Welcome to A Perfect Touch! I'm Jeanette.
The Historical Sew Monthly, originally The Historical Sew Fortnightly, created by Leimomi
Oakes of The Dreamstress (I'll share links) has been inspiration for my costuming passion since
2014. While Leimomi now focuses on her teaching and her business partnership in Scroop Patterns,
a group of volunteers has kept The Historical Sew Monthly moving forward with new monthly challenges
and helpful discussion. I adore this group! They provide inspiration
in all historical and vintage
fashion up to 1938. The members' contributions and knowledge are incredible! Since the 12 monthly
challenges may be completed and submitted at any time throughout the year and in any order, it
also works well for me to fit my projects for any events into the Challenges. A summary of the 2023
challenges and the detail required for submission into the monthly challenge albums is here for you.
January - Back to the Beginning. The Challenge: Re-make one of your fir
st projects or make
something that is the beginning of an entirely new outfit. What the item is: False rump. How it
fits the challenge: This false rump will create the full- bottomed and round-hipped shape
for the beginning of a new outfit. Material: Linen and cotton. Pattern: Free Frances
Rump Pattern by Scroop Patterns. Year: 1775 to 1795 this view being correct for 1775 to
1787. Notions: Waterfowl feathers and down, twill tape, and thread. How historically accurate is it?
The pattern an
d silhouette are very accurate. The fabrics and notions are accurate, but the false
rump is primarily machine sewn. Hours to complete: 4 hours. First worn: Halloween 2023. Total cost:
Fabric $8, twill tape $4, feathers recycled from a pillow. February-Reality is Unrealistic
The Challenge: Our modern media-influenced perceptions of the past are often quite limited or
inaccurate in comparison to the full picture that research reveals. Colorful peasant clothing? The
prevalence of day caps? Bra
-like garments in the Middle Ages? Make an accurate historical garment
that defies our modern expectations of what was possible or commonly done. What the item is: 1925
Fringe Dress. How it fits the challenge: The Jazz Age is 100 years past but our modern perception
of the clothing is heavily influenced by movies and the stereotype of the Flapper in the heavily
fringed dress. While fringe was certainly used, it was also used in styles other than Flapper
for both day and evening wear. Materi
al: Satin. Pattern: Decades of Style Pattern Company
1925 Fringe Front Dress. Year: 1925. Notions: 12-in fringe, sequin rope trim, thread. How
historically accurate is it? Uses an accurate pattern with the luscious fabrics and trims of
the era. Hours to complete: 8 hours. First worn: For a Gatsby fundraiser. Total cost: $37
March-Focus on the Fabric The Challenge: Make something in which the
fabric/color/texture/print/material etc. is the central feature of the design. What
the item is: 192
0s Poiret-style Cocoon Coat. How it fits the challenge: While the design of this
coat has survived these past 100 years, the fabric of this particular coat was not only important
for the impression I was recreating but is the absolute star of this garment. Material: Satin and
velvet-flocked net overlay. Pattern: Folkwear 503 Poiret Cocoon Coat. Year: 1920s. Notions: Faux fur
trim and thread. How historically accurate is it? The pattern is very accurate. The materials were
only to give the i
mpression for the recreation. Hours to complete: 14 hours. First worn: Voyage on
the Queen Mary 2 - a once in a-lifetime trip and dream come true! Total cost: $70. April-Opposites
Attract The Challenge: Challenge yourself to make something that uses two or more colors which you
would not normally use together or colors which clash to the modern eye. What the item is: Early
1930s combinations. How it fits the challenge: Using remaining fabric pieces from previous
sewing projects, the colors
are a warm and cool and directly opposite each other on the color
wheel. But only I will see them along with my very close friends and now all of you seeing this.
