Why Are BOLLYWOOD Movies Suddenly Becoming SUPER-HITS?

Hi guys, this is Nikita and Jawan movie ka box office collection is 1100 crores. Rocky aur Rani ki Prem Kahani ka 300 crores. Aur Gadda 2 ka 691 crores. Kya waqe mein yeh Bollywood movies ne itna box office collection kiya hai? Ya yeh numbers ek scam hai. Well, July 2023 ko Karan Johar ko ek show mein pucha gaya ki aapko movie failure se dar lagta hai kya? Ispe unhone jo jawab diya usse zara dhyan se sunna. Even if it didn't do well, in PR I can easily communicate that it's done really well. Unk

a jawab tha ki wo kabhi bhi failure se nahi dardte hai kyunki unke paas ek PR team hai jo numbers ki hera phiri karke unki film ko blockbuster bana dengi. 2017 mein famous director SS Raja Mauli ji ne ek interview mein reveal kiya ki wo apni 2 super hit films Simadri aur Magadheera ki success party mein maujood nahi the. Kyunki movie ke box office collection ke numbers ki hera phiri hui thi and the weirdest part is isme khud Raja Mauli ji ko bhi nahi pata tha ki aise hone wala hai. India Today m

e published ek interview me Raja Mauli ji ne bataya ki 2003 mein release hui unke film Simadri ne theatres mein 100 din poore kiye. Ab kisi bhi film ka 100 days continuous theatres mein chalna apne aap mein hi ek bahut bada achievement hai. Aur iss achievement par Simadri ki poori team kaafi khush thi. Lekin film ka naturally itna successful hone ke bawaajood bhi Raja Mauli ji ka kehna tha ki film producer Alu Arvind ji ne movie ka aur zyada hype create karne ke liye wo 100 days ko bhi aur infla

te karte hui yeh bata diya ki unki film theatres mein 175 days chali. Now iss move se Raja Mauli ji kaafi zyada naraz hui unhone producer ko confront bhi kiya aur film ki success party hi attend karne se mana kar diya. Jiske baad producer Alu Arvind ji ne Raja Mauli ji se wada kiya ki agli baar wo aisa nahi karenge but wo apne wade se mukar gaye. Aur Raja Mauli ji ka kehna hai ki 2009 mein Magadheera ke release ke baad same cheez hui. Jab ki Magadheera jo us time already Telugu industry ki all t

ime blockbuster thi uska success ko yeh kahte bhi exaggerated kiya gaya ki wo movie 100 days theatres mein chali Jiske baad Raja Mauli ji ne clearly kaha ki wo aise fake claims ko promote nahi karne wale hain aur isi le unhone Magadheera ki success party ko bhi attend karne se mana kar diya. Lekin yeh inflating data ka problem sirf Telugu industry ka hi nahi hai Bollywood mein toh yeh iss se bhi wade pehmane par ho raha hai. Kai sare famous celebrities jaise ki Salman Khan, Ranveer Singh inki mo

vies bhi kai baar fake claims ke through successful batai jaati hai. Example ke liye issi saal release hui film Rocky aur Ani ki Prem Kahane ko lekar daawa kiya jaa raha tha ki film ka box office collection 300 crore rupees hai. Lekin famous aur renowned film critic Komal Nahata ka maanna hai ki numbers mein discrepancy hai. Iska proof dete bhi Nahata ji ne bataya ki RRKPK ka opening collection significantly low tha kyaane bas 10 crore rupees hi tha aur uske baad jo data film producers ke side s

e release kiya gaya uske anusaar film ne Monday se Thursday tak itne paise kamaye. Magar Nahata ji ne apni experience se bataya ki agar kisi film ka opening hi itna weak ho toh majority cases mein aane wale hafton mein uske kamaayi kam hote jaati hai. Magar iss case mein toh figures kaafi consistent the. Isi ne unka maanna hai ki ye figures inflated ho sakte hain. Lekin ek minute, hum sirf ek individual ke kehne par kyu jaaye? Humein aur proofs chahiye is baat ke liye. So chalo aur movies ke exa

