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Investigative Reporting: Perfecting the Formula

Investigative Reporting Can Seem Daunting. Take Risks, and It Can Pay Off, Journalist Says. The Xylom’s Shreya Agrawal tells journalists of color to look under their nose–at work they’ve already done–for ways to develop unique investigative stories. by Hope Kahn, National Press Foundation Shreya Agrawal says that when she was five years old, she read an encyclopedia entry about sea levels rising—which also suggested that the sun was going to swallow up the Earth in two billion years. “My little brain could not understand what two billion years meant. I would die by then, but I don’t understand, and I was like, ‘What’s going to happen to my parents if all of that happens?’” She eventually worked through her youthful panic about the global climate catastrophe, though that early episode likely foreshadowed her professional ambitions. Agrawal – who calls herself a “climate communicator” is the first newsroom fellow at The Xylom – a nonprofit, student-led newsroom focused on science founded in 2018. She spoke to NPF’s Widening the Pipeline Fellows about what it takes to tackle investigative reporting. Look “under your nose” for investigative stories, Agrawal suggests. “So, all the stories that you’ve done in the past, those could turn into investigative stories if you had the amount of time, so there’s nothing special about investigative reporting in that sense.” Look at what’s happening in your beat and ask yourself “who’s getting harmed?” and “who needs to be held accountable?” Agrawal also said she finds investigative stories by building good relationships with her sources – who will then send her information or ask her questions that she could possibly use to help fuel her investigations. Investigative stories are not one size fits all. For journalists with already tight schedules who don’t see long investigative stories as a possibility, Agrawal says they might still be achievable. If you can’t do long-form stories, do incremental stories, she said. “You can do short pieces and build up to it. You guys have probably heard of Bob Woodward and Carl Bernstein working on the Watergate stories. They never produced a huge investigative story on the Watergate scandal. What happened was a series of incremental stories over time that they built upon, and that turned into a huge investigative project by the end of it, but they didn’t know what they were doing.” Know what resources are available, she said. “What’s helped me in the past is talking to other investigative reporters and just learning from their process,” she said. Agrawal suggests setting up coffee chats with other reporters and investigative journalists to get to know them and learn their process. Read investigative stories, and try to break them down, she said. “Understand the process. Understand how they report on these stories. What was their start? What was their finish? How did they get from point A to point B to point C and how did they report them? Because that will really help you understand what you need for your own investigative stories in the future.” There are also investigative-focused conferences available: She recently attended the Ida B. Wells Society Bootcamp on Investigative Reporting, which was a two-day boot camp. She said that if IRE and NICAR seem too intimidating, go to other society conferences where you feel seen. “Don’t be afraid to make mistakes,” she said. Take risks, try different processes, and figure out what works for you, Agrawal said. “Journalism is hard, but you are here for a reason, so trust your gut.” Speaker: Shreya Agrawal, Newsroom Fellow, The Xylom Summary, transcript and resources: https://nationalpress.org/topic/shreya-agrawal-xylom-investigative-journalist-reporting-tips/ The Widening the Pipeline Fellowship is sponsored by the Evelyn Y. Davis Foundation and Lenovo. NPF is solely responsible for the content. This video was produced within the Evelyn Y. Davis studios.

National Press Foundation

5 days ago

our final speaker for widening 2024's first  virtual session reports for an Innovative media platform that was founded in 2018 and it asks  this provocative question how can science look more like us Shrea agrawal is a climate journalist  and Communicator who reports on the environment Health politics and so social issues she's The  Newsroom fellow for the xyum an award-winning online science publication tra is also the  engagement coordinator for the USC annenburg Center of climate journalism a
nd communication and  she is a news reporting cohort fellow for sourer magazine among many other roles her work has  been published in several outlets including the LA Times Cal matters and she's been interviewed  on the list KCBS and KQED radio stations to talk about her reporting you can read Sha's full bio  on our website at National press.org but tra thank you so much for joining us today well thank you  for having me here so I know you've prepared uh a great uh presentation for us and so I'
m just  going to turn it over to you and let you take it away so thank you everybody for being here um just  wanted to quickly chat about my work my background um a little bit about investigative reporting  what I've learned um you know during my short short career and we'll open it up to questions at  the end um and see what you guys have to say so um I'll just give you a quick trip down my memory  lane um I was born in India near the Himalayas um but I also spent a bunch of my time in the the 
Bay Area growing up so I feel like I grew up in both countries in India and the United States  um which has really helped me a lot with just my reporting just like being someone from two  different places um has I guess made me more empathetic to people's lived experiences and you  know just what people have gone through um well why I decided to become a climate Communicator  I had my first existential crisis about climate change when I was 5 years old I was reading an  encyclopedia about you k
now sea level rising and the sun's going to swallow up the Earth in like  two billion years and my little brain could not understand what two billion years meant like I I  would die by that but I didn't understand and I was like what's going to happen to my parents if  all of that happens and so that kind of started my journey into environmentalism I got into USC  studied geology and English at first and then I was like how do I connect these two ended up  going to journalism School and then eve
rything made sense because I wanted to I realized I  wanted to be a climate journalist I wanted to talk about climate change I wanted to communicate  climate change and you know all of the different intersections that it has with you know with race  with social issues with politics um so I had that aha moment in 2022 and I founded my own climate  reporting desk at USC called anenberg media Earth and that's kind of been the start of my J J into  journalism um so what did we really do at the xylm
