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Judd Apatow: To Write a Comedy, Don't | MasterClass Moments | MasterClass

At the center of the 40-Year-Old Virgin is a serious story about personal shame, explains Judd Apatow. That's why it succeeds as a comedy. Learn more about Judd Apatow Teaches Comedy https://mstr.cl/2F48aTf In his first-ever online class, award-winning director, writer, producer, and comedian Judd Apatow teaches his process for creating great comedy. You’ll learn how to create hilarious storylines, write great stand-up, and direct comedies that leave audiences laughing. Judd Apatow is one of the most successful, influential, and respected comedic minds of our time. He has spent his entire life in pursuit of comedy—starting with his first job washing dishes at a local comedy club, just so he could be close to the action. Since then, Apatow has built an empire of “funny” as a writer, director, producer, and stand-up act. From Bridesmaids to Knocked Up to Freaks and Geeks, his work has been nominated for numerous awards and set box office records. In addition to his signature brand of comedy, which marries gut-busting raunchiness with relatable characters and heartfelt emotion, he is known for his uncanny ability to identify up-and-coming talent. At his core, Apatow is a champion of the underdog and this is reflected in his work, as well as his activism and his philanthropy. Judd Apatow’s MasterClass teaches you a new way to think about comedy. Through case studies, scene breakdowns, and candid stories, you’ll learn everything he knows about the art of making people laugh. In this online comedy class, you’ll learn how to: • Find comedic inspiration • Mine your life for material • Outline and structure stories for film and TV • Write stand-up material • Write comic dialogue • Pitch projects to studios and networks • Work with actors • Navigate the entertainment industry More from MasterClass: • Steve Martin Teaches Comedy: https://www.masterclass.com/sm • Aaron Sorkin Teaches Screenwriting: https://www.masterclass.com/as • Ron Howard Teaches Directing: https://www.masterclass.com/rh • Shonda Rhimes Teaches Writing for Television: https://www.masterclass.com/sr About MasterClass: MasterClass makes it possible for anyone to learn from the best. Get inspired with classes from 75+ world-renowned instructors on cooking, photography, writing, performance, and much more. Watch video lessons anytime, anywhere on mobile, desktop, Apple TV, and Amazon Fire TV. • Subscribe: https://mstr.cl/30SH1wj • Facebook: https://www.facebook.com/masterclassofficial • Instagram: https://www.instagram.com/masterclass • Twitter: https://www.twitter.com/masterclass #MasterClass #JuddApatow #comedy

MasterClass

5 years ago

People should look at comedies as dramas when they're writing. It really doesn't help to think of these stories as comedy stories. They should be stories that would work just as well without any jokes. If you have a great story and great characters, it's easy to find a way to make it funny. The problem with a lot of comedies is they're serving a comedic premise, primarily, and they don't really have a reason to exist. You could say that The 40-Year-Old Virgin could have fallen prey to that. We d
on't approach it as a funny idea. We approach it as a real idea about a guy who let something get past him. And now he's so embarrassed and so scared that he can't do it. And that's a dramatic story about shame and about someone who is stuck as a pubescent person. And if you take it seriously, then, suddenly, his predicament can become funny because he's in a corner. I generally just think difficult circumstances lend themselves to comedy and it allows it to be both dramatic and funny.

Comments

@stancexpunks

This man was responsible for one of the best comedies of all time: Get Him to the Greek

@sabahbubbler

Don't forget, this guy made Freaks and Geeks. Surd the current movie aren't as hit but when it does, it does.

@JamieJobb

Well, there's that 45-minute story Nick Compangia tells about the alfalfa deal he made with a Napa high-roller and the umpire who kicked him out of the ballpark. It's got great characters and because it involves the total loss of a LOT of money, it's quite tragic ... at least for those who lost it. Those who found the stash of cash were the ones who found it quite funny. They were NOT Garry Shandling, by the way.

@Eric-sy1xu

Look Who's Back is this I think.

@FrancoisDeutschmann

This is the guy that makes 2 and half hour broad comedies, right?

@s-idney

Oh boy

@joesidari252

The Larry Sanders Show

@silviapabon1282

what's up Master..?