mple se samajhte hain. Saal 2018 mein release hui Salman Khan ki multi-starrer movie Race 3 ko IMDb par 48,000 logon ne average 10 me se 1.9 rating di. Literally 1.9 out of 10. Also Rotten Tomatoes, ek famous film rating site ne bhi is movie ko 17% rate kiya. Fir bhi producers ne ye daawa kiya ki ye film mein 300 crores kamaayi. Now question is, jis film ko audience ne fail declare kar diya ho wo film itna saada paise kaise kama sakti hai? Exactly isi liye kayi saare actors and directors ne publ

icly is mudde par aawaaz utha hi hai. Kyunki ek bahot bada scam chal raha hai. Scam chal raha hai box office figures ko leke, scam chal raha hai advance booking ke figures ko leke, film ke release hone ke hi pehle usse hit aur flag up aur hype pe create kiya jaata hai. Lekin ek minute, aakhir ye film makers box office collection ko itna saada inflate kar kaise sakte hai? Koi toh body hoga na jo ispe nazar rakh raha hai. Dekho, aisa karne ke peche total 3 dharike ho sakte hai, jisme sabse pehla a

ur major hai box office collection ko directly manipulate kar dena. Pichle ki saar, yaani 2022 mein hi, Competition Commission of India, CCI ne film distribution chain pe ek report publish ki thi. Us report mein clearly likha tha ki box office collections mein bilkul bhi transparency nahi hai. Ek movie ne ek theatre mein box office collection kitna kiya, iske fake figures kya publish karne hai, ye sabka data, CCI ke hisaap se, khud us movie ke producers saamne se theatre owners ko phone karke ya

phir ek handwritten figures ka fax karke apne figures batate hain. Imagine, actually CCI ne Mint cake report ka quote karte bhi bataya ki, box office collection ke saath problem ye hai na, ki India mein koi bhi governmental collection monitoring system hai hi nahi. Phir jab humne Mint ke us original report ko study karna shuru kiya, tab to bhai saab, unhone isko aur detail mein cover kiya hai. Mint ke report ki anusaar, The Jungle Book, Krish 3, Kabali, in sabke numbers inflate kiye gaye the. K

yuki in teeno ki officially quoted box office figures, aur online trade magazines, jaise ki Box Office India, Bollywood Hungama, aur koi mai dot com, ke figures mein kaafi zyada variation tha. Lekin ek minute, ek producer, ek theatre owner ko call karke yeh kaise bata sakta hai, is movie ka itna collection aapko batana hai media ke saamne. Yeh kaise possible hai? So, aisa isliye ho raha hai, kyuki yeh poora box office revenue ka system hai, wo ek syndicate ke tara kaam karta hai. Dekho, is 103 s

aal purani, aur 13,820 crores ki size wali Indian film industry, ke box office figures, kuch gine chune online websites, hi sirf publish karte hain. And majority cases mein aap dekhoge ki, unhi websites ke figures ko, bade-bade news outlets jaise ki, Times of India, Hindustan Times, har koi republish karta hai. Lekin, in websites ke paas yeh numbers aate kahan se hai? That is the best part. Directly, producers ya phir distributors se. Kyuki dekho, India mein usually movies audience thak, is chai

n ke through pochti hai. Kyaha producers film banate hain, jo aage jaake distributors ke paas jaati hain? Ab yeh distributors, poore desh mein, total 11 circuits yaani zones me divided hote hain. Bilkul waise hi, jaise railway ne operational convenience ke liye, poore desh ko 19 zones me divide kiya hua hai. Phir in 11 circuits me maujood exhibitors, yaani ke theatre owners ko, distributors se film miltiye. Aur lastly, hum aur aap yaani ki audience thak, yeh hi theatres film pochate hain. Is tar