which like I I report at the xylm I'm one of  their I'm actually their first Newsroom fellow we you know as all as we hear about newsrooms  firing people the asylums kind of taking the opposite direction be like no we we need to hire  more people we need to hire like staff members we need to give people job security and so I got very  lucky to be picked as like the first news room fellow and basically what we do is you know we  support student voices um and as you can read the community is influ
encing and shaped by science but  what does that really mean and I think it means a lot of different things at Asylum and we try to  take an Innovative approach to it um if you look at our website most of our stories are written by  people of color and they report on people of color and we just don't report on stories in the United  States we usually report on stories in Nigeria India all of these different countries around the  world because we know that you know not only the climate crisis but
so many of our issues they are  rooted in global like you know they are connected in a global sense like even though you know The  Newsroom is based here in the United States a lot of people I mean you know United States is made  of immigrants right so a lot of people bring in their culture they bring in their experiences from  all around the world and so we need to report on International stories and we need to include all  of these different perspectives that have not been featured in the med
ia for such a long time and so  we also try to bring in hard to talk about topics like endometriosis is something that we've done a  lot of reporting on um greenwashing is something we talk a lot about especially in terms of you  know um oil companies and all of these major corporations spreading messages saying hey we are  doing the right thing but when you take a look at it they're actually just trying to like further  their agenda and it really puts people of color at risk it really puts poor
communities at risk  and so we try to report on those kind of stories so when we say we want to report um when we say  we focus on communities influenced by science and communities that participate in science that's  what we mean because science is everywhere I mean all of these companies are using different parts  of science to um you know make their products and so we want to make sure that we are holding them  accountable that when they say things things um like you know shell has been sayin
g they're trying  to do better with you know not putting as much methane in the air but really when you remove oil  from the ground you are emitting some amount of methane right so we try to hold them accountable  and we also focus on community building because that's the only way we can get forward um you  know and deal with things like climate change with racism with all of these different issues that  we were dealing with today only communities when they come together can you know fix problem
s and  so I'll just show a couple of stories that we've done before like this was a story on menstruation  from someone in India she wrote an article for us basically talking about how um you know in Indian  Society uh menstruation is considered something um like you know disgusting usually words like  disgust show up or it's considered Unholy it's considered dirty and so a lot of women are  pressured to play with their Cycles you know um stop their menstruation just because um people  don't wan
t to hear about it or people think it's something that's impure but it's such I mean for  women and for um apab folks I mean that's like an integral part of your body I mean you know  it's a natural part of your body and so we try to Center all of these different perspectives in  when we're trying to recruit writers when we're trying to get more stories um and you know a lot  of newsrooms talk about Dei and they don't always meet the Dei perspectives but you know um I mean  I'm a woman of color
Alex my editor um he is from Hong Kong so we like all of the staff I guess at  the Asylum we are you know people of color and we truly believe in bringing in more perspectives  and lifting people up like you know we got these opportunities I got my opportunity because of Alex  Alex got his opportunities because of other people and now we want to make sure that we can get more  people like us H um there's another story that we did on glass uh glass uh sorry gas flaring in the  Niger Delta and aga
in you know even the story was done by someone who didn't have much experience in  journalism but just because someone doesn't didn't go to journalism school doesn't have too much  experience in journalism doesn't mean that they can't be a writer that they can do journalism and  so at the zyl we really try to bring in writers from all different kinds of perspectives all kinds  of skill backgrounds because we really believe that um you know even if you aren't trained in  journalism you can tell a
good story I mean I personally really feel um very strongly about  people you know from non the journalism field coming in and telling their stories um just  because my personal background I wanted to be a scientist before I decided to be a jour Jal  and it's only because people in journalism pushed me they were like you know you can do it you can  learn how to be a journalist that's why I am here and so I really believe that if someone wants  to tell a story we can make sure um you get to tell
the story so we at Asylum like um encourage  writers from all different kinds of backgrounds to come and write for us and our job is to basically  train them and how to be a better journalist how to be a better Communicator teach them the skills  they need and we make sure the stories get better by the end of that um so as um Rachel mentioned  I also work for several other Publications at the moment including um the USC anenberg Center  for climate journalism and communication where I basically
train other journalists and students and  how to be a better climate journalist and a better climate Communicator um and Rachel mentioned that  previously written for all of these Publications so what do I really do with Asylum um it kind of  feels like everything because I write stories for them I edit for them I fact check there's all  these different kinds of things um I've been working on a few investigative stories that I will  mention um later in my presentation but I also do like a bunch
of community reporting I've been  doing a bunch of editing and factchecking like the previous two articles that I mentioned those  are pieces that I have edited and fact checked um I'm also working on a podcast about redlining and  um environmental justice here in LA and with my role at USC I do a lot of like you know planning  journalism and comms events we actually have Jane Fonda coming to USC to talk about her climate  activism work which is like super exciting one of the highlights of Eart