:) Material: China silk and silk Crepe de Chine. Pattern: Wearing History Early 1930s Combination
Underwear. Year: Early 1930s. Notions: Snaps, thread, and bias tape. How historically accurate
is it? Pattern is very accurate and use of bits of available materials and notions is also very
accurate. May - Hair Apparel Make something
worn in the hair or on the head. What the item is:
Regency Era turban. How it fits the challenge: Worn on the head. Materials: Satin,
metallic-embroidered organza, silk for lining, woven ribbon. Pattern: Wingeo
WN714 1795 to 1825 Regency Era Turban. Year: Late 18th and early 19th centuries. Notions:
Button blank, vintage feather, thread, buckram. How historically accurate is it? Unsure of the
accuracy of the pattern or method of construction but it did produce a very comfortable turban tha
t
was wearable for the entire evening and stayed in place without any pins. I wanted to recreate the
brow band in the inspiration illustration and this pattern made that possible. Hours to complete:
10 hours. First worn: The Lafayette Birthday Ball in September 2023. Total cost: The satin was
gifted but if I had to purchase all materials I would estimate $50. June - Jack of All Trades The
Challenge: Make something that uses two or more different production techniques; sewing, knitting,
emb
roidery, quilting, tatting etc. What the item is: Escoffion How it fits the challenge:
This headpiece used sewing, ribbon weaving, and beading techniques. Material: Metallic
ribbon. Pattern: Elizabethan Escoffion Cloth of Gold Lynn McMasters Out of a Portrait. Year: 16th
century. Notions: Several sizes of pearls, black seed beads, trim for the edge, satin ribbon for
the back ties, thread. How historically accurate is it? As this was a learning piece, I followed
the instructions but not the
suggested ribbon. Hours to complete: 12 hours. First worn: For a
1930s Black and White evening. Total cost: $25. July - Once Upon a Time. The Challenge: Make
something inspired by a fairy tale or folk tale. Whatt the item is: Regency gown. How
it fits the challenge: This is a story of two present-day Cinderellas. The first is me. I had
attended my last costumed event in October 2019. In September 2023 an event was scheduled just
3 hours from my home which is an extraordinary occurrence and
it would be the first costumed
event I would travel to in almost four years. The event was the Lafayette Birthday Ball hosted
by Beepoke Vintage with 2024 and 2025 being the bicentennial of the Marquis de Lafayette's return
visit to the United States and events also being held near me this was the perfect time for me to
learn this beautiful and not often recreated era of mid 1820s fashion. One day I happened upon a
January 1825 Ackermann's Repository illustration and I fell in love. I had b
een gifted a satin
in the perfect color I recreated the gown and attended the ball in true Cinderella style.
Having been gifted this fabric and saving funds, I decided to sponsor another Cinderella to
attend the ball. She has since published on social media sharing her and my name so I
became a Fairy Godmother as well! Material: Satin, embroidered organza, cotton. Pattern:
Laughing Moon 138 Regency Gown and Hamilton Spencer for sleeve detail. Year: 1825.
Notions: Woven buttons, woven ribbo
n, velvet ribbon and seed beads for hem
embellishment, costume pin for belt, cotton lace for sleeve details. How historically
accurate is it? A very detailed pattern and closely following the 1825 illustration made this
as accurate as I could for impression. Machine sewn where possible. First worn: The Lafayette
Birthday Ball in September 2023. Total cost: The satin was gifted but if I had to
purchase all materials I would estimate $140. August - All Tied Up The Challenge: Make something
t
hat closes with ties or something that uses knots/bows as a decorative feature. What the
item is: Evening Wrap. How it fits the challenge: The collar of this wrap extends to ties that when
knotted hold the wrap closed. Material: Velvet and faux satin. Pattern: Depew Patterns 1931 5
Evening Wraps. Year: 1931. Notions: Thread. How historically accurate is it? Sewn using a vintage
page with only measurements for cutting the fabric and slight instructions. Hours to complete: 2
hours. First worn
: Enjoying the casino on the Queen Mary 2 during the Red and Gold Gala evening.
Total cost: The wrap is slightly shorter than the instructions called for as I used a velvet piece
purchased in a costumers' destash group for $5. The gold faux satin lining was $4. September - The
State of Fashion. The Challenge: Make something for which the fashion was influenced by political
situations happening at that time in history, example: sumptuary laws, imports and tariffs,
protests, conflicts or soci
al movements. What the item is: 18th century gown. How it fits the
challenge: Britain had its silk industry located in Spitalfields ,London. Beautiful fabrics
brocaded in silver and gold were produced. To protect the local industry the British
government established high taxes on imported textiles. Between 1765 and 1768 riots occurred
during a downturn in the silk weaving industry. The Spitalfields weavers organized to attempt to
ensure that the rates of pay for their piece work was not cut
beneath the level at which they could
feed themselves and their families. Destruction, violence, and a hanging were all attributed to the
Spitalfields riots. I've chosen a pattern close to that period, 1775 to 1790 which has detailed
and historically accurate sewing instructions greatly helping me learn period construction.
I'll be making a mockup from a non-silk fabric for a fun costume allowing for mistakes and
learning, but will create the final gown for a future event in a beautiful si
lk. Materials: Faux
silk taffeta and cotton. Pattern: Angelica Gown by Scroop Patterns. Year: 1775 to 1790. Notions:
Metal eyelets, yarn, lace, and the fun appliques. How historically accurate is it? I learned a lot
of historical techniques from this pattern. I did machine sew where possible, and of course, the
complete impression is non-historical, but it was fun and completely stress-free. So 10% , maybe?