ah, ek movie ki journey producers se audience thak hoti hai. Lekin, same chain, revenue collection me, reverse ho jaati hai. Har theatre, apne collection ke details ko, us zone ke distributors ko pass on karte hain. Phir wo distributors, apne zones se, aise kahi saare theatres se collect karke, yeh data ko, producers ko de dete hain. And then, numbers pe final control ha jaata hai, producers ke haath mein. And is poore collection ka, bas ek matra source, yeh hi system hai. Ab me aapko bata hoon,

ek centralized system ke absence se, industry me cheeze itni opaque hai, ki desh me kitne cinema screens hai, iska thak exact number, aaj thak kisi ko nahi pata hai. Kyuki, aap is list me dekh sakte hoon, desh ke prominent, chaar different agencies ke numbers me hi, kitna farak hai. So bas socho, jis desh me, screens kitne hai, wohi nahi maloom, toh un screen se revenue kitna generate ho raha hai, koi independently isse verify kaise kar paayega. Agar collection jaana hai, toh aap is chain me se

puth sakte ho, sirf aur sirf, producers se hi, jo movies release kare ke baad, har din baith ke, apne chain se, collection ka hisaab rakhte hain. Toh of course, aagaya saara power, producers ke haath mein. Waist in Mint pe publishing report ke anusaar, most hi production companies na, public listed hoti hain. Isliye woh figures me, zyada manipulation nahi kar sakti hai. Lekin, ussi report ka daawa hai, ki 10 se 15 percent thak ka inflation, toh definitely hota hi hoga. And yeh actually, Bollywo

od me ek sort of open secret hai, jo kahi saare actors aur directors ne, toh publicly claim bhi kiya hai. Also, ek aur bahut important baat, is poore scam me, China ka bhi bahut bada haath hota hai. Aapne dekha hoga, kaafi filme, India me literally, kuch bhi nahi kamaati hai, woh filmon ki, Chinese box office pe, kamaayin almost double ho jati hai, ya phir triple ho jati hai. Example ke liye, CNBC ke anusaar, Secret Superstar, jiska Indian box office collection, kuch 108 crore rupe ka tha, usse

film ne, China me, 900 crore rupe se bhi zyada kama liya. Similarly, Hindi media movie, jisne India me, sirf kuch 70-75 crores kamaayin the, ussi movie ne, China me, lagbak 300 crore kamaa liya. Aur aisa bhi nahi hai, ki China me, Indian Diaspora, koi bahut bada number hai, maha sirf 15,000 Indians hi rehte hain. Isliye, reports ke hisaap se, Indian movies ka, maha chalne ka, sirf ek hi reason ho sakta hai, ek hi secret ho sakta hai, Bollywood movies ka, Chinese box office me bhi, inflated numbe

rs ko quote kar dena. Actually, September 2021 me, in teen ho prominent organizations ne, ek Delhi based think tank ko quote karte bhi bataya tha, ki pichle kuch saalo se, China, Bollywood me, apna influence phalane ki, bahut zyada koshish kar raha hai. Mainly, do tarikon ke throo, pehla co-production, and doosra, India-China Film Society ke throo. Haari me India ke ek bade production house, Eros International ne, China ke teen state owned film production companies ke saath, films co-produce kar

ne ke liye, 250 million dollars ka ek MOU sign kiya tha. Iske alawa, Xiaomi ne bhi, Hungama Digital Media Entertainment me, 25 million dollars invest kiye. Infact, aise baaki Chinese investors ne bhi, alag-alag apps me, jaise ki Ghana app me, 115 million dollars invest kiye. OTT platform, MX Player me bhi, 110 million dollars invest kiye. So, basically, aise kahi saare investment se, China, apna Bollywood pe influence strong karte ja raha hai. Which, many experts believe, is very similar to Chin

a's infamous, debt trap strategy. Jisme, basically, China, poorly performing countries ko, heavy loans deta hai, waad me jab wo loans nahi pure kar pate, toh unhe apne ishaaron pe nachaate rehta hai. Doosre Chinese infiltration strategy hai, India-China Film Society. Is organization ka, waise toh kaam, India aur China ke film departments ke beech, cooperation ko establish karna hai. But, is think tank ke report ke mutaabeg, ye organization, kaafi fishy hai. Kyuki, dekho, ICFS ko toh, China Film