h month for us um and I  work on a bunch of climate communication surveys and reports um one that I'm working on right now  basically looks at what climate journalists and communicators feel like they're lacking because  often times we just don't have enough resources to provide especially to local journalists um on  how they can report on climate change better and again I'm talking about climate because that's my  beat but at the same time I feel that's true for so many journalism skills right
I mean local  journalists just don't get as many resources and they have to cover all the stories in their  community so how can we support them better we just need to provide them more funding but also  provide them more training resources so they can cover inest investigative stories in their area  so they can cover um things like climate which might be a bit um um you know hard to cover  just because there's so much jargon involved just because you need so much background to get  into it um a
nd the last one being a rain maker I recently heard this term um someone told me it's  a Native American term used for people who bring other people together who connect other people  together and that's one of my favorite things to do um you know making sure the people around  me are connected So like um anytime I talk to a journalist and I'm like oh you would be great  friends with this other person who I know I try to connect people together because I really believe  in community building and
I really believe that's the only way we can get any work done that's  meaningful um so why am I here mostly to tell you you got this um just because I don't think  you know people hear this often in journalism you know you get into a story and sometimes it  just feels like when you're starting from zero it really feels like what am I doing here do  I even know what I'm talking about and I want to tell you you do or if you don't you're going  to learn it on the way and you'll make mistakes you'l
l get there you've got this um but let's  talk about investigations for a second just because that's the topic of today um and these  are just I'm going to give you some like tips advice just some stuff that I learned along the  way um as I've done like the few investigative stories that I've worked on so one thing that  I think you should know investigations although it sounds like such a big word it's like so it  sounds so complex and you're like oh my God that's something that only like real
journalists do but  honestly they're not that different from any other kind of reporting except you just get a lot of  time to work on those stories and that's what turns a story into an investigation when you're  spending a lot of your time on it when you're just you know given a lot of resources to make  sure you can go as deep as possible into those stories and usually there's an accountability  and harm aspect associated with investigations but really when you really dig into something  you
can always find that accountability angle and so you know all the stories that you've done  in the past those could turn into investigative stories if you had the amount of time so there's  nothing special about investigative reporting in that sense like it's not an entirely new class  of Journalism you know it's just the same thing except you get more time um so if you're thinking  about where I can find investigative stories you probably already have a few right under your nose  because these
are usually stories that you worked on before things that you are passionate about  so something that I really care about personally is looking at you know um what oil companies  have been doing especially with all of their new regulations and you know they've been buying  into a lot of Renewables or like trying to say we are not releasing as much methane into the  atmosphere as we were doing before like we've been really careful with it but if you just look  at the surface that's what you can r
eport on but as you get to go deeper into it you'll find  that sometimes people are lying and so you can think about the stories that you've done in the  past how can you expand on them that's a really great way to make sure that you know you can find  investigative stories like it doesn't feel like oh this is so un unapproachable no it's something  that you can totally do with the stories that you've done before with the topics that you've  dealt in the past there's always an investigative stor
y happening so just look at what's happening  in your bead who's getting harmed who needs to be held accountable those are really good questions  to ask because when you start looking into them and you like develop your sources you um look  at documents stuff like that you can usually find something that no one else has reported on  and something that you feel is like oh that's an Enterprise story that's like breaking news  I need to you know report on this no one's heard about this um so usuall
y you can like also  find stories by building good relationships with your sources like sometimes I will just you know  I become kind of friends with a few of my sources like we get on calls like every now and then and  they'll like just you know send me a photo being like oh this you know this place is saying they  recycled Synthetic Turf but that's not actually happening so they'll send me a photo and I'm like  that's an incredible angle to a new story so just I guess you know build good relat
ionships with  your sources Beyond The Daily Grind by which I mean you know again your sources are people I mean  you know at the end of the day they're people like they just want to be heard they just want to tell  their own stor so um I try not to treat them as sources all the time I mean yes where when you're  on a story you need to you know keep boundaries but you can still continue to have relationships  with them after you're done with the story and that's how some of my best stories have
come um  just you know by like talking to my sources a few months after the story was done and they were  like hey have you heard about this and I was like whoa that's exciting so um that's like a tip  that has worked for me in the past um so how can you get started and I know all of you probably  have really busy schedules and you're like how do I get into an investigative story when I'm  saddled with so many other stories I've so many other commitments like what do I do to actually  produce an
investigative story and honestly it is possible it will just take some amount of time and  probably some amount of commitment on your part to make sure um you can achieve it but it's totally  possible and as I mentioned it's really easy to do when you can find investigative stories on your  own because that means that you can continue to pursue all these other stories and still make  sure you can get your investigative story done so again as I said cultivate your sources but also  become an aut
hority on your be like know what's happening in and around your being because that  will really help you understand your own story better and maybe dig deeper into a story that  normally you won't have enough time for um think about what are the big questions on my beat what  are the questions that people haven't answered what what isn't happening um and if you can do a  big project because sometimes editors don't want to give you all that time to do a certain project  investigative stories just
