields in the form of some person who comes to us here and something makes the door open steps various mechanisms compressors so our brain just has something to cling to our hearing and thus the picture basically comes to life Well, by and large, it actually seems to me that it's all a matter of taste if you did it
if you like being in this atmosphere then it seems to me that a positive result has been achieved And then it all depends on you whether you want to make this picture more saturated or you want to make it as minimalistic as possible It all depends on you so do try experiment and everything will be fine well Well, let's move on to our site now to a weapon called Dominator, so it's at Hard I looked at it, looked at it some kind of mechanical component and saw this Magic barrel from behind, which r
eminded me very much of the Soviet Vacuum Cleaner, what was it called there rocket or Whirlwind Well, you understand something like these oblong bandurins and I had one like that, so I decided that I would voice this weapon Well, 90% using my own sounds recorded and also synthesis that we took the Soviet vacuum cleaner we took the gas wrenches We drill the box with some kind of metal junk, a tripod and a toy gun, actually this was enough for us, but I always try to approach it in such a way that
I record a bunch of options for the sounds of various objects And then already trying from them just some basic ambian so that our picture is not in a vacuum, but we were with you after all on the street and somewhere around us, somewhere in the distance, the birds sing, we also added steps to our main character, a little bit of clothing, and then we actually started working directly with our weapons, if we analyze this one, we analyze this action, then it consists, you hear Yes, if in a vacuum
, we listen, this is just the same as our vacuum cleaner , it is also probably raised for food, but no, on the contrary, omitted but not the point Hello, this is a gas wrench , this is a drill some kind of our pancake of an iron can, this is exactly where we sort out the drill, but when we put these grains into such a sandwich so that there is no clear definition of what kind of object it is, they just add up to the picture and they personify our weapons well here we have a drill that we registe
red automation using shiftar and automation wrote like this and such a metal click was also made from the gas key of the site click, I mixed well, a little more electric university which was made on gray and a couple more Drones that I took from England Well, it’s just the hum of the transformer That’s all, probably, that’s all, now we go directly to our shot As we can see here The atmosphere is actually our surroundings already on the street with a slight breeze And then I tell my logic when wo
rking with a shot, I approached here as follows, I just took Serum and began to sculpt layers rolled some cool sound left it looked low-frequency Okay let's add something more mid-frequency then fraction banks and so on You can see that here is gray gray gray and also again we have some mixed here sounds that were recorded for me If we look just at the very same Here is this main substrate or something So to say [music] Here is the sound, then this is God, how many interesting things are mixed h
ere, in fact, it was I accidentally touched the stand on which the recorder was standing with my foot and all of this we threw a compressor here we threw a cabinet what Russian spoon on the equalizer that was the variability of the shots and it turned out such a low-frequency bead then comes the serum This is purely from Noah for the sound is made this is again Zoom what is it And here we have automation by using gray FX Yeah, if we turn it off and it’s probably still lowered our -15 And what is
it this is a bass guitar string Why not, well, you see, even now I surprise myself, in general, we just experiment and get this sound from the bass string a little more gray and in this way we get such a one-shot If we just turn off the fields that are in the form of metal ghosts, then it turns out due to just the same automation On the bass string, since there are different durations here and it starts a little from different points, we get a taste of the tail everywhere different we get varia
bility, but also the trick is that when we start a queue , we have this sound only on the first shot and on the last one, because when we have all the beauty, then here it is in the center, in fact, we don’t need it here it will choke, but in fact, I initially adhered to this tactic, I initially had some kind of plan, I adhered to it No, I initially wanted to make the sound not capacious so not super compressed On the contrary, I wanted to make it sloppy because this is the USSR there should be
clicking metal and how I wish there was some kind of such a feature. Well, actually, it seems to me that it turned out further. I just added all kinds of metal fields here in the form, again, of a click of a child’s pistol and an adjustable wrench , in my opinion, they are generally raised around the oven, a lowered tripod . Well, in general, it all sounds like we have - there is something else here, I missed something Yes, what is it, well, here’s another sound, they added it, in my opinion, a
drill, but in general it all sounds, it was already added after the fact , it was possible to pick it up more from more sloppy But in fact it only seems to me now When I was working on it I, on the contrary, liked this feature That is, I didn’t want to make this big Dominator so collected slackness just suited him Okay now let’s move on to the second part of the shot, which begins actually the charging itself and then the big shot actually adding our charging from the drill [applause] again auto
mation in gray just added our favorite filter and reverb Yes I'm right I'm right it's such a tough automation for a long time by the way I suffered with this moment so that we have the sound of our drill masked because it has such a small overtone so very characteristic of a drill and it was very difficult to get rid of it so that it was not directly audible, but in general the next layer turned out, this is also a drill, only another piece is faster, which is lowered through the oven as much as
-23 and also here there was automation in gray and in shiftor, this is already We voiced the flight of our electric ball, then we add electricity itself, when it sparkles with us here and we add electricity after the shot, which we have here on the top of our head remains actually directly Big the shot consists of the following parts, it’s gray further we mix it all the same, Kik automation with automation went second And even before the shot we do the reverse which [music] we are further addin
g fields here because there is a shake-up of our weapons and now if we look here we have here here is this thing that is being charged here it is walking here and our piston is moving here spinning the crown opens it closes plus the Rouge bike itself there Humpty Dumpty does therefore here we added such overtones that we have here going on Next click still charging here our pistons still electricity still here the fields Lord this pistons are spinning this Shaking is actually our sorting out at
the moment of charging and everything was not enough for me everything was not enough that you still did and this is already directly the explosion of our core, which again consists of hitting the rack, which cost the recorder one more reverse kick from the number of a small explosion, and here there is still electricity in the distance, which is processed by reverb, but we also have a message pop up here. in fact, for a long time it didn’t satisfy me for a long time, so I picked up such a maxim
um neutral sound and simply took away minus 10 so that it wouldn’t bother us particularly intrusively [applause] now as carefully and respectfully as possible for us Okay, what conclusions did I draw for myself Firstly, when we have there are so many events right here a short moment of time when we have fouls of our movements with this weapon there are a bunch of small pistons of some kind of triggers of metal ghosts of metal overtones sorting through the weapon plus the charging itself is openi
ng this claw shot electricity you need this layer each to work out here I I didn’t do it, so it turned out a little dirty, but due to lack of time, I just made a conclusion for myself and I understand that the next work I will already pay much more attention to this and follow the spectrum as a whole. Because here I tried to do it after the facts, roughly speaking now, if we look at the master, look at the Spectra, what is happening with us is a rather neat evenness, just the same, it climbs a l
ittle below. But what did I do here? I just cleaned the upper middle with a mustache further. a little more trimmed what I wanted roughly on the equalizer, they pressed it a little more and at the end we just have a limiter even hanging at zero the fact that the usual structural approach to the voice acting of any architecture and everything goes like this stepwise separately in layers, but here I just freaked out a little and gave freedom of creativity, I decided to try myself in the role of su
ch a free artist, like I want to mix it in here again. here we’ll do it again Well, in the end, the result turned out to be quite good, but it’s not ideal, there’s still nothing to work on, so be careful about the layers, plan your work, don’t experiment and everything will work out, but for today I’m all thank you very much for your attention Please write if you would be interested see a detailed analysis of how I create the very zero format there I don’t know, let’s say an hour-long video and
We will try such experiments further nothing thanks for your attention as always likes dislikes all there comments I will be glad to receive feedback see you [music]
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