Hours to complete: With the appliques this took almost 40 hours. First worn: Hallowe
en 2023. Total
cost: $35. October - HSM Lookbook. The Challenge: We have so many talented costumers in the HSM
community. Make something inspired by someone else's HSM project from an earlier month or year.
What the item is: Regency reticule. How it fits the challenge: I've always loved the tasseled
reticules such as Leimomi Oakes and Alyssa Nunley created for the November 2018 Challenge. This
reticule was perfect to follow their inspiration. Material: Satin, silk lining, metallic embroider
ed
net. Pattern: La Mode Bagatelle Regency Wardrobe. Year: Regency Era. Notions: Silk tassels, thread,
satin ribbon. How historically accurate is it? As depicted in many Regency illustrations but machine
sewn. Hours to complete: 1 hour. First worn: The Lafayette Birthday Ball in September 2023.
Total cost: The satin was gifted but if I had to purchase all items I would estimate $10.
November - Style Starts at Home The Challenge: Make something which would generally be seen only
within the
household, example, informal at home wear, nightwear, undergarments. What the item is:
Corset garter belt. How it fits the challenge: An undergarment to create the period silhouette
and hold stockings. Material: Coutil. Pattern: Mrs. Depew 1930s Corset Garter Belt. Year: 1930s.
Notions: Busk, spiral metal boning, elastic, twill tape, garters, embroidery floss. How
historically accurate is it? Pattern, materials, and techniques all accurate. Hours to complete:
8 hours. First worn: 1930s even
ing on the Queen Mary 2. Total cost: $55. December - Paired to
Perfection. The Challenge: Make something that comes in a pair: mittens, stockings, garters,
braces etc. or make something in which the trim or construction prominently features sets of two.
What the item is: Bra and garter belt. How it fits the challenge: Designed for both upper and lower
body parts that appear in sets of two. Material: Satin, embroidered net. Pattern: The Underpinnings
Museum 1930s Kestos Style Bra and 1930s K
estos 'Zoma' Suspender Belt. Year: 1930s. Notions:
Elastic, satin ribbon, garters, hooks and eyes, buttons and thread. How historically accurate is
it? Patterns developed from a museum collection and materials accurate. Hours to complete: 15
hours. First worn: Casual wear 1930's day on the Queen Mary 2. Total cost $20. Completing
these 12 projects earned me a Certificate of Awesomeness! from the Historical Sew Monthly
community. 126 projects were completed by 33 participants in the group. I
'm very thankful to
be part of that welcoming and inclusive community! It was wonderful to find that Beespoke
Vintage, headquartered just 3 hours from me in Fayetteville, North Carolina, was organizing
costume-related events prior to the National Celebration of the Bicentennial of Lafayette's
Farewell Tour in 2024 and 2025. Rebecca planned a series of lectures and workshops beginning June
for foundations, day dress, and evening dress, all leading up to the Lafayette Grand birthday
Ball and
Soiree in September. Corsets and Cravets 2023 was to be held in Raleigh, North Carolina
in August. I submitted a teaching proposal for the event. I then learned that the event was
focused on a specific historical period 1830 to 1880. My class proposal for ribbon flowers
was considered out of that period and rejected. I've created costumes in the 1870s period but
those costumes and underthings have been sold and I didn't have any resources available to
create more. In the end I decided to r
evisit that event another year. I had purchased a ticket
for the 18th Century Ball that was to be held in St Louis in October but family commitments
meant making the difficult choice to forego that event as well. Again, the gown made for
Versailles in 2020 remains unworn. Some day, I hope! But a change of plans did not mean
staying home. I attended the first Beepoke Vintage foundations lecture and workshop in
Fayetteville. There I received from Rebecca a swag bag full of information from t
he American
Friends of Lafayette and the Lafayette Society regarding the upcoming Bicentennial Farewell
Tour. The class was so informative for me for an era I'm very unfamiliar with and the
town of Fayetteville is an historic treasure. Harper House in Hickory, North Carolina
was hosting a Gatsby-themed fundraiser and a perfectly jazzy evening was had by all! Lafayette's Grand Birthday Ball and Soiree
hosted by Beespoke Vintage. The event was a weekend full of costuming fun! Rebecca
was the
perfect organizer and host and every detail was exact and beautiful! You
can be sure I will attend future events. The original Queen Mary 2 voyage was scheduled for
May 2020 and cancelled during the world lockdown. I had made several attempts to reschedule that
voyage but magically this was to be the year. The 1930s wardrobe I had been creating could finally
be worn over a 12 night Eastern Caribbean holiday. An incredible dream come true
and a costumer's dream as well! One of the first thi
ngs I would like to do this
year is get caught up on the diaries of the makes for the 1930s wardrobe, the 1825 gown turban and