require so much time right if you can do that then just do incremental  stories um you can do like short pieces and build up to it so um you you guys have probably heard  of Bob Woodward and um Carl Bernstein working on the Watergate stories they never produced a huge  investigative story on the Watergate um Scandal what happened was a series of incremental stories  over time that they built upon and that turned into a huge investigative project by the end of  it but they didn't know what they
were doing and so that's totally an option if your Eder feels  more comfortable um with giving you like you know a small chance like okay maybe take maybe do  like a thousand word story maybe do a 1500 word story and not an investigative story take that  get started I think that's the best way to like you know see if your story even has viability  to become an investigated story um and really try to find data and documents because really  data and documents they are your best friends especially
when it comes to an investigative  story um because sometimes you can even find stories hidden in the fine print like even data  that's saying one thing if you really look close into it you might find it saying another thing  and data can really help you um make your story stronger because especially with investigative  stories you really have to be careful about um making sure that the harm you're talking about is  really happening so really data and your documents they are your best friends um
and so I have some  more tips and helpful resources just to get you started um what's helped me in the past is talking  to other investigative reporters and just learning from their process um one of my professors at  USC he always told me so he went to India for a story this one time and he was like I just bought  them pizza and beer just to make them talk to me because those workers just did not want to talk  to me um until I did that and I'm not saying you have to do the same thing but it's
really helpful  to know what people have done in the past to make sure they get their sources to make sure they get  their stories um it just helps you on your journey like let's say if your stuck you can be like oh  I I know this guy who did that let me try that you know um so if you know other reporters that  you admire or investigative journalists um just set up coffee chats with them just get to know  them um learn from their process ask questions I mean we are journalists just just ask as m
any  questions as you can um learn from other people I recently attended the IDW Society boot camp  on investigative reporting it was a two-day boot camp and a bunch of speakers came from like  Pro publica um AP Washington Post all of these different organizations and they talked about  their process which um I actually borrowed some of what they taught me to put into this presentation  here so definitely check that out um I think um it's a great resource and the IW Society is really  supportive
of journalists of color um especially when it comes to investigations um because as you  know you know we don't see many people of color in investigative newsrooms and I really believe we  need to change that and you know I think you try to get as many resources as possible just to make  sure you get there um and as I said in my next point if I and night car seem to intimidate it go  to other Society conferences where you feel seen just because those are not the only places where  you can find
investigative reporters even though those are traditionally the investigative  conferences um I've heard so many great you know panels and I've been to so many other um you  know great talks and stuff at conferences like sej where they've talked about their investigative  processes for you know environmental stories and so I don't think think Irene nikar should be your  only source for you know investigations or you know getting tips about investigative journalism  you should go to all of these
other Society conferences um where you meet people who you know  look like you because sometimes that's important when you walk into a room and no one looks like  you when you know your culture or your background isn't appreciated sometimes that can feel like a  let and I definitely felt that at times but you know it really shouldn't have to feel like that  and you know so I I really hope things change in the future but another thing that you should do is  read investigative stories and try to b
reak them down like understand the process understand how  they report on these stories like what was their start what was their finish how did they get from  you know ground like how did they get from point A to point B to point C and how did they report  them because that will really help you understand what you need for your own investigative stories  in the future um and the most important tip that I wanted to give all of you please redefine what  investigative journalism means for you and b
y this I mean is when sometimes you hear about someone  else's investigative process and it doesn't feel like something you would do that doesn't mean you  can't make it as an investigative journalist it just means that your process into investigative  journalism is probably just going to be different and that doesn't make you any less of an  investigate journalist um because every for every person journalism looks different um some people  like asking a lot of questions and there are other peop
le who are just you know happy to sit back  and let the sources talk to them be involved in the whole thing without asking questions um I  met this journalist um at a conference last year her name is Valerie vanan and she is a Native  American journalist and uh you know reports on different indigenous um communities and what she  told me was she doesn't ask them any questions at all she just sits back and let's lets them talk um  she says you know I don't want to be disrespectful sometimes they'
ll tell me stuff and then maybe  I'll ask a few follow-up questions but that's her process even when she does investigations  that's her process she doesn't ask a lot of questions but then there are other people who ask  a lot of questions and that's what works for them so I I think you need to figure out what works  best for you and the only way you're going to do it is R trial and error so don't be afraid to  make mistakes just take as many risks as you can um you know and just just try it jus
t try what  works for you try different kinds of processes um go to these different investigative reporters  set up coffee chats talk to them maybe try a few things out that they tell you and if it doesn't  work for you then you know that it doesn't work for you try something else um but really you know  if someone makes you feel like you can't be an investigative reporter which I've personally heard  in the past two I've had a few professors who were like oh you you can't really be an investiga