Association and, China Federation of Literary and Art Circle, in dono ne milke banaya. Aur, irony dekho, 1949 se, CFLSE ka, bas ek hi kaam hai, Chinese influence ko, academia, literature and films me, provocate karna. Now, is think tank ke report ne toh bataya, ki India me, inka influence bahut hi subtle hai, aur Chinese interest ko secure karne pe, zyada focus kiya gaya unhone. Matlab, koi bhi Indian movies, China ke khilaf koi gharat baat na kare, koi wrong sentiments generate na kare, that is

their main purpose. Jaise, is report ke hi, page number 10 pe example diya gaya hai, ki, Rockstar movie ke song me, Free Tibet, aisa dikhaya gaya tha, starting me, pehle aisa tha original song me, lekin, China ne apne influence ka istamal karke, uss Free Tibet ko hatwa diya. And, of course, this is like a give and take for Bollywood. China ke favours to Bollywood movies would be, mostly, apne desh me pehle toh, movies ka promotional statements publish karte hai, uska bahut zyada hype generate k

arna, lekin, usse bhi zyada hype, India me create karna, yeh bata ke, ki yeh movie, maybe India me toh utna nahi chali, but China me, super hit ho gayi. Iss se, of course, do cheeze hongi, ek toh zyada log wo movie dekhna chahenge, aur do se, producers aur actors, apni next movies me, zyada price demand kar sakte hain. Finally, baat karte hain, yeh aakhri method ki, jisse bhi numbers halke se, inflate ho jate hain, but meri nazar me, it is not very controversial, and wo hai, corporate bookings.

Pepsi, Kajaria jaise brands, jiske Ranveer Singh, already brand ambassadors hai, unhne Ranveer ke liye, Rocky aur Rani ki Prem Kahani movie ke, 50,000 tickets ko pre-book karke rakha tha. Similarly, ek IT company, Freshworks ne bhi, Rajnikanth ji ki Jailor movie ke liye, 2200 tickets ko, purchase already karke rakha tha. Aisa reports wagara me chhapta hai, but aam toh pe, yeh mostly 2 tariqo se hi ho sakta hai, ya toh corporates, khudi movie production se, discounted rate par tickets kharitte ha

in, aur apne employees ko, targets wagara complete karne par, as rewards, yeh tickets de dete hain. And filmmakers bhi, discounted rate me de dete hain, because iss se, wo hi bata sakte hain, ki film ki bumper opening hui, ya toh phir, bahut hi heavy, advance booking ho gayi. Lekin, doosa tariqa bhi hai, kai trade analysts ka maanna hai, ki kai baar filmmakers, khud hi, movies ke advance booking karke, usse corporates wagara me baat dete hain, Ab last segment pe aatein, aap puchhoge, ki inflatio

n karke, fayda hi kya hota hai, toh dekho, iss se film producers, aur actors, ko bahut zyada fayda hota hai, iske laaha aur bhi, jo artist hote hain, of course, unko bhi fayda hota hai. Pehla, producers ko agar, unki previous movie ka, revenue collection, yaani movie hit hoti hai, toh agli film ke liye, unko distributors se, zyada paise milte hain. Yahi same maths, actors ke liye bhi, applicable hota hai, yaan agar unki pichli movie hit ho, toh usse agli movie mein, high pay kiya jaata hai. And

yeh humne, almost har actor mein, dekha rahega, chalo example ke liye, Salman Khan ko hi le lete hain, unki pehli film, Bibi Ho Toh Aisi Kehne, unko sirf, 11,000 rupees mile the, lekin, wo film hit hoti hain, unko agli film, yaani ki, Maine Pyar Kiya ke liye, 75,000 rupees pay kiye gaye the. I know numbers, chote lag rahe hain, but yeh us time ke isaaf se, badi baat thi. Same example, aap Deepika Padukone ka bhi, le sakte ho, aaj unki per movie ke liye, wo crores mein charge karte hain, lekin ai