reticule for the Lafayette Grand Birthday Ball and the memories of those events as well. There
are also a few other makes awaiting diaries like the Bridgerton ball gown and of course there are
12 new challenges for the Historical Sew Monthly 2024. The Ojibwe beadwork for my 1862 coat is
still in progress. I'm learning some beautiful techniques. But the learning has
taken quite
a while and the coat will probably take several more years. My Native American ancestors would
be smiling on me, I'm sure. Once in a while in my blog post and videos I will share some behind
the scenes info and photos about myself, my past, my sewing process and thoughts. I will share
photos of my very tiny sewing cubbyhole and the desk where my sewing machine or hand
stitching happens near the window. You've seen the bedroom where I have to set up my
dressform and ironing boar
d. You've seen the living room and kitchen spaces where I have to
cut fabric. And then the final reveal photos in my yard or a temporary photo backdrop in the
same living room space where I've cut fabric. What I would like to do in 2024 is share a more
personal side of me so that you know the what, where, and why of my costuming passion. That
means talking to the camera. Yikes!! Give me a boardroom and a multi-million dollar engineering
proposal and I'm fine. But talk to the camera? *faint*
In December 2022 I created an online
group of costumers who had attended previous events I've organized and hosted, costumers
whose events I've traveled to to attend, and a few others whom I only knew online. During
the next 6 months I shared my dream of Almost Heaven - A Costumer's Retreat at The Greenbrier
in White Sulfur Springs, West Virginia. The history of The Greenbrier is documented to 1778
and the range of our 4-day retreat was a Time Traveler's dream. Early arrival day was Draper
Day 1940s and 1950s in honor of Dorothy Draper, grandmother of Reese Witherspoon, and decorator
of immense properties worldwide. The Greenbrier is colorful and a breath of fresh peaceful air
thanks to Dorothy Draper. A 1920s and 1930s day was planned with our luncheon in the original
Spring Room, a tour of the bunker which had been a nuclear fallout shelter for portions of the United
States government, and an evening in the casino celebrating the end of Prohibition. The next
day, themed 1
910s and 1900s, included a trip to the Cass Scenic Railroad where we would be taken
from Cass to Durbin by a Shay steam locomotive riding in a plush original 1917 Pullman car. The
last day was Costumer's Choice with activities voted on by the group including croquet on the
lawn reserved specifically for that activity, carriage rides, falconry and mountaineering
which included archery. And a very necessary grand photo-taking tour throughout The Greenbrier
. A site visit to The Greenbrier and
Cass Scenic Railroad in June solidified all details including
meals, photographer, activities, and negotiation for block room rates. I took the info back to
the group and a deposit of one night's room would have to be made to secure our negotiated
rate. Through the previous months some group members had left the group knowing they could
not attend the event and sadly as the deposit was now due enough other members left the group
resulting in us losing our negotiated room rate. I can honest
ly tell you that I was heartbroken
for the dream and the work that I had done and lost. The only other option was for me to pay the
room deposits out of personal funds and hope to fill them later. I decided not to do that and let
the Almost Heaven event dream fade. I still don't have the heart to try to plan another event but
as there were still some group members who wanted to spend time together we are discussing some
options. A plan is in the works, part of it confirmed and reservations
made. It will be
on the west coast where my teaching proposal has been accepted for another event. Yay!! But that's
all I'm saying for now and wish me luck with this one! In October 2023 I became aware of the Mount
Dora Jane Austen Fest in Florida scheduled for February 2024. The event is located within driving
distance of family and friends and I jumped on the chance to combine visits and learning more
about the Regency era. As of this writing I have already attended and I can recommend th
e
Fest in this wonderful historic community. The Fest was sponsored by Hallmark for their Loveuary
Austen series and the swag bag was wonderful! The dates have already been announced for 2025 and
it is already my hope to attend again. In June 2024 Beespoke Vintage will host another event in
Fayetteville, North Carolina. Since Rebecca did such an amazing event with the Lafayette Grand
Birthday Ball and Soiree in September 2023, I think this is worth putting on the 2024 planned
events calend
ar. 1940s sewing is in the planning! Wishing you a 2024 filled with good sewing, good crafting, and good friends! Thank
you for sharing this journey with me!!
Comments
This was nice. Thank you. ❤
Thank you for showing all these projects! What a fun idea, and I love that the challenges are so flexible. Just enough structure to really let creativity shine. I look forward to seeing what you make and do this year!