tive  journalist if you're not like brave enough to go out there and try and there are some things that  don't work for me but that's fine I am not the journalist that they are um their process is  different doesn't mean that I'm not any good you know so you just need to believe in yourself  and just go forward and trust your profes so some of the investigative stories that I'm working on  for the zyo one is on the impact of lithium mining in Imperial Valley so I don't know if you guys  have hea
rd but uh the Biden Administration has contracted this huge area to build a lithium mine  in Imperial Valley just because there's a huge deposit but that means a lot of communities get  displaced and what really happens after the mine runs out is my question because you know until  the min's there yes there's economic prosperity in the area but as happened with Appalachia in  you know um in the 60s and 70s you know when the mine started running out when the iron business  started you know collap
sing the community started to collapse and there was no economic growth in  these areas and I feared that something similar is going to happen with you know Imperial Valley  and so that's something that I'm looking into I'm also looking into fire insurance in California and  Oregon because um insurance companies have started to pull out which means a lot of people are either  going uninsured or have to pay extremely huge premiums just to make sure that they can stay  safe um and the last story t
hat I'm working on is recycling of Synthetic Turf so if you've ever  heard of Synthetic Turf it's like artificial grass um and a lot of companies say it's eco-friendly  because um you don't have to water it but it can also be recycled but again it can be recycled  but we we know better um there there's like one company that says if recycled Synthetic Turf  but actually it sends all the Synthetic Turf from California to Texas and then it burds it  there because Texas laws are different around um
what can be termed as recycling California  doesn't accept ination as recycling Texas does so anyway we are trying to uncover that story um  a few other stories that I'm working on I'm doing a podcast in redlining and environmental justice  in La um and then there's this community story that I'm looking at which is about eoch chapy  and has you know we can use religion to help fight climate anxiety that's something I'm very  passionate about and I'm working on several other climate communication
projects um at the same  time so as I said journalism is hard but you're here for a reason so trust your gut it's hard but  you can make it I mean I'm pretty sure all of you have your own origin stories with how you got into  journalism why you wanted to be a writer and trust those stories even if they don't sound like the  stories you've heard from me or from other people I think all of those stories are valid because  everyone has a different career path and you know it's not that if your p's
different from somebody  else's that you can't make it you're going to make it all of you in this room are going to make it  so like really trust your own process um and one thing that I've learned over time people love  giving advice like I'm doing that with you guys today giving you so much advice um you can listen  to all of it but you don't have to follow all of it just because you know everyone's process is  different so experiment try do what feels best for you and really just trust your
God so now is  the time for any questions if you guys have any um please feel free to jump in um I have to say um  just thinking about little five-year-old Shrea uh literally becoming a climate journalist in that  moment when you worried about what the future held was was a very powerful image um I want to  ask you a question shre before I open it up to the the journalists I wanted to ask you is um you  know we are living in a time when there's so much push back to inclusion and equity and so mu
ch of  investigative journalism RIT large is about who's getting what and who's not getting what and who's  getting access to resources etc etc so in your reporting how much of that are you encountering  and how do you deal with it when you do um it depends on The Newsroom that I'm a part of  generally um like the xyum we are a small Newsroom and we really don't have as many resources as like  some of the other newsrooms that I worked at like LA Times and count matters there I have access to  so
so much more than I have access to here at the syum and so I spend a lot of my time applying to  Grants just to make sure I can cover the stories that I want to um and that really I mean hurts me  in a sense that you know I could be spending all my time reporting on the story instead of applying  for GRS to report on the story and I mean I'm not saying that I have it bad like it's it's not  bad it's a great place to work and I'm really happy that I'm getting all these experiences but  at the sa
me time I really feel like there needs to be some sort of like balance especially for you  know these small nonprofit newsrooms or like local newsrooms local newsrooms suffer so much because  of lack of resources I mean um I worked at a newsroom in Oregon for a couple of months during  last summer and basically we were covering like three or four stories a week which meant we had  no time to do bigger stories like investigative stories and that's pretty much because a local  newsrooms don't have
enough money to pay their reporters and so you know you can only hire so  much people and they have to cover everything in the area which means we have no resources  for investigated stories but on the other hand sometimes you know these stories also just  never see the light of day just because you know there's so many other priorities that you have  even like when I was in Oregon I heard about so many investigative stories that I could have done  and that I wanted to do but it's just there's
so many other pressing stories that you need to cover  that it just like never gets done um and I don't have an answer to how make how to make it better  you know I I just want um local newsrooms to just get more resources over time um I really hope the  press forward initiative that was launched by the American journalism project I mean I I really  hope that happens and I really hope they give money to more bipo news rooms and local news rooms  let's take a question from Caroline uh introduce y
ourself please oh yes hi my name is Caroline  kovin I'm a Dei reporter for HR dive um heard you definitely on the idea of like a push back  Rachel um especially with like Dei but my question is about climate reporting so I actually recently  started um a substack about climate Justice and like sustainability and I think something that  I'm wrestling with is how do you get like Buy in from readers who aren't necessarily interested  in climate Justice specifically like people in the EJ field and I