sa maana jaata hai, ki unki first film, kyuki wo Shahrukh Khan ke saath thi, Om Shanti Om, us movie ke liye, unko zero rupees pay kiye gaye the, unko free mein kaam kiya tha. So basically, jaise jaise actors, hit films dete jaate hain, unki fees, crores sak pohj jaate hain. Lekin, is trend ka nuksaan bhi hai, ki movies ke success, dheere dheere, content centric se hatkar, actor centric hote jaate hain. Aur isi liye, kahi baar actors, itna high charge kar lete hain, ki unki fees, poore film budge

t ki, 70 se 80 percent, sirf unki fees hoti hain. Jaise ki, first post ke anusaar, Katputli movie ke liye, Akshay Kumar ne, 120 crores charge kiye the, jabki movie ka total budget hi sirf, 150 crores tha. Same movie, Thank God ke case mein bhi tha, jaha movie ka budget, 50 crores tha, but sirf actors ki fees, 32 crores thi. But, then next question ye udhta hai, ki producers, actors ko itna heavily pay, kyu karte hain? To dekho, ye ek tarike se gamble hota hai, kyuki jaise main bataya, ki Indian

movies, sirf star value pe chalti hain, isliye ye industry, kahi na kahi, gamble ki tarah hain, jisse actually, koi predict nahi kar sakta hai, ki kaunse film hit hogi, kaunse film nahi hogi, even though usme, achche se achche actors hi, kyu na ho. Jaise Dangari le lo, is movie mein, bade star sirf Aamir Khan hi the, lekin fir bhi movie ne, overall 2000 crores se zyada on kiye, aisa claim kiya jaa raha hai. Wahi pe, Aamir Khan ki, doosri movie, Thugs of Hindustan, jaisme unke co-star, Amitabh Ba

chchan, Katrina Kaif, jaise aur bhi bade stars the, us movie ka box office collection, sirf 145 crores tha, jabki wo movie, 300 crores pe bani thi. So isliye, kahi na kahi producer se, best guess, best gamble hota hai, ki is actor pe paisa toh laga deta hu, dekhte hain kitna chalegi, movie chali toh chaan tak, nahi toh raat tak. But ye actually, baut hi interesting hai, joh hum ispe research kar rahe the, humne kitne saare movies mil rahi thi, jo humne ekdum dekhne me, bakwas lagi, IMDb ratings

bhi, itne ache nahi the, but aage jaake, malom padta hai, ki unka box office collection, bahot high tha. Infact, kahi baar, main khud kuch movies, dekhne kahi hu, ye sochke, ki unka box office collection, itna acha hai, toh movies bahot achi hongi, but theatre me betne ke baad, malom padha hai, theatre bada khaali hai, and movie bhi, itni kuch khaas nahi thi. So kya aapke saath, aisa kuch hua hai, aapki personal experiences, kya hai, niche comment section me, zarur mention karna. And, ye India m

e, iklauta aisa scam nahi hai. Bharat, wo desh jo gaayon ko, apni mata maanta hai, kya aap jaante hain, wohi desh beef ka, ek largest exporter hai. Thankfully, we have some, Hindu organisations, who are protecting cows, lekin, khaali me, ISKCON jaise, ek bade prominent, Hindu organisation par, ye aarop lakaya gaya tha, ki ISKCON, duniya ke sabse bade, dhokebaaz hai, jo Gauraksha ke naam pe, funds lete hain, lekin, unhi gaayon ko, kasai gharon ke paas de dete hain, Kya ye allegation, true hai? An

d, humare country me, actual cows ki reality, kya hai? Iss mudde pe, humre detail video, bana rakha hai, akar aapko dekhna chahate ho, toh aap yeh pe, left pe click ke dekh sakte ho. Milti hain, earlier time, tab tak ke liye, Jai Hind!