In 1996 Nicholas Sparks' romantic novel "The Notebook" became a bestseller. Eight years later it was adapted to a classic movie starring Ryan Gosling and Rachel McAdams. And the love story that was "a song, a dream, a whisper," is now a Broadway musical. Correspondent David Pogue talks with Sparks and with members of the creative team that turned his book into a show that is already causing considerable audience joy and weeping.
@notebookmusical #broadway #broadwaymusicals
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come here don't touch me I hate you I hate you
go why don't you just go get go go it was a much loved film based on a best-selling novel get out
your hankies The Notebook opened this past week on Broadway David Pogue talks about the story's
enduring appeal with author Nicholas Sparks every Broadway show has a souvenir stand
for things like t-shirts and mugs but at a new musical that opened this past week they're
selling this I guess this is one of the hottest little uh merch on Broadway acc
ording to
articles that I've been reading it is a tissue box it's got the logo of the uh of the
play Nicholas Sparks has published 24 Romance novels all best sellers they've sold 130 million
copies and have been made into 11 movies but the very first one he published is his biggest
seller of all the notebook from 1996 I wrote you every day for a years you wrote me yes it
wasn't over still isn't over the 2004 movie version put young Ryan Gosling and Rachel
McAdams on the the map and became
a romance classic and now it's a Broadway musical of
course I was here on opening night and it's unbelievable you didn't cry did you yeah I
got a little you get a little weepy and he's not alone did you cry at all um from the jump
did you cry I did only I mean one elegant eye happy you took a curtain call with the cast
in opening night was that your first time on a Broadway stage oh yeah shoot I mean it's
my first time backstage I'm looking around like a tourist every version of The Noteboo
k
has employed a framing device as the end of his life approaches husband Noah reads from a
notebook to his wife Ally who has Alzheimer's disease it's the notebook containing
the story of their own decades long love [Music] that was a story inspired by my ex-wife's
grandparents and that when they were young they were separated for years she meets someone else
she comes back finds her first true love and they live long and happy and then um in their final
years age begins to take its toll h
ey I'm Noah I'm [Music] Ali is there any shame in hearing
this show described as a tearjerker I don't mind it if we are the play that makes you feel
things SL cry then there are worse boxes to be in playwright Bekah Brunstetter wrote the script
and songwriter Ingrid Michaelson wrote the music and lyrics I spoke to them on opening night oh
yes we normally don't wear matching Blazers and have this much makeup on it's the first time
either of them has worked on a Broadway show I thought I I ca
n do this I can figure out how to
make people who are going to come with their arms folded unfold their arms basically and then let's
all laugh you know and kind of combining those two things constantly because laughter and tears are
just so right there next to each other all the time in the Musical three pairs of actors play the
couple at three different [Applause] [Music] ages to [Music] run time time from the very beginning
we knew we wanted three Allies and three Noahs you can have an o
lder version of a character
watching their younger self especially since we are dealing with memory so much uh and losing
memory and fragmented memory that having these other versions of themselves on stage were really
helpful no Nicholas Sparks romance novel has ever included a black main character but in the
musical Noah and Ali seem to change races fluidly at different ages I love you Ally I asked
co-directors Michael Greif and Schele Williams about that race is not the story you're seei
ng
the spirit of who they are you're seeing not only their Essence but their experience and for someone
like me who grew up looking at theater through a window and never through a mirror being able to
see myself on stage is powerful it grew out of how do we do this in the best possible way unique
and I think very wonderful casting idea many on the creative team relate deeply to the dementia
depicted in the show my mom has Alzheimer's and so when I read the story you know it it really
spoke
to me I also have a grandfather who had Alzheimer's so I had witnessed it firsthand
and it seems like pretty much everyone has a grandparent or an aunt or an uncle or a
sibling you know so it's with some form of Dementia or yeah does it affect the writing yeah
I mean all of that is is in there from us yeah [Music] yeah reviews of the musical have ranged from
rave to reserved but Nicholas Sparks suspects that a story this Universal will be critic proof
it is a love story it is story of youn
g love it is a story of reunited love it's a story
of everlasting love it is also a story of [Applause] [Music] memory and speaking
of Eternal themes remember that box of tissues turns out the musicals producers
weren't the first to recognize the marketing potential of Kleenex 30 years ago when
the notebook novel first came out this of course is what we sent to critics and
bookstore owners and uh look at this this was it we gave them a hanky for their tears
oh come on the notebook and genu
ine emotion yeah yep have always gone you s around a
handkerchief with the books the critics oh my gosh it's 30 years now it's disposable
paper but it's the same idea it's the same idea
Comments
Performances were fantastic, especially older Allie, and middle Allie -- Joy Woods is an absolute star! Ryan Vasquez is also one to watch -- he starred in not one, not two, but THREE out of town tryouts for three Broadway shows premiering this season and chose this one (Outsiders next door, and Water for Elephants across the street); he was also in off-Broadway's Gavin Creel's Walk On Through just before rehearsals started for this show, and blew the roof off the theater with his vocals.
I love love love the movie!❤️🙏🍀
I read the book before the movie, then saw the movie and loved it as much as the book. The musical although has differences, it takes the best of the book and movie and expands all the feeling you have. I saw it during previews and now there have been a few tweaks but nothing was needed to improve the music, the words of the songs, and the wonderful cast. I am a forever fan.
Nicholas knows the human heart. Not sure a musical will capture the intimacy of the book or film but the different timescapes looks interesting. Reading helps dementia whatever the case 🎉❤ Good luck Sparks!
I didn't recognize Ingrid without her trademark glasses! 🕶️😢😂
This musical is simply amazing.. The music is beautiful and the performances are excellent..I cannot stress this enough to get to NYC and see this show!! IT IS AN AMAZING EXPERIENCE THAT WILL STAY WITH YOU LONG AFTER THE CURTAIN CALL!!❤
I think the best book Sparks wrote is, “Three Weeks with my Brother,” a nonfiction memoir. Poignant and riveting. But Nicholas, c’mon, you’re almost 60 without any wrinkles or a single gray hair?! It’s called Aging with Grace.
This is how ART is done.
I saw the broadway show and I'm not a fan. The chemistry between the 3 Noah's and Allie's was not there. Loved the book and movie and as an avid theater goer this did not work.
Do they have a song with fifty geese in the background 😂
See thank you for being honest!
I dont know about this as a musical.
I loved the novel The Notebook, and adored the movie and was always amazed by Nicholas Sparks talent for writing to my heart, but this Broadway show is like The Little Mermaid, or The Cleopatra movie, it should not have been done. I realize that wonderful black actresses would love the chance to play certain roles, but not these. My black friends agree that this is strange. The Notebook is about a poor white family, and a rich white family in the Deep South. It worked as a movie because in large part the result of the casting. James Garner (miss him), Jena Rolins (miss her), Ryan Gosling, Rachel McAdams, and Sam Shepard, all acting brilliantly in the Deep South. Some things just don't translate between races and cultures. Would you cast a young Robert De Niro as the lead in Fiddler On The Roof? Every family has been touched by Alzheimer's including mine, but that is not the issue here.
The notebook is a terrible movie.
Absolutely ridiculous! This race swapping crap is so stupid! Why? It ruins it every time. My god these producers ect. Ruin every classic they try and remake. This story was special to me and now this just totally makes me sick!