think something that I've been  thinking about a lot is um you mentioned like Eco anxiety and I feel like there's like two camps  of people right people who are like constantly like dulling out stats that show like the dire  state of our Earth and how everything is going to be bad soon but then there's also people who  are like on the climate optimism side of things so I think I'm just kind of wrestling with like  how I don't know if I'm asking what's the best approach but what do you feel like
is the most  effective approach when it comes to like climate reporting I try to okay I I do have so many  thoughts about that because that's a question that I ask myself all the time because you  don't want to be too optimistic but you also don't want to be too pessimistic um I think  there exists something in the middle that I like to call informed optimism and so again  it's more about like not or I guess realistic optimism which suggests that you don't have to  go towards the end of greenwa
shing like do not support greenwashing do not be like oh the world's  going to become a better place just because all of these companies say so but at the same time you  can you know promote communities and like I I love telling stories about communities that are  making a difference because I really feel that's one of the best ways to be optimistic but at the  same time you are taking a more realistic step sense that okay these communities are limited it's  just you know you have to spread that
message of Hope just so that you don't push people into the  cycle of doing Gloom but at the same time tell them what's happening like hey this is a crisis  I mean don't be too optimistic we still need to fight it and just remind them that there are so  many people who are fighting it and so we you just have to be one of them um I guess I that's what I  try to do but I I don't think there's like a best approach to it just because um at the end of the  day I think for every reader they feel diff
erently about every story right so you just have to do  what feels best for you and for me I just like to give people the information that I think they  need but at the same time remind them that hey there's still help people are doing something  about the crisis um you asked one more question and I totally forgot what that was oh I feel like  you answered my question really well just about like striking the right balance um I think I also  asked a little bit about getting Buy in from um people
who aren't just in the the environmental  justice space right um yeah I've struggled a lot with that I started a newslet on climate change  when I was um back in grad school and basically what I did was I tried to merge in all of their  other interests Into Climate journalism so like you know one great example that my boss that USC  always gives is how can we connect climate change to things like skiing or outdoor Sports because  that's something that's like really um you know if if you tell peo
ple that hey you can't ski  anymore alarm belts are going to rise right so you know you just have to like connect all of  these different climate change topics to things that people actually care about like people care  about job security how is climate change going to impact their job security um you can talk about  pocketbook issues like people care about their electricity bills right they care about their  energy bills their water bills so you can bring in climate change through those angles
and be  you know I guess Market your newsletter or your substack in a way and I would love to know what  your sub's called by the way love to subscribe um but you can Market it in a way that basically  tells people that hey if you're worried about these different issues then this is the perfect  newsletter to subscribe to because I will be talking about all of them and how climate change  affects them and that's just one idea I mean like you should go for what you feel is right thank  you let's
go to Julian now hey Shrea I'm Julian srau I'm a fellow at the Boston Globe um I want to  ask you a little bit about like the international reporting that y'all do like how do y'all find  people in those places to do those stories for one you know how do you stay connected what's  that kind of like logistically and also with a lot of people who might not have done journalism  before how do y'all go about you know training them up quickly and also like supporting them in  their journey of like fi
guring out out how to do it right of course um so a lot of international  folks they just show up like they just like pitch stories to us um we don't really go about finding  them anymore because I think the asylums kind of made a reputation for being a safe haven for  international journalists to report on report for you know um so at this point journalists just  come to us and we try to take as many stories as we can just because we want to make sure give them  a voice because I I mean I know
how hard it is to pitch stories to different places personally I've  written so many pitches and nothing ever comes out of it right and sometimes for new writers it can  be really tough to write a convincing pitch um that makes you know actually get somewhere and so  we try to take as many pictures as we can from new journalists just because we want to make sure you  know they get a space to start writing stuff um logistically it can be really difficult especially  when working with Internationa
l journalists just because of time zones um it can be kind of tough  so some of these stories end up having a longer time than we actually wanted to give them like  you know um the turnover time can be much much longer than um we would actually like but that's  okay as long as we get the work accomplished um I feel like we've accomplished what we wanted  to um in terms of training um I just sometimes you know like to you know let the writers ask me  questions about what works best or you know as
k them questions about what works best for them um  during the editing process is usually when a lot of learning happens um I'm the kind of editor  that likes to rewrite the piece entirely and so I'll like you know leave comments on their  original version but then I also like go back and rewrite it and I'm like you know you can just  take whatever you want to you can reject whatever you don't want in there and I feel like that  works really well for a bunch of writers but I also try to be sympa
thetic to you know what the  writer wants how the writer wants to be edited because I know that doesn't make everyone happy  the first time when you like see someone rewriting your entire piece sometimes that's not really  encouraging um but that's how I've learned from my editors when like they would rewrite the entire  top of my story and then I was like wow this is so much better than what I had before um but I really  feel for every single person it works differently right so I just try to g
ive them as resources that  I can um I try to help them report when I can I try to help with like factchecking or like finding  more data just like literally whatever they need mahare oh I think that you answered my question I  was just going to ask you about freelance pitches um and whether there are any pitches that you guys  have ever turned down um and I was also curious the international story that you showed us earlier  whether that was a freelance pitch um um that was a freelance pitch an
d we do turn down a lot of  stories just because um I mean we can't actually take all of the stories right we do operate on a  pretty small budget and Alex and I are the only editors in the room so it can get pretty hard you  know just managing a lot of stories but we really try very hard to give voice to new journalists  um as much as we can sometimes we take pictures obviously we think certain pictures are better  than others but really as much as we can we do try to give voice to new journali
sts y should know  that um one of the covering rare diseases fellows for npf uh for 2023 wrote her her project for the  Asylum it as Crystal Chow from Hong Kong and so that's how I learned about the publication and  that's how I I came up with you so so funny the way those things work I'm going to jump in and  if there are any other questions please ceue up so that we can know who has a question but I W to  do some some real talk here and and I don't want you to take this as patronizing or anyth
ing other  than the way it's intended but when I started out God 40 years ago um and I would walk into The  Newsroom or in or in to let's say the mayor's office of the small town in Florida where I was  working I would be immediately if not greeted with what the heck are you doing here uh you I  did not give you permission to speak to me there was a lot of sort of barriers to me doing my job  based on how I looked and you know 40 pounds ago I and 30 years years ago I looked young and so there  w
as a way that people sort of automatically didn't think that I was there to do business similarly  when I wound up at uh the national public radio working at NPR and N DC on the science desk uh I  was met with a sort of you're a science reporter uh how what do you know about this topic or you  know wanting calling experts and then having them come into the studio and they'd spoken to me on  the phone but meeting me in person it's like oh you're black so I what I want to ask you about is  in this
realm uh how are you coming across those same kinds of interactions or has things gotten  better since I started out you know things have gotten a bit better because I think people are  more afraid to be called racist in today's times and I'm not saying like people have become less  racist over time I think people are just more afraid that you know being a journal I think  they realize how much power journalists have um and you know they they know if I like you  know call them racist or if I sa
y you know I met with this person and they did not treat  me the way that they should have with a lot of respect um they're going to called out for it  and so I feel that way things have gotten better but I still do experience at times like um when I  lived in Rural Oregon there were a few times when I W walked into a room trying to do a story and  you know I'm kind of like I'm 53 and I'm skinny so I look small too and they just like sometimes  talk to me in a patronizing tone um just because I
I look young and I sound young and they're like  oh she's just a young woman of color like you know she doesn't know what she's talking talking about  and so they talk to me in a patronizing way um personally I just try not to take it personally  because I know it's nothing about me it's about them you know it's they I mean if they think  I have no power then they are the ones who are wrong and I just try to like go ahead with as  many questions um and one thing I realized like being a journalis
t it's it's fun because like  you can pretend to be dumb even when you're not like sometimes you know I just like want to get  my story and get out of there and I will just like let them talk to me the way they want to and  get my story and get out of there but I really do wish things were better I mean like I wish I  didn't have to go through that I wish people did treat me with more respect um sometimes it  will bring up the fact that I do have a science degree to you know get the point across
and being  like hey I I know you're talking to me this way but I don't understand what you're talking  about like the jargon is getting through so you don't have to do that but um I mean it really  depends on the kind of person I'm talking to like some some old white folks sometimes I just like  you know I I don't want to get into trouble I I I don't want to make a scene and so sometimes I  just like let them talk to me um in the way they want to but yeah I don't know if that's answering  your
question in one sense yes I'm very pleased to hear you say that you feel that uh things are  better certainly not as openly hostile as as some of the things that I've experienced but I guess  what reason I asked is because of there's so much backlash now and there's so much and as you you  stated that people are afraid to be called racist but you know I I have my doubts even about that  given the the what we're facing this year in the election cycle and the sort of overall mood in  the country b
ut um I I'm going to start skewing towards the positive uh based on what you've said  I I feel like young people who are prepared and empowered and and kind of uh are pragmatic about  it they could probably deal with it a lot better than I did I'm going to let aity jump in I just  want to say one more thing to that oh I'm so sorry I'm just going to add one more thing to that  um I've learned that being fired with people and like standing your own ground really helps  like especially in situation
s that can become a bit worse than what I talked about um because  I do have like a few friends like uh one of my friends Maya Vette she's a reporter for USA Today  and she has been covering the elections recently going to all of these different places in the  South and she is from the South but she's black and so she understands like she's you know faced a  lot of racism just not only as a journalist but as a black woman growing up in the South and the way  she does it is she just like stands t
o ground when someone you know doesn't treat her the way she  deserves to be treated she'll just kind of she won't outwardly call them racist but she's just  going to be firm and like stand her ground and she's someone that I learn a lot from personally  um and how to deal with you know um these kind of sticky situations but um that just wanted to  wrp that that really helps sometimes thanks hi Shrea thank you for doing this I am a writer for  CNN uh I wanted to ask you uh something that you men
tioned uh earlier in your Pres presentation um  when you're accepting pitches or you know reading through pitches for xylm uh do you take the same  approach where you would rather work with a writer on like uh The Brick by Brick building a story  instead of like a big investigation like blowing a story wide open do you like what what how would  you uh you know approach a new relationship with a new writer like are you thinking hey let us get  him or her to do this one small story first and then
get a second version or are you like open  to the full thing from the go start um that's the benefit of working with the sylm if someone  pitches us an investigative story and you know it sounds like a good pitch we'll take it um  usually when we're working with a new writer um we are a bit more skeptical just because we  don't know if they'll end up producing the stuff that they promise but you know we don't pay  people a lot I mean because we were a small News Room unfortunately like we would
love to  pay people more but we can't um because we do operate on a limited budget and so we just try  to give people opportunities as much as they can um usually when like people pitch a story to us  and we accept it we'll like sign a whole contract and it's not a lot of money that we can offer even  for a longer story like um we usually offer people have written for us before a bit more money just  because you know we we know that they're going to turn in something that um I mean and it depend
s  on like the length of the piece too but like if you've written for us before and it's a longer  piece then we might be able to offer you more money just because you have credibility behind  you but again if it's a new writer we will still offer like if it's a good story that they've  pitched we will still you know offer them a contract and everything um it just may come with  less benefits but again we do try um to take in as many stories as we can and even if it's an  investigative Story by
a new writer we try to take it um if it sounds like a good pitch um they  might they might need more handholding than other people and you know that's like where we come in  um we are willing to give you know give them all the chances and give them as many resources as  they need because um I mean Alex and I we both really believe in that message just because um I  needed a doll of hand handholding when I started my career Alex got the same from other people  and so we really believe that we wan
t to be you know a support system for new writers are there  any other questions if not I'm going to to jump right in and and wrap this up [Music] um I sort of  have the feeling that the issue of climate change is uh ultimately almost the sort of generational  centerpiece for so many different conversations as you said and as I started out by saying that you  know thinking of you as that 5-year-old girl but when we think of adults and and parents in this  moment right now who are bringing childr
en into this world into a world where 30 years from now  who knows what we're talking about so again to sort of get back to the earlier question about  how do you frame them in ways that don't come across as you know panic and let's run into the  streets but when it comes to people of color and poor people and who are are dealing with the the  the biggest impacts of climate change any advice on how to to frame those stories in ways that  help lessen the sort of otherness of this topic that it it
it's too bad if you live in the ninth  ward or it's too bad if you live in in Bundi or whatever how what advice do you have on helping us  do that um talk about communities honestly that's kind of been my approach to reporting on you know  disadvantaged communities just because even within those disadvantaged communities they're always  there's always like a few Community leaders who are trying to make things better for other  people and they don't operate alone I mean they have a whole Army be
hind them usually um  I mean when they're starting out sometimes they operate alone but like you know everyone needs  support to make sure um things get better like to make things better um the podcast series that  I've been working on um one of the podcasts talks about basement flooding in New York especially  as a lot of immigrants live in these basement apartments um there was this one guy I mean  he's been just like you know going out there you know um lobbying for Change and like trying  to
make sure people have a better life but like at the same time he's connected to all of these  different organizations who are trying to help him get there and so when you talk about disadvantaged  communities in like different parts of the world I mean there are so many people who you know  may not have heard of those places but there are Community leaders who want like within those  communities who want to make things better and usually you can kind of be you know the rain maker  for them like
connect them to other people either through a story or just like for me I guess like  journalism is not just about publishing stories I think it's about like really trying to you know  make people's lives better and so even when I'm doing a story sometimes like someone will tell me  oh I'm going through all of this and I'll just be like hey I've heard of this organization that like  does this do you want me to connect to connect you to them and even though that's not part of my job  I will do t
hat just because I I mean that's why I became a journalist to help them right and even  if I don't help them through the journalism at least I can help them with like a connection or  something um but I guess yeah I I totally lost my train of thought but I guess I what I was trying  to say is you know I think it's really important to Center those disadvantaged people in terms ter  of communities just so they realize they're not alone and they aren't alone it's just like if  people haven't heard
about what's happening to them they can feel alone but that's where we come  in and we make the difference well that's really what it boils down to I I think sometimes people  are intimidated by the the term science journalism or science reporters or think you have to get  into the weeds and get technical but it really boils down to telling stories and often these are  stories that that have been ignored and neglected is that would you agree with that absolutely  absolutely and I really think th
at science reporting doesn't have to be all about data and  facts because like the communities that do get shaped by science they they don't know about the  data or the facts they just know about their own personal experiences and I think that's what's the  most important when it comes to you know telling these stories and like making sure these stories  connect to other people and you share experiences um like I mean that's how you know I mean with  my friends like I don't talk about the data w
hen it comes to climate change I talk about how I'm  feeling or this like new thing I heard about that might make people's lives better and so really I  think about it like like like making new friends through sharing stories you know what a terrific  way to end uh this conversation and this whole day of conversations about investigative reporting and  what is the role or what is the need for people who look like us to be involved in the process  so I want to take this opportunity Shrea agal of
the xylm and so many other organizations  to thank you so much for joining widening the [Music] pipeline

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